Fred Morgan (1940-1999)
— Discography
Compiled by
Rodney Waterman
Revised: November 30, 2004
200
Entries.
The idea
for this list came about when I wrote an obituary for Fred Morgan and surmised that his
recorders ‘feature on hundreds of recordings’. Why not put this assertion to
the test? Well, here it is. Wherever possible I have also noted other
instrument makers. This collaboration may ultimately enrich the overall quality
of information about recordings featuring recorders and certainly stands as a
record of how highly Australian maker Fred Morgan’s instruments are regarded
internationally.
Thanks to
all of you who have contributed to this list over the past four years—Lorenzo Cavasanti, Sabine Haase-Moeck, Marijke Van
Campenhout, Judith Linsenberg, Chris Short, Maurice Steger, Alan Davis,
Nicholas Lander, Frode Thorsen, Sascha Mommertz, Dan Laurin, Barthold
Kuijken, Heinz Ammann, Robyn Mellor, Nick Horn, Thomas Braatz, Lorenzo Lio, Ros
Bandt, Markus Zahnhausen, Jürgen Scheer, Evelyn Nallen, Thiemo Wind, Katja
Beisch, Andrea Guttmann, Owen Watkins, James Harris, Robert Ehrlich, Kees
Boeke, Camilla Soederberg, Jeanette Hajncl, Valeria Bittar, Genevieve Lacey,
Sally Melhuish, Alexandra Reuter, John Terrell, Monica McTaggart, Vicki
Boeckman, Pamela Thorby and Zana Clarke. I wish to especially thank Fred’s wife, Ann.
The
discography is virtually complete for my purposes. Fred’s workshop is still
producing ‘blanks’, that is, recorders turned to Fred’s specifications, but
without block and voicing—they are sent to other makers to complete. Also I am
aware that Mollenhaeur are making a model they call the ‘Morgan’ model. I have
to draw the line somewhere, and I will not include these instruments—only
instruments voiced by Fred.
This list
of 200 recordings tells a great story about the recorder, music and Fred’s
wonderful instruments. There will be without doubt some recordings that I have
missed somewhere in the world, and of course musicians continue to record with
Fred’s instruments. The list may contain some small errors of detail or wrong
assumptions about some instruments used. Please contact me if you have any
amendments to make, no matter how small. One day, when I have lots of time, I
will try and lay out the list more beautifully, logically and in a way that is
easier to navigate.
Note:
·
All entries are CDs unless indicated as an LP
·
All recorders by Fred Morgan (FM) unless otherwise
indicated
·
? A question
mark indicates the highly probable use of Morgan recorder
|
Performers |
Recording Identification
|
Recorders |
|
1. Adelaide Baroque: Tessa Miller, soprano, Lynton Rivers, recorders, Lesley Lewis h/c |
Musica da Camera AB001 (1999) |
Voice flute in d’ after Bressan (boxwood), Alto after Denner in f’ - Jo Saunders, voicing by FM. |
|
2.
Amsterdam Baroque Orchestra (Ton Koopman), Ricardo Kanji,
Reine-Marie Verhagen (recorders) |
J.S. Bach, Brandenburgische Konzert 5-6-2 Erato 2292-45374-2 |
? |
|
3.
Amsterdam Loeki Stardust Quartet |
Baroque Recorder Music (Bach J. S., Sweelinck, Purcell, Boismortier, Locke, Scheidt) L'oiseau-Lyre 421 130-2 |
Alto recorder in f’ after Bressan, Daylesford 1972 [sic – FM didn’t move to Daylesford until 1975] and 1979 |
|
4. Amsterdam Loeki Stardust Quartet |
The Art of Fugue Channel
Classics CCS 12698 |
Soprano
in c´´ after Bressan Fourth flute in b´flat after Bressan, Third flute in a´ after Bressan, Alto in f´ after Bressan, Alto in f´ after Denner Voice flute in d´ after Bressan |
|
5.
