Renaissance Recorders – Recorder Home Page

Adrian Brown

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ID	City	Collection	Inventory	Type	Pitch	Mark	Maker	Speaking_length	Blockline_to_thumbhole	Blockline_to_fingerhole_1	Blockline_to_fingerhole_2	Blockline_to_fingerhole_3	Blockline_to_fingerhole_4	Blockline_to_fingerhole_5	Blockline_to_fingerhole_6	Blockline_to_fingerhole_7	Maximum_bore_diameter	Minimum_bore_diameter	Window_width	Window_cutup	Material	Notes	Sources	Data_sheet	Bore graph	Images
1	Amsterdam	Historisch Museum	TLDW-1	soprano	c#''	R·HAKA (scrolled) / (fleur-de-lys)	Haka	300.0	97.5	112.0	132.8	153.8	176.5	199.3	221.2	241.3	15.20	12.4	11.2	3.6	palisander, ivory	Found during an archaeological dig in Amsterdam's Jordaan district, the instrument was being preserved with PEG solution when measured. It has a very large ivory ring at the bell which was fractured. For a while the instrument was on display at the Amsterdam museum (formerly Historical museum) but has now been confined to a depot.	My own observations and measurements. Brown (2004).	http://www.adrianbrown.org/measurements/Amsterdam/AmsterdamTLDW-1.pdf	http://www.adrianbrown.org/measurements/Amsterdam/AmsterdamTLDW-1graph.pdf	https://adrianbrownsite.wordpress.com/amsterdam-tldw-1/
2	Bologna	Accademia Filarmonica	602 (FP7)	basset	g	P·GRECE	Grece	765.5	262.0	298.0	342.3	378.0					28.50		13.5	7.5	plum	Large piece missing from the body below hole 3	Puglisi (1981), Tiella (2005).
3	Nuremberg	Germanisches Nationalmuseum	MI103	tenor	c#'	HF/Hieronimus/Franciscus/Kynseker	Kynseker										23.00	18.3	13.6	5.8	plum, with horn ring		Kirnbauer (1994).
4	Nuremberg	Germanisches Nationalmuseum	MI102	tenor	c#'	Hieronymus Franziskus Kynseker	Kynseker	533.0	179.0	196.5	234.5	270.5	313.0	350.5	387.5	420.0	23.00	18.3	13.6	5.8	plum, with horn ring		Kirnbauer (1994).
5	Nuremberg	Germanisches Nationalmuseum	MI104	basset	f#	HF/Hieronimus/Franciscus/Kynseker/in Nürnberg	Kynseker	821.5	268.5	293.5	336.5	373.5	459.5	509.5	551.0	671.5	31.80	24.5	18.3	7.4	plum, with horn ring and brass keywork	Makers mark includes name: Hieronymus Franziskus Kynseker - in Nürnberg	Kirnbauer (1994).
6	Nuremberg	Germanisches Nationalmuseum	MI100	alto	f#'	HF/Hieronimus	Kynseker	398.0	128.5	142.5	172.0	204.5	242.5	270.5	297.5	322.0	18.00	16.2	12.0	5.4	plum, with horn ring		Kirnbauer (1994).
7	Oxford	Bate Collection	117	basset	f#	! ! ML-J type H	Bassano	851.0	254.5	284.0	328.5	368.0	462.0	510.5	554.0	668.5	36.40	27.7	20.0	7.1		Finger-holes 3 and 6 are angled towards the foot of the recorder. Block is a replacement but presumed original survives. Instrument still plays and tuning is reasonably good.	My own observations and measurements. Plan drawn by Tim Cranmore (OXFBC0117), published by the Bate Collection, Oxford, UK (? date); Cranmore (1984).
8	Paris	Musée de la Musique	E.2139	basset	f#	HF/Hieronimus/Franciscus/Kynseker/in Nürnberg	Kynseker	852.0	274.5	312.0	354.0	390.5	478.0	526.0	563.0	680.0	33.00	23.0	18.2	6.9	box	Makers mark includes name, Hieronimus Kynseker Bell is turned and carved in the form of tree roots. Bell is Marked 1630 according to Tellier (1985). and the museum web site. Kirnbaure (1995) has it as the more believable 1670	My own observations and measurements.
9	Paris	Musée de la Musique	E.2141	great bass	E+	none		1837.0	602.0	635.0	684.0	725.0	1043.5	1093.0	1142.5	1462.0	61.00	46.0	30.2	10.0		Replacement foot made by Henri Gohin.	Henri Gohin (pers. comm.)
10	Paris	Musée de la Musique	E.303	basset	a#	double trefoil	Schrattenbach	653.5	167.0	205.0	242.5	287.5	352.0	395.0	435.0	527.5			17.2	8.2	maple	This instrument was direct blown (no cap). It shows sign of woodworm damage! Finger-hole 1 is angled towards top of the recorder; holes 3 and 6 are angled downwards towards the foot.	My own observations and measurements.
11	Paris	Musée de la Musique	E.2376	basset	g#	! ?????		782.5	265.0	292.0	337.0	378.0	451.0	492.5	531.0	632.0	30.60	26.3	19.5	6.6	fruitwood	Ganassi fingerings. Maker's mark could be ! !	My own observations and measurements.
12	Paris	Musée de la Musique	E.691	basset	a#+	double trefoil	Schrattenbach		187.5	206.0	248.2	286.2	358.5	405.0	447.0	520.2	30.50	21.5	21.7	7.6	maple	Columnar recorder with extension (has three additional keys and fingerholes and a back-bore, in the manner of a bassoon.) Minimum bore diameter is at tone-hole 11 on the back-bore, namely 19.0 mm.	Henri Gohin (pers. comm.)
13	Bologna	Accademia Filarmonica	604 (FP9)	bass	c	P·GRECE	Grece	1121.3	382.5	428.5	473.5	507.5	706.8	746.8	779.8	902.3	37.20		15.8	7.7	plum	This instrument is in two parts and has no crook. It is blown through a hole drilled in the wall with an enclosed cap.	<p><a href="http://www.adrianbrown.org/database/RR_database_references.html" target="_blank">Puglisi (1981), Tiella (2005). </a></p>
14	Paris	Musée de la Musique	E.980.2.85	tenor	d#'	none		459.4	135.0	147.0	179.5	216.0	263.5	297.0	331.5	360.5	27.50	21.4	14.1	6.8		Finger-holes 4 and 5 angled towards upper end of recorder. Huge bore diameter.	Philippe Bolton (pers. comm.)
15	Paris	Musée de la Musique	E.365	basset	g#	single trefoil	Schrattenbach	775.0	257.5	289.5	332.7	373.0	448.2	493.0	533.0	629.0	30.40	28.8	19.3	8.0		Only one trefoil mark below window.	Henri Gohin (pers. comm.)
16	Paris	Musée de la Musique	E.301	bass	c#	Y		1145.0	370.0	405.0	452.0	495.0	649.0	697.5	748.0	928.0						Two-piece construction with a joint between finger-holes 3 & 4 and tête de negre (carved head) on cap.	My own observations and measurements.
17	Paris	Musée de la Musique	E.2330	soprano	b' (est)	none, but see notes	Bassano	306.5	97.5	108.5	132.5	154.0	179.0	202.0	227.0	252.0			10.7	4.8	ivory	Same maker as Paris E.1935. The bell is turned cylindrical. This instrument is cracked, falling to pieces, and unplayable.	My own observations and measurements.
18	Paris	Musée de la Musique	E.127	bass	d#+	double trefoil	Schrattenbach										40.20	28.8			maple	Columnar recorder with extension with three additional keys and fingerholes and a back-bore, in the manner of a bassoon.	Henri Gohin (pers. comm.)
19	Paris	Musée de la Musique	E.1935	tenor	e'	! ML-J type unclass	Bassano	466.0	148.0	163.0	196.5	226.5	266.0	302.0	335.5	365.0	22.10	17.8	13.4	5.0	ivory	Finger-hole 7 angled towards the foot of the recorder. Leather covering of head, with fleur-de-lys motifs. Said to play with Ganassi fingerings.	Plan published by the Conservatiore National Superior de Musique (now Musée de la Musique) Paris (? author, ? date)
20	Pisa	Private Collection		alto	g#'	MH		382.0	125.0	134.5	162.0	191.5	220.0	254.0	284.0	310.0	17.70	12.75	11.2	7.7	fruitwood, ivory	'Waisted' turning, two ivory mounts, look like Nuremberg. Recess for decorative plaque (missing) below window.	Brown (2002).
21	Potsdam	Bezirksmuseum für Geschichte	81/634V	sopranino	f''	R·HAKA (scrolled) / (fleur-de-lys)	Haka	212.0									11.50	9.6	8.8	2.8	ivory	Earlier in the Germanisches Nationalmuseum, Nuremberg, with the inventory number MI 142 (Kirnbauer (1994).	Bouterse (2001), Kirnbauer (1994)
22	Quedlinburg	Schloss Museum		case																		Case for seven recorders including those held at the Schloss Museum, Quedlinburg.	My own observations and measurements. Kirnbauer (1995); Rüdiger (2003).			Here
23	Quedlinburg	Schloss Museum		alto	a'	S		343.2	123.3	134.0	159.3	184.5	213.0	237.8	264.0	286.8	16.50	13.5	11.6	4.3	? cherry	Replacement block? This is the alto having no score mark on bell, hence alto 1!	My own observations and measurements. Kirnbauer (1995); Rüdiger (2003).	Here	Here	Here
24	Bologna	Accademia Filarmonica	600 (FP5)	basset	g	P·GRECE	Grece	765.5	263.5	299.0	343.0	377.0	483.5	527.0	560.0	590.0	28.10		12.7	6.9	plum		Puglisi (1981), Tiella (2005).