Amsterdam Loeki Stardust Quartet & Kees Boeke |
The Image of Melancolly, Anthony Holborne Channel Classics CCS 2891 (1991) |
“Recorded recorders build (sic) by Bob Marvin and Fred Morgan”, including Morgan Ganassi soprano in c’’ for solo Lacrime (Boeke). |
|
6.
Amsterdam Loeki Stardust Quartet, The Academy of Ancient
Music (C.Hogwood) |
Concerti
di flauti (Telemann, Heinichen, Marcello, Schickhardt, Vivaldi) L’Oiseau-Lyre
436 905-2 (1994) |
Alto recorders in f’ after Bressan, 1972 und 1973; alto in f’ after Denner (other recorders by Friedrich von Huene, Martin Skowroneck, Yamaha |
|
7. Anima - Isa Taube (voice), Ivan Vilela (Brazilian ten string guitar), João Carlos Dalgalarrondo (percussion), José Eduardo Gramani (Brazilian fiddles), Luiz Henrique Fiaminghi (Brazilian fiddles), Patricía Gatti (harpsichord), Valeria Bittar (recorders). |
Espiral do tempo (European early music and
popular/orginal Brazilian fusion) |
Recorders: hand fluit by Helge Stiegler (1985) after ‘van Eyck’ type ca. 1647, Ganassi by Abel Vargas, São Paulo Brazil 1993, baroque alto by FM (1980) after Denner ca. 1700. |
|
8. Anima - Isa Taube (voice), Paulo Freire (Brazilian ten string guitar), João Carlos Dalgalarrondo (percussion), Luiz Henrique Fiaminghi (Brazilian fiddles), Patricía Gatti (harpsichord), Valeria Bittar (recorders). |
Especiarias (European early music and
popular/orginal Brazilian fusion) (2000) |
Recorders: hand fluit by Helge Stiegler (1985) in c’’ after ‘van Eyck’ type ca. 1647, Ganassi by Abel Vargas, São Paulo Brazil 1993, baroque alto by FM (1980) after Denner ca. 1700. |
|
9.
Bandt, Ros |
Stargazer MD 3075 |
A440 Alto in f’ (Jo Saunders, voiced by FM) ~1986 [Saunders ‘dolphin’ and Morgan ‘cross’] |
|
10.
Bergen Barokk: |
Sonatas by
Francesco M. Veracini and F. Barsanti Simax Classics PSC 1122 63.40 (1996) |
Treble in f' after Stanesby |
|
11.
Bergen Barokk: |
"The lonely shepherd". Cantatas by Pepusch. Instrumental interludes by Finger, Paisible, Purcell, Blow BIS CD 965 |
Treble in f' after Stanesby and voiceflute in d' after
Bressan/Stanesby. |
|
12.
Boeckman, Vicki — |
“Baroque Trio Sonatas” Paula PACD 64 (1991) |
Alto recorders after Denner by FM (1990) and R.Kanji, Soprano recorders after Ganassi by FM (1991) and R. Kanji, soprano recorders after Terton by G. Klemisch |
|
13.
Boeckman, Vicki (recorders) Finn Hansen (V.d. gamba) Lars
Ulrik Mortensen (Harpsichord) |
Early Italian Baroque (Frescobaldi,
Castello, Fontana, Merula, Cima) Kontrapunkt
32059 |
Ganassi in
c’’(1991), Ganassi in g’ (1988) Other recs: ren-type tenor in C, Adrian Brown
(1989), Terton soprano in c’’ Guido Klemisch (1982) |
|
14.
Boeckman,
Vicki (recorders), Dorte Lester Nauta (recorders), Mads Johansen and Svend
Melbye (traversi), Mogens Rasmussen and Finn Hansen (viola da gambas), Viggo
Mangor (archlute), Allan Rasmussen (harpsichord). |
“Flute Music from the Baroque” Trio sonatas and Quartets by Telemann, Quintett by Loeillet & trio sonata by Quantz. ["Kurt Zieners Minde" (In Memory of Kurt Ziener] Primavera PVCD 9601 (1996) |
Bressan altos in f’ (1995) |
|
15. Boeckman, Vicki (recorders), Dorte Lester Nauta (recorders), Mogens Rasmussen (viola da gamba), Viggo Mangor (archlute and chamber organ) — “Opus 4” |
"Aires
and Duets for 2 Flutes and Bass", Trio
Sonatas from the 17th & 18th centuries by Handel, Telemann, G.B. Braun,
Rossi & Merula for descant and treble recorders and basso continuo Primavera (1998) |
Ganassi alto in
g’ (1988), Denner alto in f’ (1990), Bressan altos in f ‘ (1995) Ganassi
soprano in c’’(1991) |
|
16. Boeckman, Vicki (recorders), Gertie Johnsson (recorders), Pia Brinch Jensen (recorders) — Wood’N’Flutes |
"Journey" (Edel - Kadanza Classics) Seven Centuries of Recorder Music KAD48130-2 (2001) |
Altos in f’
after Bressan (1995, 1996), alto in f ‘ (a440) after Denner (1998), Alto in g’ after
Ganassi (1988), soprano in c’’ after Ganassi (1992). Renaissance basset in F, bass in C, Kontrabass in F by Ture Bergström, Renaissance tenors in C and basset in F by Thomas Prescott, Alto in f’ by Hans Coolsma, Alto in f’ after Denner by David Coomber, keyed tenor in C (a440) by F. Von Huene, Square bass by Herbert Paetzold. |
|
17. Boeckman, Vicki (recorders), John Holloway (violin), Jaap ter Linden (‘cello and viola da gamba), Lars Ulrik Mortensen (harpsichord), Aloysia Assenbaum (organ) |
“G.P.Telemann,
Trio Sonatas with Recorder” (2000) |
Bressan alto in
f ‘ (1995), Denner alto in f’ (1990), Denner alto in f’ by F. von Huene |
|
18. Boeke, Kees (recorder, vielle) |
MONODIA, solo medieval music (Thomas Aquinas,
Heinrich Frauenlob, anonimo italiano, Guillaume de Machault, Gherardello,
Lorenzo Masini) “This disc is dedicated to the memory of Fredrick Morgan” Stradivarius STR 33570 2000 |
Ganassi soprano
in c’’, Ganassi alto in g’, Ganassi ivory alto in g’ (all 1978/79). Actual
sleeve credits: soprano
"Ganassi" in do - Fred Morgan viella tenore -
Fabio Galgani |
|
19.
Boeke, Kees and Walter van Hauwe (recorders) |
Virtuose Kammermusik, Duets for Recorders (Morley, Telemann, van Eyck, Hotteterre) Teldec 6.42522 AP 1980 LP |
Morley: 2 Sopranos (Ganassi?) by FM 1978, Ganassi g’ alto by FM 1979, 2 Tenors in c’ by Friederich von Huene, 1976, Bassetblockflöte, Moeck 1978 Telemann: 2 Sopranos by FM 1979 (A415), 2 Altos after Bressan by Hans Coolsma (A415). Van Eyck: Ganassi g’ alto by FM 1979, soprano in c’ (Ganassi?) by FM 1978, traverso by Friederich von Huene 1975, Tenor in c’ by Friederich von Huene 1976. Hotteterre: 2 Altos in f’ by FM 1976 after Bizey (A392). |
|
20.
Brüggen,
De Vries, Bylsma, Leonhardt (Boston Museum Trio) |
Telemann:
12 Sonate Metodiche SB2K 63182 |
Voice flute in d´ |
|
21.
Brüggen,
Frans |
Corelli Sonaten Op 5 Nos 7-12 “La Follia” RCA RD71055
(CD?) RCA (Seon) RL
30393 (LP) (1980) |
Bressan
alto in f’ Melbourne/Amsterdam 1979 |
|
22.