25	Quedlinburg	Schloss Museum		tenor	e'	S		464.5	158.0	174.5	204.3	237.0	274.3	309.5	342.0	379.5	22.40	20.0	14.2	6.1	? cherry	Infected by woodworm in the past. Replacement block? This is the tenor with no marks on the bell.	My own observations and measurements. Kirnbauer (1995); Rüdiger (2003).	Here	Here	Here
26	Quedlinburg	Schloss Museum		tenor	e'	S		463.5	158.0	174.5	204.0	237.0	272.5	310.0	342.8	380.0	22.10	19.1	14.0	6.3	? cherry	Heavy undercutting of tone-holes. Replacement block? This tenor has two score marks on bell	My own observations and measurements. Kirnbauer (1995); Rüdiger (2003).	Here	Here	Here
27	Quedlinburg	Schloss Museum		alto	a'	S		343.8	123.2	134.0	160.0	185.0	213.2	238.2	264.4	289.0	16.50	13.3	11.5	4.2	? cherry	Identified by two marks on the bell end, hence alto 2! Seems in better condition than the other alto size. Replacement block?	My own observations and measurements. Kirnbauer (1995); Rüdiger (2003).	Here	Here	Here
28	Quedlinburg	Schloss Museum		basset	a	S		703.0	230.0	254.5	294.5	333.0	398.5	443.2	482.0	573.5	32.00	26.0	16.6	5.9	? cherry	Seperate foot joint that may have been glued in the past. Baroque makeover of fontanelle mounts but original fontanelle survives, but with very irregular rose hole pattern. Replacement block?	My own observations and measurements. Kirnbauer (1995); Rüdiger (2003).	Here	Here	Here
29	Rome	Museo degli strumenti musicali	719	extended basset	f#	! ! ! ML-J type A	Bassano	1023.5	292.0	313.8	354.0	401.5	489.8	536.3	576.0	696.0	31.40	26.2	20.0	7.3	box	ex Marcello collection. Extended basset with two extra keys, descending to d#	Cervelli and van der Meer (1982); Lyndon-Jones (1999).	Here	Here
30	Rome	Museo degli strumenti musicali	720	basset	f#	! ! ! ML-J type A	Bassano	852.3	290.0	313.5	358.0	400.5	490.5	535.8	578.0	697.0	30.30	26.1	20.0	6.3	box	ex Marcello collection. This instrument has a brass edge.	Cervelli and van der Meer (1982); Lyndon-Jones (1999).	Here	Here
31	Rome	Museo degli strumenti musicali	716	tenor	d#'	double trefoil	Schrattenbach	494.0	157.5	174.0	206.0	237.5	278.2	316.8	353.8	385.0	23.60	18.9	14.9	5.8	box	ex Gorga collection.	Cervelli and van der Meer (1982); Lyndon-Jones (1999).	Here	Here
32	Rome	Museo degli strumenti musicali	717	tenor	c#'	! ! ! ML-J type A	Bassano	555.0	182.2	200.0	236.5	270.7	322.2	360.5	397.0	428.7	25.60	21.6	18.1	6.5	box	ex Marcello collection.	Cervelli and van der Meer (1982); Lyndon-Jones (1999).	Here	Here
33	Rome	Museo degli strumenti musicali	718	bass	B	! ! ! ML-J type A	Bassano	1272.5	400.0	421.0	467.0	505.5	690.0	738.6	777.0	1000.5	45.50	36.2	27.4	9.6	box	ex Marcello collection.	Cervelli and van der Meer (1982); Lyndon-Jones (1999).	Here	Here
34	Salzburg	Museum Carolino Augusteum	M237	basset	a#	P P		655.0	228.0	248.6	288.0	328.0	392.3	432.0	471.5	554.0	27.00	25.6	16.5	6.0	cornelian cherry (Cornus mas)?	Highly unusual instrument with unique key arrangment. Touch activates upside-down flap under a pierced brass cover. Score mark below cover, but wood seems to match and therefore bell is probably original. The instrument probably originally had a fontanelle, the mounts having been removed to install this key arrangement. Slight ''waisting'' at this point seems to confirm this.The voicing is damaged.	My own notes and observations. Birsak (1973).
35	Bologna	Museo internazionale e biblioteca della musica (Formerly in Museo Civico Medievale)	1839	tenor	c#' (estimate of original pitch)	! ! ! ML-J type A	Bassano		187.9	206.1	242.2	277.0	326.8	364.6	400.0				17.0	7.0	box	New baroque foot added, with clarinet-type keys! Hole positions given in catalogue are highly incorrect.	My own observations and measurements. Meer (1993).
36	Salzburg	Museum Carolino Augusteum	M241	basset	a#	G. Walch		665.0	227.5	249.0	288.2	326.5	393.0	432.0	470.3	547.5	26.40	25.6	17.0	5.8	cherry	One piece, but baroque style instrument with typical open standing baroque key. All looks pretty original with no sign of modification. No fontanelle or cap. Although elliptical,the bore is almost cylindrical.	My own notes and observations. Birsak (1973).
37	Salzburg	Museum Carolino Augusteum	M244	basset	g#	double trefoil	Schrattenbach	743.0	234.0	255.0	296.0	334.0	411.0	455.0	492.0	585.5	31.40	25.1	16.8	6.6	cornelian cherry (Cornus mas)?, figured	Finger-holes 3 and 6 are angled towards the foot of the recorder. The cap band includes the name Hans Ravch von Schratt and that of the fontanelle, Ihesvs Maria Anna 1535. Very nicely made and well preserved instrument. Window is very neatly cut and the workmanship throughout is impressive.	My own notes and observations. Birsak (1973).
38	Sibiu	Muzeul de Istorie	1078	great bass	F#	HIER S		1138.0	536.7	615.4	615.4	657.0	931.8	981.5	1020.8		55.50	41.9	22.7	8.0	? cherry	Body joint only, foot is missing	My own notes and observations. Bali (2007).
39	Sibiu	Muzeul de Istorie	1103	basset	f#	W + crown		835.5	274.0	306.0	347.6	388.0	476.8	523.0	567.7	670.0	31.60	24.5	20.2	7.0			My own notes and observations. Bali (2007).
40	Sibiu	Muzeul de Istorie	1072	bass	c#	HIER S		1087.0	342.2	370.6	411.6	453.8	610.0	654.3	693.8	850.5	44.05	34.4	18.3	7.5	? cherry		My own notes and observations. Bali (2007).
41	Sibiu	Muzeul de Istorie	1102	basset	g#	HIER S		753.0	240.8	257.0	295.0	331.0	419.3	457.6	498.0	597.5	29.10	22.6	15.6	5.9	? cherry		My own notes and observations. Bali (2007).
42	Sigmaringen	Furstlich-Hohenzollernsches Schloss	318	basset	a+ (est)	shield/Rafi		697.0	238.0	266.0	302.0	335.0	428.0	466.0	498.0	532.0	29.40	26.0	11.7	7.5	? pear	No key; seems to be a longer version of the Eisenach specimen	Bär (1995).
43	St Petersburg	Musei Muzïkalnïch Instrumentov	409	extended bass	B (est)	!!! ML-J type unclass	Bassano	1536.0	360.0	390.0	436.0	477.0	691.5	634.5	777.0	1026.0	45.00	39.5	30.0	11.5	Box	Extended recorder, would have had two extra keys, in which case the logic should imply that the extra notes are Bb and G# (see extended bassets in Rome and Verona, around a fifth above this instrument.) This instrument was made with some experimentation, with signs of tone holes being plugged and redrilled. The largest surviving instrument in boxwood!	My own observations and measurements Hunt (1962/2002)
44	The Hague	Gemeentemuseum	Ea 267-1933	sopranino	eb''	''2''		240.0	77.5	89.5	107.5	124.8	144.3	163.0	180.0	198.5	12.65	9.98	8.2	2.5	ivory	Of typical Nürnberg design. L&R holes 7. Quite roughly made. Baroque type bore with no back reaming.	My own observations and measurements (10 april 2014). Bouterse (2001).
45	Tokyo	H. Iino (Private Collection)		alto	f (est)	double trefoil	Schrattenbach	511.0													maple	Columnar recorder. Mate to Brussels 189. Ex. van Zuylen Collection, sold at Christies sale, March 1988. Speaking length is TOL.	Young (1993).
46	Bologna	Accademia Filarmonica	599 (FP10)	tenor	d'	shield/C Rafi	Rafi or Raffin	497.5	195.0	216.0	250.5	283.5	329.0	363.2	397.0	424.0	21.50		11.1	4.9	plum	This instrument has been shortened at the foot.	Puglisi (1981), Tiella (2005).
47	Vermillion	National Music Museum, University of South Dakota	3606	basset	f#	ÄÄ (Rožmberk Master)	Rozmberk	827.0		303.5	346.5	386.5	471.5	516.0	556.0	675.0			20.0	7.5	box	Ex Galpin collection. The maker of this instrument is from Rošmberk, Bohemia; the mark is quite different to that found on the Schnitzer instruments.	My own observations. Bruce Haynes (pers. comm.)
48	Vermillion	National Music Museum	4504	alto	f'	I.V.H.		413.6	134.9	153.0	183.6	214.2	250.4	287.1	316.5	343.7	22.00	18.1	13.3	4.8	ivory	The lowest note (f') is 75 cents sharp. I.V.H. is perhaps Jan van Heerde.	Drawing by Friedrich von Huene (1989), published by the museum (NMM 4504).
49	Verona	Biblioteca Capitolare	1	basset	f#	! ! ML-J type N	Bassano	837.0		276.5	276.5	360.5	454.0	498.5	543.0						maple, figured	This instrument shows signs of woodworm damage!	Meer & Weber (1982).
50	Verona	Accademia Filarmonica	13.249	extended basset	f#-	! ! ML-J type A	Bassano	1043.0	281.5	301.5	342.3	384.0	495.0	539.0	576.5	714.0	37.20	30.5	24.1	7.8	maple	Extended recorder, with two additional keys. With reference to a-440hz, lowest note with all three keys closed is d#- and with two keys closed is f-. Fingering 0 123 4567 produces f#-. Instrument has a neat brass edge covering the labium. See notes for 13.243.	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
51	Verona	Accademia Filarmonica	13.252	basset	f#	! ! ML-J type G	Bassano	845.0	267.5	297.0	343.0	382.3	479.0	522.2	565.2	675.2	34.60	27.1	20.4	7.4	maple	See notes for 13.250	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
52	Verona	Biblioteca Capitolare	2	basset	g# (est)	HIERS·		733.0		259.5	296.0	336.0	407.0	443.5	482.0						maple, figured	This instrument shows signs of woodworm damage!	Meer & Weber (1982).
53	Verona	Accademia Filarmonica	13.251	basset	f#	! ! ML-J type G	Bassano	843.0	269.0	294.7	340.3	380.0	474.8	519.5	562.0	675.5	34.50	27.3	20.2	7.5	maple	See notes for 13.250	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
54	Verona	Accademia Filarmonica	13.242	great bass	F#	! ! ML-J type G	Bassano	1740.5	538.0	584.5	627.0	662.0	950.0	995.8	1037.0	1385.0	58.20	42.8	32.0	10.8	maple	Similar in workmanship to 13.253, but has a much larger bore and is badly out of tune. Finger-holes three and six are heavily angled towards the foot of the recorder.	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
55	Verona	Accademia Filarmonica	13.243	great bass	F#-	! ! ! ML-J type A	Bassano	1794.0	598.0	640.3	685.0	723.5	1005.8	1049.0	1089.0	1417.0	52.00	40.0	30.0	8.9	maple	Neatly made brass edge is covering the labium, as extended basset 13.249. Finger-holes three and six are heavily angled towards the foot of the recorder.	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
56	Verona	Accademia Filarmonica	13.248	bass	c#	double trefoil	Schrattenbach	1116.0	379.5	414.0	455.5	493.8	639.8	682.2	722.8	911.5	41.20	31.8	22.8	8.6	plum	Cap, crook and fontanelle are all replacements. See notes for 13.247	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
57	Bologna	Accademia Filarmonica	595 (FP1)	tenor	d'	P·GRECE	Grece	525.0	189.0	219.5	254.8	285.0	332.0	364.0	397.5	425.8	19.20	16.8	10.7	6.6	plum		Puglisi (1981), Tiella (2005).
58	Verona	Accademia Filarmonica	13.253	basset	f#	! ! ML-J type G	Bassano	844.5	267.0	296.0	342.0	382.5	476.3	523.0	563.0	675.0	36.50	29.2	20.7	7.4	maple	See notes for 13.250	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
59	Verona	Accademia Filarmonica	13.250	basset	f#	! ! ML-J type G	Bassano	845.0	268.0	297.0	340.5	381.8	477.0	523.0	563.8	676.2	34.30	24.4	20.5	7.25	maple	One of four bassets (13.250-53) originally forming a consort of 22 recorders with basses 13.245-6 and great bass 13.242.	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
60	Verona	Accademia Filarmonica	13.254	basset	f#+	! ! ML-J type H	Bassano	821.0	253.5	281.0	325.0	370.0	466.0	508.5	551.3	667.0	34.70	26.1	18.9	6.0	maple	Similar in workmanship to 13.250-3, this instrument does not play as well and is in a higher pitch. Originally in a separate consort with 13.244	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
61	Verona	Accademia Filarmonica	13.244	bass	B+	! ! ML-J type H	Bassano	1207.0	354.3	400.5	446.5	488.5	669.3	715.2	752.8	963.0	48.20	33.5	23.8	8.9	maple	Mate to basset 13.254. Made in two parts with a separate foot, as 13.245 and 13.246.	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
62	Verona	Accademia Filarmonica	13.245	bass	B	! ! ML-J type G	Bassano	1294.0	410.5	429.0	475.0	515.0	701.5	750.0	790.0	1012.0	46.60	34.9	25.0	8.9	maple	Finger-holes three and six are heavily angled towards the foot of the recorder. Mate to Acadamia Filarmonica (Verona) 13.246, but more bent and the bore more elliptical.	My own observations and measurements. Meer & Weber (1982). Ture Bergstrøm, (pers. comm.)	Here	Here	Here
63	Verona	Accademia Filarmonica	13.247	bass	c#	double trefoil	Schrattenbach	1119.0	378.2	413.8	456.5	493.5	639.5	682.3	723.8	913.5	42.60	32.7	22.5	8.5	plum	Like its sibling, 13.248, the fingerholes are very small and heavily undercut. The crook could be original and is of an unusual form. Cap is a modern replacement.	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
64	Verona	Accademia Filarmonica	13.246	bass	B	! ! ML-J type G	Bassano	1282.0	405.5	428.0	472.0	513.5	699.5	749.0	789.0	1009.5	47.00	34.7	25.7	8.8	maple	See notes for 13.245	My own observations and measurements. Meer & Weber (1982).	Here	Here	Here
65	Vienna	Kunsthistorisches Museum	SAM 131/C141/8518	soprano	c''	none		285.0	90.5	99.5	121.0	141.0	164.4	186.4	208.5	231.5	15.90	12.2	11.5	4.3	box	Plays with Van Eyck/Jambe de Fer fingerings.	My own measurements and observations, published in: Darmstädter (2006).
66	Vienna	Kunsthistorisches Museum	SAM 132/C143/8519	alto	bflat'	HIERS·		325.5	102.0	114.0	135.0	156.5	185.5	212.3	235.0	254.3	16.80	14.3	10.9	4.0	box		My own measurements and observations, published in: Darmstädter (2006).
67	Vienna	Kunsthistorisches Museum	SAM 136/C147/8523	alto	g'	W+crown		500.5	161.6	175.9	211.3	246.0	287.3	324.3	358.7	391.5	22.70	20.7	13.5	8.4	box	Instrument has been shortened and new window cut. A trace of the original blockline is visible, so above measurements taken from there. A clarinet style ligature/decorative band and a (Maltese?) cross in silver have been inlaid into the wood.	My own measurements and observations, published in: Darmstädter (2006).
68	Bologna	Accademia Filarmonica	596 (FP3)	tenor	d'	P·GRECE	Grece	524.0	192.0	219.5	253.5	286.5	332.0	363.5	396.0	425.5	20.80		10.6	6.3	plum		Puglisi (1981), Tiella (2005).
69	Vienna	Kunsthistorisches Museum	SAM 135/C146/8522	alto	g#'	! ML-J type A	Bassano	381.0	127.5	140.0	166.6	193.0	226.0	252.5	278.0	309.0	20.00	18.7	13.4	5.2	box	Plays with Ganassi fingerings. For a long time thought to be the only example of this sort of bore (ie cylindrical bore with flare). Maximum bore diameter is 120-140mm from the top of the instrument. The bell flare has an even larger diameter of 21.5mm	My own measurements and observations, published in: Darmstädter (2006). See also Brown (2005); Darmstädter (2008).
70	Vienna	Kunsthistorisches Museum	SAM 134/C145/8521	alto	g'	CS		385.2	127.0	140.0	167.5	194.5	227.5	258.0	285.0	316.5	20.60	18.0	12.5	5.4	box	This recorder does play above note XIII, but with difficulty.	My own measurements and observations, published in: Darmstädter (2006).
71	Vienna	Kunsthistorisches Museum	SAM 148/C159/8535	tenor	d'	**		507.0	191.0	202.5	238.0	275.2	324.5	358.0	390.5	423.0	22.50	17.3	12.1	6.0	maple	This instrument has later baroque style mounts over the beak and bell. Plays well with van Eyck/Jambe de Fer fingerings.	My own measurements and observations, published in: Darmstädter (2006).
72	Vienna	Kunsthistorisches Museum	SAM 171/C 182/8556	case		Lid stamped ! ML-J type A	Bassano															Case for four recorders, including Kunsthistorisches Museum (Vienna) SAM 135. Lengths of chambers: 1 × 287 mm, 2 × 432 mm and 1 × 62 cm (Schlosser). Case was broken for many years but was restored by Alfons Huber in 2007	My own measurements and observations, published in: Darmstädter (2006). See also: Schlosser (1920/1974); Darmstädter (2008).
73	Vienna	Kunsthistorisches Museum	SAM 172/C 183/8557	case																		Case for five recorders. Lengths of chambers: 1 × 223 mm, 1 × 343 mm, 2 × 507 mm and 1 × 73 5mm.	My own measurements and observations, published in: Darmstädter (2006).
74	Vienna	Kunsthistorisches Museum	SAM 167/C178/8552	bass	c#	HIE·S		1123.5	344.8	375.3	417.5	459.0	617.5	659.8	700.0	882.5	45.00	30.2	22.4	6.1	maple	Mate to Kunsthistorisches Museum (Vienna) SAM 166 and 168. Fontanelle made in maple, figured. Labium is undamaged and cut up seems very small for such a large instrument.	My own measurements and observations, published in: Darmstädter (2006).
75	Vienna	Kunsthistorisches Museum	SAM 133/C144/8520	alto	g#'	none		340.4	120.5	130.1	155.6	183.3	214.3	240.5	267.0	299.5	17.90	14.2	10.9	5.7	maple	Instrument is bent. This Recorder looks suspiciously from a later date. The fingerholes are not undercut, the wood stain looks almost modern. Block is round and edge radius therefore equals that of bore.	My own measurements and observations, published in: Darmstädter (2006).