Brüggen,
Frans |
Telemann, Georg Philipp: 6 Sonate Metodiche GD 71957 |
Voice-flute, Melbourne 1980 |
|
23.
Brüggen,
Frans |
Frans Brüggen
(Bach, Handel, Hotteterre, Mozart) RCA (Seon) RL
30333 (2LPs) |
Alto in f’ (A392) after Bizey (Hotteterre) |
|
24.
Brüggen, Frans |
Frans Brüggen
spielt Vivaldi, Bach, Händel, Hotteterre. RCA (Seon) VL
30384 (1980) LP |
Hotteterre: FM Altos after Bizey A392 Bach Sonata A-dur: Traverssflöte I.Schierer 1773, Bach Brandenburg 4: Altos by Coolsma and von Huene (1968 and 1974), Vivaldi Concerto Nr 1 in F: Alto by Jan Steenbergen (first half 18th Century) |
|
25.
Brüggen, Frans (recorder and tranverse flute) |
Frans Brüggen,
Encore! Zugabe! Bis! (Solos by Bach,
Marchetti, Andriessen, Rebel, van Eyck, anon, Virgiliano, Purcell, Moser,
Boismortier, Heberle, Ortiz) RCA (Red Seal)
RL 30769 (1980/81) LP |
Ganassi in g’
(Virgiliano) — others? |
|
26.
Brüggen, Frans, Kees Boeke, Walter van Hauwe |
French
Recorder Sonatas (Ph. de Lavigne, J. B. de Boismortier, A. Danican Philidor,
L.-A. Dornel, F. Couperin) Frans Brüggen Edition Vol. 7 Teldec 4509-97469-2 |
Alto recorder in f’ after Bizey |
|
27.
Brüggen, Kuijken, Gruskin, Kweksilber |
Hotteterre, Premier Flûtiste Francais SB2K 62942 |
Recorders in f´ after Bizey |
|
28.
Brüggen, Leonhardt, Bylsma |
Bach: Complete Sonatas & Partitas GD 71964 (2) |
Alto f´ after Bizey |
|
29.
Cambridge Musick, The |
Handel: The Recorder, Violin and Viola da gamba Sonatas Globe GLO 6032 |
Alto recorder in F after Bressan |
|
30. Camerata Moderna |
Palimpsest (Frescobaldi, Marais, Ruoff, Rossi, Merula, Rebel, Schmidt-Mechau, De Visée) R&M 2-1023 |
Soprano recorder, Daylesford 1991; alto recorder in g’, Daylesford 1991; alto recorder after Debey, Daylesford 1974; alto recorder after Denner, Daylesford 1990; voice-flute after Bressan, Daylesford 1990 |
|
31.
Camerata
Moderna (Ulrike Volkhardt, recorders) |
Jacquet de la Guerre: Sonatas MDG 605 0807-2 (1998) |
Soprano recorder after Terton (1997),
Alto after Denner/Bressan, (1990), voice-flute after Denner (1990) |
|
32.
CANTICA
SYMPHONIA, Laura Fabris soprano, Giuseppe Maletto - Fabio Furnari tenors,
Marco Scavazza baritone |
GUILLAUME DUFAY (1397 ca. - 1474) Stradivarius STR 33569 (2000) |
Ganassi Alto in
g’ (maple) |
|
33.
Cantigas (Zana Clarke, recorders) |
Courts In Colour Move Records MD 3177 |
Voice Flute in d’ by
FM, ganassi in g’ by M. Grinter |
|
34.
Cantigas, Zana Clarke (recorders) |
Traveller’s Tapestry (1994) |
Voice Flute in d’ by FM, Ganassi in g’ by M. Grinter |
|
35.