76	Vienna	Kunsthistorisches Museum	SAM 149/C160/8536	tenor	c#'	! ML-J type A	Bassano	566.0	183.2	207.0	241.5	274.8	330.6	366.8	401.0	434.5	25.60	22.5	16.6	6.0	box	Could be mate to SAM 150.	My own measurements and observations, published in: Darmstädter (2006).
77	Vienna	Kunsthistorisches Museum	SAM 170/C181/8555	case																		Case for eight recorders, including Kunsthistorisches Museum (Vienna) SAM 132, 142, 143, 144, 159, and 160. Lengths of chambers: 1 × 26 cm, 2.0 × 38.5 cm, 3 × 55 cm, 2 × 81 cm.	My own measurements and observations, published in: Darmstädter (2006).
78	Vienna	Kunsthistorisches Museum	SAM 130/C140/8517	soprano	c''+	**		285.3	102.0	111.6	130.2	150.5	177.4	197.5	216.5	239.7	15.00	13.5	9.0	4.9	maple	Plays with Van Eyck/Jambe de Fer fingerings.	My own measurements and observations, published in: Darmstädter (2006).
79	Bologna	Museo internazionale e biblioteca della musica (Formerly in Museo Civico Medievale)	1815	basset	f#	! ! ML-J type A	Bassano	850.0	269.0	295.3	339.0	377.5	475.0	520.5	560.3	670.0			21.5	5.9	box		My own observations and measurements. Meer (1993).
80	Vienna	Kunsthistorisches Museum	SAM 145/C156/8532	tenor	d#'	crown		498.0	161.0	179.0	213.5	248.3	290.3	324.5	360.0	395.0	23.40	20.1	14.9	5.3	box	Instrument is very bent, making all measurement difficult. Bore taper is slight	My own measurements and observations, published in: Darmstädter (2006).
81	Vienna	Kunsthistorisches Museum	SAM 146/C157/8533	tenor	d#'	! ML-J type A	Bassano	480.3	172.0	178.0	208.5	240.0	282.5	315.5	349.8	380.5	22.30	19.3	13.3	4.6	box	This instrument has an ornimental brass edge, held by a screw. Looks more like a repair than an original feature, unlike SAM 139 & SAM 157.	My own measurements and observations, published in: Darmstädter (2006).
82	Vienna	Kunsthistorisches Museum	SAM 127/C137/8514	sopranino	e''	none		233.0	69.5	74.0	93.5	113.0	133.0	154.3	175.2	194.8	13.90	13.2	8.9	5.3	box	Highly unusual turning, in the style of SAM 126 and 129, but without deep scored patterns around window and on bell. Windway is very long and tapers in diameter towards blowing end.	My own measurements and observations, published in: Darmstädter (2006).
83	Vienna	Kunsthistorisches Museum	SAM 143/C154/8530	tenor	d#'	HIERS·		495.5	161.0	183.5	214.8	247.0	288.5	320.0	353.0	382.0	22.10	18.5	13.1	5.3	box	Mate to Kunsthistoriches Museum (Vienna) SAM 144 and SAM 142.	My own measurements and observations, published in: Darmstädter (2006).
84	Vienna	Kunsthistorisches Museum	SAM 139/C150/8526	alto	f'	none		426.8	153.7	166.0	191.7	220.8	255.8	285.5	314.5	345.0	20.00	16.6	13.7	4.4	box	The labium of this instrument has a brass edge, held in place by a brass rivet, or nail, similar to that on SAM 157.	My own measurements and observations, published in: Darmstädter (2006).
85	Vienna	Kunsthistorisches Museum	SAM 144/C155/8531	tenor	d#'	HIERS·		496.5	164.0	184.0	215.5	246.5	287.2	318.8	353.5	383.5	22.60	18.5	13.1	5.5	box	Mate to Kunsthistoriches Museum (Vienna) SAM 143 and SAM 142.	My own measurements and observations, published in: Darmstädter (2006).
86	Vienna	Gesellschaft der Musikfreunde	I.N.115	basset	g#	ÂÂ	Schnitzer	786.0	269.0	290.5	331.5	371.3	449.0	494.0	532.0	642.0	31.00	24.5	22.0	6.9	olive	Highly engraved key and rings. Blown by a crook (cap and crook are later replacements.)	Unsigned, undated drawing Marvin (1972)
87	Vienna	Gesellschaft der Musikfreunde	I.N.116	bass	B	FG HV W		1258.0	375.0	420.5	469.0	513.0	689.5	736.5	782.0	996.0	47.00	30.8	25.3	9.0		Unusual key.	Undated drawing by Fredrich von Hune
88	Vienna	Kunsthistorisches Museum	SAM 126/C136/8513	sopranino	f''	none		219.0	68.7	72.0	90.0	108.0	126.3	145.3	164.8	181.8	13.10	12.3	8.0	4.8	box	Highly unusual turning, with deep scored patterns around window and on bell. Windway is very long and exterior profile tapers towards blowing end. Mate to SAM 129. Original block is missing.	My own measurements and observations, published in: Darmstädter (2006).
89	Vienna	Kunsthistorisches Museum	SAM 128/C138/8515	soprano	d#''	MI		238.0	85.6	93.5	112.3	131.3	152.0	170.0	186.5	203.0	12.50	10.3	7.5	4.2	plum	Tenon turned on mouthpiece, perhaps for missing ornimental mount.	My own measurements and observations, published in: Darmstädter (2006).
90	Bologna	Museo internazionale e biblioteca della musica (Formerly in Museo Civico Medievale)	1768	basset	f#	! ! ML-J type A	Bassano	852.0	272.0	296.0	340.6	380.5	478.5	525.0	566.8	679.8			20.0	7.3	box		My own observations and measurements. Meer (1993).
91	Vienna	Kunsthistorisches Museum	SAM 147/C158/8534	tenor	e'	!! ML-J type unclass	Bassano	490.0	161.5	175.0	210.0	245.2	279.8	313.0	350.0	380.5	23.40	21.3			box / pear	New head piece made of pear. Joint (internal) at 412 mm from south end, visible step in bore at this point. New portion is crudely made and may not represent original speaking length.	My own measurements and observations, published in: Darmstädter (2006).
92	Vienna	Kunsthistorisches Museum	SAM 129/C139/8516	soprano	d#	none		258.0	83.8	87.0	106.8	127.0	148.8	171.0	192.8	214.0	13.80	13.3	9.5	4.9	box	Highly unusual turning, with deep scored patterns around window and on bell. Windway is very long and exterior profile tapers towards blowing end. Mate to SAM 126. original block is missing	My own measurements and observations, published in: Darmstädter (2006).
93	Vienna	Kunsthistorisches Museum	SAM 168/C179/8553	bass	c#	HIE·S		1118.5	354.2	389.8	433.0	476.0	632.0	677.0	716.0	894.5	44.00	35.3	21.9	7.1	maple	Mate to Kunsthistorisches Museum (Vienna) SAM 166 and 167. Large piece missing from labium. According to Marvin (1972) this instrument is the best playing of the three.	My own measurements and observations, published in: Darmstädter (2006).
94	Vienna	Kunsthistorisches Museum	SAM 166/C177/8551	bass	c#	HIE·S		1139.5	355.0	388.0	431.0	475.5	633.0	675.0	719.0	893.5	42.80	31.5	22.7	7.7	maple	Mate to Kunsthistorisches Museum (Vienna) SAM 167 and 168. Extensive damage to labium.	My own measurements and observations, published in: Darmstädter (2006).
95	Vienna	Kunsthistorisches Museum	SAM 161/C172/8547	basset	g#	HIE·S		765.0	236.7	259.3	303.5	344.0	424.0	470.0	510.0	614.5	30.70	24.7	18.5	6.4	maple		My own measurements and observations, published in: Darmstädter (2006).
96	Vienna	Kunsthistorisches Museum	SAM 162/C173/8548	basset	g#	HIE·S		762.0	224.3	258.5	299.8	340.7	422.0	468.4	508.5	613.8	31.80	25.8	16.7	5.1	maple		My own measurements and observations, published in: Darmstädter (2006).
97	Vienna	Kunsthistorisches Museum	SAM 160/C171/8546	basset	g#	HIERS·		741.5	229.8	251.0	289.0	322.3	408.0	453.0	491.3	584.5	29.30	22.5	15.8	6.4	maple	Mate to Kunsthistorisches Museum (Vienna) SAM 159.	My own measurements and observations, published in: Darmstädter (2006).
98	Vienna	Kunsthistorisches Museum	SAM 164/C175/4027	basset	f#	!!! ML-J type B	Bassano	852.5	269.4	294.0	337.3	379.0	476.5	522.5	563.0	678.5	34.50	26.8	20.2	7.5	maple	Finger-holes 3 and 6 are angled toward the foot of the recorder; finger-hole 4 angled towards the beak. Beautifully made instrument, keywork and details are of the highest quality, probably a player's instrument.	My own measurements and observations, published in: Darmstädter (2006).
99	Vienna	Kunsthistorisches Museum	SAM 165/A176/8550	basset	f	!! ML-J type unclass	Bassano	886.0	286.0	317.5	362.5	404.0	501.0	547.0	588.0	701.0	35.00	28.3	20.0	7.1	maple	Finger-holes 3 and 6 are angled toward the foot of the recorder. Ex. Schloss Ambras, Innsbruck, where instrument is now on display. Marvin (1972) gives bl-hole 7 as 712 mm.	My own measurements and observations, published in: Darmstädter (2006).
100	Vienna	Kunsthistorisches Museum	SAM 163/C174/8549	basset	g#	CS		754.0	257.8	286.5	329.0	369.0	437.5	482.0	520.5	610.3	31.20	24.3	19.2	8.3	maple	Stamp is in relief compared to SAM134 & SAM141.	My own measurements and observations, published in: Darmstädter (2006).
101	Bologna	Accademia Filarmonica	597 (FP2)	tenor	d'	P·GRECE	Grece	525.0	190.0	218.7	254.8	286.0	330.2	363.8	396.0	425.8	20.30		10.7	6.5	plum		Puglisi (1981), Tiella (2005).
102	Vienna	Kunsthistorisches Museum	SAM 137/C148/8524	alto	f'	none		425.0	153.0	165.0	192.2	222.0	253.0	284.7	314.2	342.0	20.40	17.2	14.3	4.7	box	Well-made professional-looking instrument. Original block missing.	My own measurements and observations, published in: Darmstädter (2006).
103	Vienna	Kunsthistorisches Museum	SAM 138/C149/8525	alto	f'	! ML-J type unclass	Bassano	428.5	150.8	161.0	192.0	222.0	255.2	285.5	316.0	347.0	21.70	19.0	13.6	4.6	walnut	Fairly cylindrical bore, scraped out in places	My own measurements and observations, published in: Darmstädter (2006).
104	Vienna	Gesellschaft der Musikfreunde	I.N.111	bass	B	none		1121.0	345.0	375.0	417.0	458.5	617.0	659.0	699.0	880.0							Henri Gohin (pers. comm.)
105	Vienna	Kunsthistorisches Museum	SAM 140/C151/8527	alto	f'	**		413.5	148.5	161.8	190.4	219.8	258.0	288.0	317.0	346.2	19.50	16.0	11.2	6.0	maple	Plays with Van Eyck/Jambe de Fer fingerings.	My own measurements and observations, published in: Darmstädter (2006).
106	Vienna	Kunsthistorisches Museum	SAM 141/C152/8528	tenor	e'	CS		454.5	153.8	167.3	198.0	230.3	269.7	301.2	333.0	370.0	22.70	18.9	15.5	3.8	box	This instrument has a brass edge to the labium.	My own measurements and observations, published in: Darmstädter (2006).
107	Vienna	Kunsthistorisches Museum	SAM 142/C153/8529	tenor	d#'	HIERS·		497.0	164.7	184.0	215.0	245.5	285.5	319.0	353.0	383.2	22.00	18.5	12.9	5.0	box	Mate to Kunsthistoriches Museum (Viemna) SAM 144 and SAM 143.	My own measurements and observations, published in: Darmstädter (2006).
108	Vienna	Kunsthistorisches Museum	SAM 152/C163/8539	basset	c#'?	ÂÂ	Schnitzer	554.0	195.5	216.0	252.5	288.3	328.2	366.3	397.0	466.0	21.50	18.7	15.7	5.4	maple	A small instrument with fontanelle; direct blown (no cap). Original block is missing and crude plug is in its place, so almost no sound can be made. Design is unlike all other AA (Schnitzer recorders)	My own measurements and observations, published in: Darmstädter (2006).
109	Vienna	Kunsthistorisches Museum	SAM 363//7350	basset	c#'	! ! ! ML-J type F	Bassano	559.0	175.0	198.2	234.7	270.6	319.0	356.0	388.0	455.8	25.90	23.2	14.8	4.8	box	This instrument originally had a fontanelle but no cap. Later the foot was remade in baroque style with a closed key. Aquired at a later date than the Schlosser (1920/1974) catalogue. Plays with Ganassi's fingerings in the high register.	My own measurements and observations, published in: Darmstädter (2006).
110	Vienna	Kunsthistorisches Museum	SAM 624	basset	a+	HD and single trefoil on bell		709.0	236.8	265.2	306.0	347.3	405.5	449.8	488.5	570.5	28.40	25.9	18.5	5.6	maple, stained; with ivory longditudinal inlay	Instrument stamped 1503. Bore cylindrical with flare. Voicing damaged but probably played with Ganassi fingerings. From Schloss Ambras.	My own measurements and observations, published in: Darmstädter (2006). Scheicher (1977).
112	Antwerp	Vleeshuis Museum	134(VH2111)	extended great bass	F#+	double trefoil	Schrattenbach	2433.0	564.0	592.0	634.0	675.0	956.0	1000.0	1045.0	1318.5	50.00	28.0	28.0	10.0	maple	Extended recorder. Lowest note is C#, with all 10 holes closed. F# is produced by the fingering 0 123 4567. Originally had four keys, now replaced	Museum Vleeshuis (1981).
113	Bologna	Accademia Filarmonica	594 (FP13)	tenor	d#'-	! ! ML-J type B	Bassano	496.8	159.0	176.8	212.0	244.5	289.0	325.0	361.8	384.5	25.20		15.7	5.0	box	Instrument is bent. Plays with Ganassi fingerings.	My own observations and measurements.
114	Vienna	Kunsthistorisches Museum	SAM 169/C180/8554	great bass	F#	HIE·S		1692.0	547.0	586.0	632.0	668.0	951.0	999.0	1038.0	1328.5	58.00	43.6	28.0	7.8	maple	Unlike the fragment 1078 in Sibiu stamped HIER S, this instrument is complete and an outstanding example of a great bass recorder.	My own measurements and observations, published in: Darmstädter (2006).
115	Vienna	Kunsthistorisches Museum	SAM 173/C 184/8558	case																		Case for four recorders. Lengths of chambers: 1 × 217 mm, 2 × 316 mm and 1 × 456 mm.	My own measurements and observations, published in: Darmstädter (2006).
116	Vienna	Kunsthistorisches Museum	SAM 691	soprano	c''	none		277.0	98.5	107.0	125.4	146.5	173.4	193.0	211.7	233.0	17.10	12.0	10.5	4.9	maple	Simple instrument with straight drilled fingerholes, no undercutting. Long ramp for this size instrument.	My own measurements and observations, published in: Darmstädter (2006).
117	Vienna	Kunsthistorisches Museum	SAM 150/C161/8537	tenor	c#'	! ML-J type A	Bassano	565.5	185.5	206.3	241.8	274.7	331.8	366.2	401.5	434.8	25.60	21.6	17.8	5.9	box	Finger-hole seven angled toward foot of recorder. Could be mate to SAM 149. Extensive damage to labium and windway.	My own measurements and observations, published in: Darmstädter (2006).
118	Vienna	Kunsthistorisches Museum	SAM 159/C170/8545	basset	g#	HIERS·		740.5	230.8	250.8	286.5	324.1	410.7	454.0	494.5	587.5	30.00	23.0	15.7	6.1	maple	Mate to Kunsthistorisches Museum (Vienna) SAM 160.	My own measurements and observations, published in: Darmstädter (2006).
119	Vienna	Kunsthistorisches Museum	SAM 151/C162/8538	tenor	c#'	!! ML-J type L	Bassano	556.5	183.6	202.0	240.2	274.2	319.2	357.7	399.0	429.0	23.50	19.7	14.5	5.5	box	Finger-hole seven is angled toward the foot of the recorder.	My own measurements and observations, published in: Darmstädter (2006).
120	Vienna	Kunsthistorisches Museum	SAM 157/C168/8543	tenor	b flat?	none visible		656.0	229.5	246.0	287.3	325.0	380.3	420.0	458.0	537.5	26.20	20.3	17.8	4.7	box	Small instrument with key and fontanelle, but no cap. Has a brass edge, held in place by a brass nail or rivet, similar in workmanship to that of SAM 139. Key and rings look similar work to SAM 164	My own measurements and observations, published in: Darmstädter (2006).
121	Vienna	Kunsthistorisches Museum	SAM 158/C169/8544	basset	g#	! ML-J type unclass	Bassano	717.5	229.8	258.0	298.5	337.8	408.0	449.5	485.5	579.0	30.00	24.0	16.6	6.5	maple	Instrument is now bent, has bulges all along exterior surface and a very irregular bore profile. Abnormal shrinkage may be the cause	My own measurements and observations, published in: Darmstädter (2006).
122	Washington DC	Dayton Miller Collection	DM1240	tenor	c#'	!! ML-J type B	Bassano	630.0														Speaking length is TOL.	Seyfrit (1982).
123	Washington DC	Dayton Miller Collection	DM0860 cat38	basset	g#	* / ..		813.0														This instrument is of two-piece construction. Speaking length is TOL.	Seyfrit (1982).
124	Bologna	Accademia Filarmonica	593 (FP12)	tenor	d#'-	none		484.0	170.8	188.5	222.2	255.0	295.2	329.5	361.0	393.5			14.4	5.5	plum	Unusual stubby window proportions.	My own observations and measurements.
125	Bologna	Accademia Filarmonica	598 (FP4)	tenor	c'	P·GRECE	Grece	567.0	200.0	233.0	265.3	291.8	352.8	390.2	419.0	445.0	22.50		11.7	6.3	plum		Puglisi (1981), Tiella (2005).
126	Bologna	Accademia Filarmonica	605 (FP8)	bass	c	P·GRECE	Grece	1122.0	389.7	433.0	476.0	510.5	708.5	748.0	782.0	899.5	36.70		16.2	8.0	plum	This instrument is in two parts and has no crook. It is blown through a hole drilled in the wall with an enclosed cap.	Puglisi (1981), Tiella (2005).
127	Bologna	Accademia Filarmonica	601 (FP11)	basset	g	Shield/C Rafi	Rafi or Raffin	775.0	272.5	305.3	347.0	381.0	482.0	520.5	554.0	586.0	28.00	22.50	13.2	7.0	plum		Puglisi (1981), Tiella (2005).