Cantigas, Zana Clarke (recorders) |
Silk and Spice MD 3137 |
?Voice Flute by FM (1991), Ganassi g’ alto by M. Grinter (1989) |
|
36. Canzoni Cœlln, Lucia Mense (recorders), Antje Plieg-Oemig (V.da Gamba), Thomas Rudolph (Organ). |
L’Ambitiosa – Virtuose Instrumentalmusik des Italiensichen Fruhbarock. Canzoni Cœlln
RS0702-01 2002 |
Soprano recorder by FM 1996, soprano by Andreas Schob 1993, Tenor by Monika Musch 2001, Tenor by Francesco Li Virghi 2002 |
|
37.
Capella
Corelli — Cynthia O’Brien (bar. violin), Ruth Wilkinson (recorder), Paul Thom
(harpsichord) |
“For ye
lovers and masters of musique” (Handel, Castello, Matteis, Leclair, Corelli,
Blow). LP |
Alto in f’ after
Bressan |
|
38.
Capella Corelli (Ruth Wilkinson, recorder, Cynthia O’Brien,
violin, John O’Donnel, harpsichord) |
Capella
Corelli play Handel and Telemann Move Records MD 3126 (Cassette MC
3126) |
Alto in f’ |
|
39.
Cappella Amsterdam (dir. Jan Boeke), Anneke Boeke (recorder). |
Hodie Christus Natus est -- Christmas music in the Netherlands. ( Jacob van Eyck: Puer nobis nascitur, O salich heyligh Bethlehem, Een kindeken is ons gebooren) Lindenberg Records (earliest release on: Attacca) Rotterdam No. 8 711801
000077 1986 |
Renaissance
alto (Ganassi) in g’ |
|
40.
Cavasanti,
Lorenzo (Recorder), Europa Galante, dir. Fabio Biondi. |
Antonio Vivaldi:
Concerti con Titoli (2000) |
FM 1991, after, T. Stanesby, Luca De Paolis 1999, after P.Bressan. 2000 |
|
41.
Cavasanti,
Lorenzo (Recorder), Europa Galante, Ian Bostridge. |
J.S.Bach: Cantatas & Arias Virgin Veritas 7243 5 45420 2, |
Alto by FM 1991, after T.Stanesby |
|
42.
Cavasanti~Ciomei |
Bach~Suite BWV 997~Triosonate BWV 525-526-529 7234 (?) |
Recorder after T. Stanesby |
|
43.
Clarke, Zana |
Dreams Inside the Air
Tunnel (1998) |
Voice Flute in d’, Ganassi in g’ by M. Grinter (?) |
|
44.
Concentus Musicus Wien (Harnoncourt) |
Brandenburg
Concertos Nos 1-2-4 Teldec 9031-75888-2 (1981/84) |
? |
|
45. Concentus Musicus Wien, (Nikolaus Harnoncourt), Leonhardt-Consort (Gustav Leonhardt). Recorder players listed in column 3] |
Das Kantatenwerk - Sacred Cantatas by Johann Sebastian Bach. Teldec 4509-91755-2 to 4509-91764-2 (encompass volumes 1-10 with 6 CDs in each volume – volumes 6-9 [8 CDs in total] include recorders by Fred Morgan) Recorded 1972-1988. Abbreviations in adjacent listings CMW- Concentus Musicus Wien LC – Leonhardt Consort |
Vol. 6 CD 3: Track 1, 2, 4 BWV 106, LC 1980, after Bizey by FM, Frans Brüggen, Walter van Hauwe. Vol. 7 CD 1: Tracks 1, 4, 5, 7, 9 BWV 119, CMW 1981 FM (1979 & 1980), (also by H.C.Fehr), Elisabeth Harnoncourt, Marie Wolf, Jürg Schaeftlein. CD 2: Track 9 BWV 122, CMW 1982 FM (1979 &1980), (also by H.C.Fehr), Elisabeth Harnoncourt, Marie Wolf, Jürg Schaeftlein. CD 3: Tracks 13, 15, 17, BWV 127, LC 1982, after Bizey by FM (also by H. Coolsma), Kees Boeke, Walter van Hauwe. Vol. 8 CD 4: Tracks 13, 16, 18, BWV 152, CMW 1985, FM 1979, Elisabeth von Magnus-Harnoncourt (Marie Wolf very likely only on CD 4 Track 18 where doubling occurs). CD 6: Tracks 10, 13, 14, 15, BWV 161, CMW 1986, FM 1979 (no other instrument maker indicated here or above in BWV 152, so they must both be playing the Morgan 1979s) Elisabeth von Magnus-Harnoncourt, Marie Wolf. Vol. 9 CD 4: Tracks 6, 7, 12, BWV 175, LC 1988, after Bressan by FM 1986 (also after Stanesby jr. by S. Hirao), Kees Boeke, Walter van Hauwe, Han Tol. CD 6: Tracks 1, 4, 5, BWV 180, LC 1988, after Stanesby Jr. by FM, 1986. and by S. Hirao, and after Bressan by FM, Kees Boeke, Walter van Hauwe, Han Tol, CD 6: Tracks 13, 14, 19, 20, BWV 182, CMW, by FM 1988, Elisabeth von Magnus. |
|
46.