128	Braunschweig	Städtisches Museum	CF 83	basset	g#	ÂÂ	Schnitzer	780.0	263.0	292.0	337.5	377.0	449.0	491.0	530.5	630.0	31.00	25.5	6.9	25.5	box	Instrument has very thin walls. Plays with Ganassi fingerings.	My own observations and measurements.	Here	Here	Here
129	Braunschweig	Städtisches Museum	CF 81	bass	B+	! ML-J type unclass	Bassano	1266.5	394.0	421.0	466.0	509.0	690.5	740.0	782.0	992.5	48.10	34.1	27.7	8.0	plum	Two-piece construction.	My own observations and measurements.	Here	Here	Here
130	Brescia	Private collection	205	alto	f''	none		441.0	140.0	156.5	183.5	214.5	249.0	281.0	312.5	343.0	19.00	14.0			maple (stained)		Personal communication with owner.
131	Brescia	Private collection	064	soprano	c#''	* *		290.0	97.5	106.5	124.5	145.5	167.5	193.0	216.5	242.5	15.20	14.0	10.0	3.3	cherry, probably	Cylindrical bore with bell expansion, very large fingerholes. Plays with Ganassi fingerings. Large ivory ring where joint would be above thumbhole. Joint is glued and instruments effectively in one piece. Mark is only on bell	Personal communication with owner. Brown (2002).
132	Bruges	Gruuthusemuseum	M37	basset	a	shield		705.0	225.0	252.0	288.5	329.0	410.0	445.0	485.0	577.0	30.20	22.0	19.0	7.9	box	Attributed to the Rafi family in the museum catalogue, but radically different in construction to known recorders by these makers. Maker's mark is a shield with an unknown animal, very different from the shield and griffin found on instruments with additional Rafi mark and very similar in mark and construction to M2646 and M2647 in Brussels, with which it probably originally formed a set.	My own observations and measurements. Museum catalogue: Awouters, M, de Keyser, I & Vandenberghe, S (1985)
133	Berlin	Musikhistorisches Museum	656	basset	g	KK		832.0	271.0	310.0	354.0	397.0	478.0	526.0	569.0	679.0	33.30	25.8	20.3	7.3	wood	Originally from St Wenzels Kirche, Naumburg.	Adriana Breukink (pers. comm.)
134	Brussels	Musée des Instruments de Musique (MIM)	M2646	basset	a	shield		701.0	228.5	253.0	288.5	329.0	410.0	445.0	482.0	573.0	30.00	21.5	19.0	6.0	apple?	This instrument has the same maker's mark as Gruuthusemuseum (Bruges) M37 (if the Bruges instrument is considered to be by a member of the Rafi family, then this instrument should be, too). Finger holes 3 and 6 are angled towards the foot of the recorder.	My own observations and measurements.
135	Brussels	Musée des Instruments de Musique (MIM)	M1033	basset	f#?	! ! ML-J type H	Bassano	845.0	247.5	275.5	319.5	367.0	465.0	507.5	550.0	664.0	35.00	25.3	19.0	7.0	maple	Voicing: windway, window and blowing side towards the player.	My own observations and measurements.
136	Brussels	Musée des Instruments de Musique (MIM)	M1032	basset	g#	ÂÂ	Schnitzer	781.0	262.0	292.0	337.0	376.0	450.0	490.5	530.0	630.0	30.50	26.0	20.5	7.0	cornelian cherry (Cornus mas)?	Plays with Ganassi fingerings.	My own observations and measurements.
137	Brussels	Musée des Instruments de Musique (MIM)	M1025	tenor	c#'	!! ML-J type unclass	Bassano	558.5	185.0	206.0	244.0	280.0	326.0	366.0	405.0	428.0	24.70	21.5	17.0	4.5	box	Labium is a replacement.	My own observations and measurements.
138	Brussels	Musée des Instruments de Musique (MIM)	M1031	basset	f#	none		849.0	269.5	298.0	341.0	380.0	478.0	523.0	565.0	674.0	32.80	27.2	20.0	7.0	wood, stained dark red	Fingerhole 6 is angled towards the foot of the instrument.	My own observations and measurements.
139	Brussels	Musée des Instruments de Musique (MIM)	M1034	basset	a#'	ÂÂ	Schnitzer	673.0	224.8	244.8	285.5	327.8	383.0	422.0	460.8	546.5	27.50	21.7	16.8	6.6	box?	Direct blown (no cap), with key. Fontanelle look original, but bell rim has been almost entirely replaced.	My own observations and measurements.
140	Brussels	Musée des Instruments de Musique (MIM)	M1024	tenor	c#'	HD	Drebs	543.8	193.2	214.0	252.0	285.5	326.0	364.0	401.0	434.0	22.50	18.7	14.2	5.2	box	This recorder has the same or similar mark just below the window as Berlin 659. It could almost be interpreted as a trefoil.	My own observations and measurements. Adriana Breukink (pers. comm.)
141	Brussels	Musée des Instruments de Musique (MIM)	4358	basset	f#?	! ! ML-J type A	Bassano	843.0	281.0	311.0	352.0	390.0	487.0	529.0	570.0	688.0	33.80	27.2	20.0	6.5	wood	Labium has been expertly repaired Fingerhole 3 is angled towards the foot of the recorder.	My own observations and measurements.
142	Brussels	Musée des Instruments de Musique (MIM)	4359	basset	g#	none		795.0	249.0	273.0	319.0	363.0	439.0	484.0	526.0	635.0	30.40	22.6	20.0	6.0	box, dark-stained	Labium has same sort of repair as M1025.	My own observations and measurements.
143	Brussels	Musée des Instruments de Musique (MIM)	3330/38	soprano	f#'' (est)	A.T. ROL	Rol	205.5	67.7	77.3	93.2	108.5	123.3	139.7	163.0	172.6	11.90	4.3	8.0	2.8		Broken in two pieces.	Henri Gohin(pers. comm.)
144	Berlin	Musikhistorisches Museum	2820	basset	f	A.T. ROL	Rol	876.0	268.0	303.0	347.0	387.5	490.5	530.5	571.5	701.0	35.20	28.1	19.3	7.3		Voicing: windway, window and blowing side, towards the player.	Marvin (1972).
145	Brussels	Musée des Instruments de Musique (MIM)	4357	basset	f#?	! ! ML-J type A	Bassano	841.0	281.2	308.2	350.0	387.8	485.8	527.0	567.0	682.0	32.00	26.5	20.8	6.8	box		Information Bank, London College of Furniture, 41-47 Commercial, E1 1LA, London, UK.
146	Brussels	Musée des Instruments de Musique (MIM)	M2345	basset	f#+	!!! ML-J type P	Bassano	834.0	255.0	278.0	326.0	370.0	471.0	515.5	559.5	674.0	34.50	23.8	18.3	10.0	maple, figured	Voicing: windway, window and blowing side, towards the player.	My own observations and measurements.
147	Brussels	Musée des Instruments de Musique (MIM)	M440	bass	d#	double trefoil	Schrattenbach	1009.5	315.5	348.0	390.5	430.0	550.5	598.0	640.0	812.0	39.00	29.0	22.1	11.0	maple	Cap is a replacement.	My own observations and measurements. Johnathan Swayne (pers. comm.)
148	Brussels	Musée des Instruments de Musique (MIM)	M2647	bass	d	shield		1083.0	365.0	396.0	439.0	482.0	625.0	670.0	715.0	865.0	34.50	27.8	23.4	6.7	wood, unidentified	This instrument has the same maker's mark as Gruuthusemuseum (Bruges) M37 (if the Bruges instrument is considered to be by a member of the Rafi family, then this instrument should be, too). Finger-holes 3 and 6 are angled towards the foot of the recorder.	My own observations and measurements.
149	Brussels	Musée des Instruments de Musique (MIM)	M188	bass	c#	double trefoil	Schrattenbach	1138.0	385.0	406.0	455.0	493.5	637.5	682.5	728.5	908.0	38.90	27.7	24.0	9.0	cornelian cherry (Cornus mas)?	This instrument was originally part of the collection of the Hansa Huis in Antwerp. Key arrangement has been modified with a slab of wood now filling the space under the fontanelle. Cap, fontanelle, key and crook are all replacements.	My own observations and measurements.
150	Brussels	Musée des Instruments de Musique (MIM)	M189	alto	f'	double trefoil	Schrattenbach	386.5	125.0	135.0	167.5	200.5	238.0	271.5	301.7	339.5	22.00	17.1	16.7	5.9	maple	Columnar recorder. Lowest hole gives bottom note. Mate to Tokyo (H Lino collection)and originally part of the collection of the Hansa Huis in Antwerp.	My own observations and measurements. Henri Gohin (pers. comm.)
151	Celle	Private Collection (Dr Moeck)		basset	c'+	single trefoil	Schrattenbach	570.5	190.0	209.5	245.5	280.0	330.8	367.0	402.7	466.0	25.30	18.8	16.7	4.8	ivory; one silver key	Small instrument with a key.	My own observations and measurements. Forthcoming article in Tibia.
152	Copenhagen	Rosenborg	1.74	soprano	c#''+	none		270.0													narwhale ivory	Plays with van Eyck/Jambe de Fer fingerings.	Morgan (1984).
153	Copenhagen	Rosenborg	1.75	soprano	c#''+	none		265.5	92.4	90.2	116.6	138.0	160.0	180.3	199.6	219.8					narwhale ivory	Plays with van Eyck/Jambe de Fer fingerings.	Morgan (1984).
154	Copenhagen	Musikhistorisk Museum	E78/kat38	basset	g#	ÂÂ	Schnitzer	781.0											19.8	6.9	maple	The sides of the window are cut away, as with Merano 6851 and 6858. Please note that due to a mix-up, earlier measurements given here about this instrument were incorrect.	Ture Bergstrom (pers. comm.) Fjordside (1986).
155	Berlin	Musikhistorisches Museum	659	tenor	c#'	HD	Drebs	543.0	192.5	212.0	249.0	285.0	325.5	360.5	402.0	433.5	22.40	17.4	14.4	5.8	maple	This instrument has a small mark below the window, which could almost be a trefoil with a left pointing stalk, similar to Brussels M1024.	Adriana Breukink (pers. comm.); Lerch (1996).
156	Darmstadt	Hessisches Landesmuseum	67:123	basset	f#	HD	Drebs	835.0	282.0	353.0	390.3	390.3	478.0	526.0	562.3	681.5	32.20	24.9	18.5	6.7	pear or other plain fruitwood	This instrument is very similar to Frankfurt X4261, although it obviously stems from a different original set.	My own observations and measurements. Bär (2001).	Here	Here
157	Denmark (private collection)			soprano	d#''	none																	Legêne (1995).
158	Dockham (NL)	Streenmuseum Het Admiraliteitshuis	523	sopranino	f#'' (est)	I.V.H		204.0	68.0	73.0	90.0	106.5	122.5	139.0	156.0	171.5	11.70	9.0	8.1	4.8	box, with siver ring on foot.	Silver ring bears an inscription and the date 1696.	Bouterse (2001).
159	Edinburgh	University Collection of Historic Musical Instruments	1037	soprano	c	R·HAKA (scrolled) / (fleur-de-lys)	Haka	297.0	100.4	112.2	134.5	156.8	179.7	199.5	224.1	247.2	15.10	11.5	10.7	3.6	ivory	This is a very different instrument from the one-piece Haka soprano in the Amsterdam Historical Museum	Museum plan. Legêne, Eva. (1995).
160	Edinburgh	University Collection of Historic Musical Instruments	3921	basset	c#'	! ML-J type unclassified		557.0	196.5	208.5	248.0	288.0	335.0	374.5	413.5	475.0	25.50	18.7	16.0	8.0	ivory	ex Schloss Baden-Baden & Tony Bingham	Museum plan by Thomas Lerch Lyndon-Jones (1999), Lerch (2002).
161	Eisenach	Bachhaus	1-100	basset	b (est)	shield/Rafi	Rafi or Raffin	640.2	230.5	255.0	292.5	325.0	396.0	432.5	463.0	494.5	25.50	20.8	13.2	8.0		Voicing: windway, window and blowing side, towards the player.	Museum catalogue by Heyde (1976); Henri Gohin (pers. comm.)
162	Eisenach	Bachhaus	1 98	soprano	c#''+	I.D.Denner		281.5									13.90					This instrument is dated 1682.	Museum catalogue by Heyde (1976).
163	Frankfurt	Historisches Museum	X 4263 (119)	tenor	c#'	HD	Drebs	543.8	193.0	216.0	252.5	286.0	326.5	364.5	400.0	434.8	22.40	16.8	14.4	5.5	? cherry	Originally part of eleven recorder set with case X4266.	My own observations and measurements. Epstein (1927), Postel, (1974).	Here	Here
164	Frankfurt	Historisches Museum	X 4261 (120)	basset	f#	HD	Drebs	830.5	284.8	313.2	353.0	389.5	478.0	525.0	561.5	685.0	32.20	23.0	17.7	5.5	? cherry	Originally part of eleven recorder set with case X4266.	My own observations and measurements. Epstein (1927), Postel, (1974).	Here	Here
165	Frankfurt	Historisches Museum	X 4269	case																		Case for five recorders including 114 and 115 marked PM. Lengths of chambers: 2 × 315 mm, 1 × 423 mm and 2 × 570 mm.	My own observations and measurements. Epstein (1927), Postel, (1974).	Here
166	Berlin	Musikhistorisches Museum	660	tenor	c#'	HD	Drebs	546.0	193.5	217.0	253.0	287.0	327.5	365.0	402.0	436.0	22.70	17.5	14.2	5.1	maple	Voicing: windway, window and blowing side, towards the player.	Scheck (1975/1984); Lerch (1996).
167	Frankfurt	Historisches Museum	X 4265 (117)	alto	g#'	HD	Drebs	363.9	126.0	139.2	163.2	187.6	216.3	240.0	267.8	292.0	17.70	13.5	11.6	4.9	? cherry	Originally part of eleven recorder set with case X4266.	My own observations and measurements. Epstein (1927), Postel, (1974).	Here	Here
168	Frankfurt	Historisches Museum	X 4264 (116)	alto	g#'	HD	Drebs	363.0	126.7	139.2	163.5	188.2	217.0	240.0	268.0	291.3	17.40	13.0	11.6	4.3	? cherry	Originally part of eleven recorder set with case X4266.	My own observations and measurements. Epstein (1927), Postel, (1974).	Here	Here
169	Frankfurt	Historisches Museum	X 4260 (121)	soprano	c''+	double trefoil	Schrattenbach	269.5	86.3	107.5	128.5	146.5	169.5	191.0	211.0	237.0	15.00	12.1	12.8	4.8	maple	Columnar recorder; lowest finger-hole gives the bottom note. The plinth and cap are missing, replaced by a later bell and cap. Keywork and covers not original.	My own observations and measurements. Epstein (1927), Postel, (1974).	Here	Here
170	Frankfurt	Historisches Museum	X 4266	case																		Case for eleven recorders including X 4261-5. Unmarked. Lengths of chambers: 2 × 208 mm, 2 × 278 mm, 2 × 322 mm, 2 × 412 mm, 2 × 589 mm and 1 × 905 mm.	My own observations and measurements. Epstein (1927), Postel, (1974).	Here
171	Frankfurt	Historisches Museum	X 4262 (118)	tenor	c#'	HD	Drebs	543.0	192.2	215.8	251.0	285.5	325.5	363.5	400.5	434.7	22.50	16.6	14.6	5.3	? cherry	Originally part of eleven recorder set with case X4266.	My own observations and measurements. Epstein (1927), Postel, (1974).	Here	Here
172	Frankfurt	Historisches Museum	X 4268 (115)	tenor	d'	FF / PM		503.5	188.5	202.5	237.0	272.5	321.0	357.0	390.0	425.0	22.00	10.2	11.7	5.4		Mate to Historisches Museum (Frankfurt) X 4268.	My own observations and measurements. Epstein (1927), Postel, (1974).	Here	Here
173	Frankfurt	Historisches Museum	X 4267 (114)	tenor	d'	FF / PM		504.0	190.0	202.5	238.0	274.0	322.5	358.0	391.5	426.0	22.00	10.3	11.6	5.2		Tulip-shaped head moulding. Plays with van Eyck/Jambe de Fer fingerings.	My own observations and measurements. Epstein (1927), Postel, (1974).	Here	Here
174	Hamburg	Museum für Hamburgische Geschichte	1924.206	basset	f#	! ML-J type unclass	Bassano	849.0	264.0	290.5	337.0	378.5	472.5	518.0	560.0	680.0	30.40	25.8	18.8	7.9			My own observations and measurements. Young (1993).
175	Innsbruck	Tiroler Landesmuseum	M/I 21	basset	?	!! ML-J type unclassified	Bassano															Total length 773mm Fontanelle, cap missing, fontanelle mounts have been turned or chiselled off. Bell damaged and silver "cap"has been fitted. Some damage to the upper body too. Marvin says this instrument makes no sound.	Marvin (1972).
176	Leipzig	Musikinstrumenten Museum	2403	alto	f#'	A.T. ROL		424.0	126.0	144.5	173.0	202.8	237.3	272.0	303.2	330.2	19.50	16.5	12.0	4.0	ebony	Repaired? with reed binding just above the blockline - small visible cracks below. Very Dutch looking recorder with only the normal renaissance range.	My own observations and measurements. Heyde (1978).
177	Berlin	Musikhistorisches Museum	2818	basset	g#	! ML-J type unclassified	Bassano																Marvin (1972).
178	Leipzig	Musikinstrumenten Museum	1134	basset	b	Valiani		598.0	193.0	203.0	243.0	283.0	343.0	386.0	426.0	493.0	30.10	23.5	16.0	6.7	box	Wide bored instrument with key and fontanelle for 7th hole	Measurements by Tom Lerch published in museum plan Heyde (1978).
179	Leipzig	Musikinstrumenten Museum	1112	sopranino	g#''	H		193.0													ivory	Wave-form turning on head.	Heyde (1978).
180	Linz	Oberösterreichisches Landesmuseum	MU2	basset	g#	none		823.6	268.0	302.2	347.0	389.8	467.0	512.0	554.5	660.0	29.90	28.0	25.5	6.3	maple	Huge tone holes and bottom bore flare suggest original pitch was nearer to f#. Very similar construction methods to MU1, so almost certainly made by C C S too.	My own observations and measurements. Young, Humer, and Gschwendtner. (1997).	here	here	here
181	Linz	Oberösterreichisches Landesmuseum	MU1	tenor	c#'	C C S		563.5	184.0	200.0	238.2	272.5	319.8	359.8	396.0	428.8	22.50	18.5	14.6	5.7	? cherry	Single 7th finger-hole. Holes and window cut on slab side of wood. Very similar to basset MU2.	My own observations and measurements. Young, Humer, and Gschwendtner. (1997).	here	here	here
182	Lisbon	Museu da Música	MI 203	basset	g#	A A		782.0	266.3	294.5	332.8	370.2	450.3	496.0	531.8	625.0	30.25	24.8	18.0		service (Sorbus domesticus)	Neither fontanelle nor original cap have survived; key is a replacement Stamp is not like the other AA recorders and appears almost as a BB Window is so damaged, no measurement was posssible	My own observations and measurements. Alvarenga (1994); Monteiro (2001).
183	Lisse (NL)	't Huys Dever	Dever 0588	sopranino	f''	none		208.0									11.40	9.6	8.5	3.2	box	Found during an archaeological dig around 't Huys Dever in Lisse, The Netherlands. Tenon at foot for a now missing decorative ring.	Bouterse (2001).
184	London	Victoria & Albert Museum	306-1882	basset	g#	! ! ML-J type Q	Bassano	764.5	243.0	263.0	306.0	348.5	428.5	477.5	518.0	620.0	31.90	26.3	18.5		box	Mate to 303-1882. Windway shortened; replacement cap: block split in two pieces, one of which is loose in the bore. Window too damaged to measure cutup	My own observations and measurements. Baines (1968/2002: 85).
185	London	Victoria & Albert Museum	303-1882	basset	g#	! ! ML-J type Q	Bassano	764.5	243.0	264.0	306.5	348.3	428.5	477.5	518.3	615.0	32.00	25.0	18.1		box	Mate to 306-1882. Replacement cap glued on to instrument. Window badly damaged, no cutup measurement possible	My own observations and measurements. Baines (1968/2002: 85).
186	London	Horniman Museum	14.5.47/273	sopranino	ab''	none		181.0													ivory	ex. Adam Carse collection	Museum online catalogue.
187	Madrid	Private collection		basset	f#	!!	Bassano	846.0	250.0	277.5	322.0	365.0	470.0	515.5	558.0	667.0	36.00	28.5	19.5	6.6	maple		Private communication.
188	Bologna	Museo internazionale e biblioteca della musica (Formerly in Museo Civico Medievale)	1830	basset	g# (estimate of original pitch)	! ! ML-J type L	Bassano		225.0	252.0	292.5	335.5	417.5	465.3	505.0				17.7	6.9	yew	New baroque foot added, with clarinet-type keys!	My own observations and measurements. Meer (1993).
189	Madrid	Private collection		basset	f#	!!	Bassano	845.0	249.0	277.0	322.0	365.5	471.0	516.0	557.0	670.0	35.25	28.33	18.8	6.5	maple		Private communication.
190	Merano	Landesfürstlicher Burg der Stadt Merano	6858	tenor	d#'	ÂÂ	Schnitzer	508.0	176.0	193.0	226.5	262.0	300.0	339.0	375.0	407.0	23.30	20.0	14.9	5.7	box	Window sides cut away, as basset (Inv nr 8651) and basset in Copenhagen.	My own Measurements and observations. Roos (1987).	here
191	Merano	Landesfürstlicher Burg der Stadt Merano	6851	basset	g#	ÂÂ	Schnitzer	780.5	264.5	293.0	337.5	376.5	449.0	491.0	530.2	632.9	30.30	26.2	20.0	6.9	? cherry	The sides of the window are cut away, as tenor, (Inv nr. 6858) and basset in Copenhagen E78/kat38. Extensive woodworm.	My own Measurements and observations. Roos (1987).	here
192	Merano	Landesfürstlicher Burg der Stadt Merano	6852	basset	a#	double trefoil	Schrattenbach	656.3	200.0	211.3	253.8	292.0	358.6	402.0	436.5	539.0	33.60	25.1	17.2	6.8	? cornelian cherry	Direct blown (no cap) Mate to Merano 6853. Fontanelle is missing. Large scraped section in bore, giving large maximum bore diameter above. Probably done as necessary once the instrument was made for tuning the octaves.	My own Measurements and observations. Roos (1987).	here
193	Merano	Landesfürstlicher Burg der Stadt Merano	6853	basset	a#	double trefoil	Schrattenbach	655.0	199.0	212.0	253.0	290.5	358.3	401.0	436.0	533.5	34.30	25.0	17.0	6.8	? cornelian cherry	Direct blown (no cap). Mate to Merano 6852. Large scraped section in bore, giving large maximum bore diameter above. Probably done as necessary once the instrument was made for tuning the octaves.	My own Measurements and observations. Roos (1987).	here
194	Merano	Landesfürstlicher Burg der Stadt Merano	6854	bass	c#	ÂÂ	Schnitzer	1169.0	394.0	427.0	478.0	521.5	658.0	705.0	753.0	930.5	40.90	34.3	24.3	8.1	maple	Made from two pieces, with a glued joint above fontanelle. Much woodworm and a large crack from hole 4 to above fontanelle. Crook and key look later replacements.	My own Measurements and observations. Roos (1987).	here
195	Modena	Museo Civico	SM 24-1981	basset	g#	double trefoil	Schrattenbach	746.5	238.5	258.0	298.5	338.0	415.8	459.8	495.5	594.0			17.0	6.6	maple		My own observations and measurements. Cervelli & Meer (1982).
196	Modena	Museo Civico	SM 18-1981	sopranino	c'''	M		143.0	43.0	47.0	60.0	72.6	84.8	98.5	111.0	123.4	7.00	5.0	5.2	2.2	ivory	Wave type turning.	My own observations and measurements Kirnbauer (1995).
197	Munich	Bayerisches Nationalmuseum	MU163	soprano	c#'' (est)	none		277.0	97.0	105.5	127.0	149.0	171.5	193.0	213.0	234.0	13.50	10.0	9.1	3.4	ivory	Mate to Bayerisches Nationalmuseum (Munich) MU152.	My own observations and measurements. Wackernagel (2005).
198	Munich	Bayerisches Nationalmuseum	174/37	bass	c#	double trefoil	Schrattenbach	1087.0	382.0	407.5	454.0	492.0	636.5	682.0	727.0	903.0	39.50	32.0	23.0	11.0	maple	Cap band has similar engraving to Salzburg basset M244.	Wackernagel (2005).
199	Bologna	Accademia Filarmonica	603 (FP6)	basset	g	P·GRECE	Grece	767.0	266.0	299.5	344.0	379.5	484.0	526.3	559.3	587.8			13.3	6.9	plum		Puglisi (1981), Tiella (2005).
200	Munich	Bayerisches Nationalmuseum	MU152	soprano	c#'' (est)	none		277.0	96.0	105.0	126.0	148.0	170.0	191.5	212.5	233.5	13.50	10.0	9.0	4.0	ivory	Mate to Bayerisches Nationalmuseum (Munich) MU163.	My own observations and measurements. Wackernagel (2005).
201	Munich	Bayerisches Nationalmuseum	180/43	extended bass	c#	double trefoil	Schrattenbach	1603.0	372.0	406.5	447.0	485.5	640.0	687.0	728.5	924.0	39.00	27.3	23.0	10.5	maple, four brass keys	Extended recorder, lowest note is G#, with all 10 holes closed. c# is produced by the fingering 0 123 4567. Fontanelle band engraved, Hans Ravch von Schratt.	Wackernagel (2005).
202	New York	Metropolitan Museum	89.4.3133	tenor	c#'	none		524.5	189.3	198.5	233.0	267.5	319.8	354.0	388.3	419.5	23.80	19.1	12.1	6.5	maple, figured	ex. Crosby Brown Collection	My own observations and measurements.
203	New York	Metropolitan Museum	2010.205	tenor	c#'?	!!	Bassano	562.0											16.0		box		Museum website
204	Nuremberg	Germanisches Nationalmuseum	MI101	alto	f#'	HF/Hieronimus	Kynseker										18.00	16.2	13.1	5.9	plum, with horn ring		Kirnbauer (1994).
205	Nuremberg	Germanisches Nationalmuseum	MI145	bass	B	! ! ! ML-J type A	Bassano	1275.0	401.8	421.5	465.0	506.0	695.5	740.0	781.0	1005.0	43.50	37.5	26.8	8.3		Finger-holes 3 and 6 are angled towards the foot of the recorder.	Kirnbauer (1994).
206	Nuremberg	Germanisches Nationalmuseum	MR213	basset	g#	C. DENNER		754.5	247.5	274.0	313.5	350.5	435.0	477.0	513.5	614.0	31.00	24.4	20.7	6.2	box		Kirnbauer (1994).
207	Nuremberg	Germanisches Nationalmuseum	MI99	soprano	c#''	HF/Hieronimus	Kynseker	276.0	87.0	95.5	114.5	135.5	159.0	183.0	205.5	227.0	13.50	11.0	9.3	3.8	plum, with horn ring		Kirnbauer (1994).
208	Nuremberg	Germanisches Nationalmuseum	MI98	soprano	c#''	HF/Hieronimus	Kynseker	276.0	87.0	96.0	115.5	135.5	159.0	183.0	205.5	227.0	13.50	11.0	9.5	4.1	plum, with horn ring		Kirnbauer (1994).
209	Nuremberg	Germanisches Nationalmuseum	MR212	basset	g#	double trefoil	Schrattenbach	755.0	245.0	264.5	305.0	343.0	422.5	465.0	503.0	610.0	30.50	24.0	17.8	7.0			Kirnbauer (1994).
210	Nuremberg	Germanisches Nationalmuseum	MI642	sopranino	c'''	HF	Kynseker														ivory	This tiny recorder with its turned wooden case came form a private colletion in Vienna and was erroneously catlogued as a recorder in f'' by both Martin Krinbauer and Eva Legêne in their 1995 articles. It was bought by the museum after Martin Kirnberg's catalogue was published. TOL: 178	Bär (1998). see also museum page	museum page
211	Munich	Bogenhauser Künstlerkapelle	Nr. 13	basset	n/a	HD	Drebs														boxwood		Martin Kirnbauer: Das war Pionierarbeit. Die Bogenhauser Künstlerkapelle, ein frühes Ensemble Alter Musik. In: Alte Musik, Konzert und Rezeption (= Basler Jahrbuch für Historische Musikpraxis, Sonderband zum 50. Jubiläum der Freunde alter Musik in Basel). Winterthur 1992, S. 37–67. Martin Kirnbauer: Die Holzblasinstrumente der Bogenhauser Künstler-Kapelle. In: Michaelsteiner Konferenzberichte 1994, S. 21–30.

Cite this page as: Adrian Brown: Renaissance Recorders (Table). Last accessed 10 June 2023. https://www.recorderhomepage.net/renaissance-recorders/