Concertino Armonico, Geoffrey Burgess oboe/recorder, Owen
Watkins oboe/recorder, Peter Watchorn h/c, organ, Claire Garabedian, ‘cello |
Bach/Couperin/Telemann (No cat. no.) |
Altos A415: Bressan by FM (G. Burgess), Stanesby Jr. by F. von Huene (O. Watkins). |
|
47.
Dikmans, Greg (recorders, renaissance flute, traverso), Max
Hynam (lutes) |
The
Delightful Companion: Instrumental Music from the 14th-18th
Centuries. Arika Records AR-001 (1981) LP |
Gannassi
in g’ at a466 and a435 (FM 1980), flute in C (16th cent) a435 by
Robert Bigio (1980), Recorder in f’ after Bressan a415 by FM (1977), Traverso
after Stanesby Jnr a415 by FM (1976), 6 and 7-course lute by Peter Biffin
(1980) |
|
48.
Dikmans,
Greg (renaissance recorders, renaissance flute,), Max Hynam (lutes) |
Dialogo della Musica – Florid Italian Instrumental Music 1506-1630. Arika Records, AR-005 (1982) LP |
Ganassi recorder in g’ (A466, A435, A415), Ganassi recorder in c’’ (A466, A415), flute in C (16th cent) a435 by Robert Bigio (1980), 6 and 7-course lute in G and A by Peter Biffin (1980) |
|
49. Dikmans, Greg and Anne Norman, recorder and shakuhachi |
Breath of Creation, Flutes of Two Worlds Move MD 3163 (1995) |
Ganassi in c’’, alto? |
|
50.
Ehrhardt,
Susanne |
Hexentanz &
Vogelgesang, Blockflötenmusik aus fünf Jahrunderten (Bassano, van Eyck,
Hirose, Heberle, JS Bach) No catalogue
number TT 58:44 |
Alto Bressan by
FM, Soprano Ganassi by Kanji & Sorel, Alto after Rottenburgh by Moeck,
Alto in g’ Ganassi by Bodil Diesen, Bressan Voice Flute by Kanji & Sorel,
soprano by Yamaha. |
|
51.
Ehrhardt,
Susanne (recorders), Jaqueline Ogeil (harpsichord), Margaret Waugh (baroque
‘cello) |
LA FOLLIA,
Vivaldi, Corelli, Scarlatti, Vitali (1998) |
? |
|
52.
Ehrlich, Robert (recorder) with Mitteldeutsche
Barocksolisten, dir. Siegfried
Pank. |
"Viola da
Gamba Concertata": Telemann: Double concerto in a minor; Sinfonia in F
major. Raumklang RK
9806 (1999) |
Bressan Alto in
f’, A415, boxwood, 1990 |
|
53. Ehrlich, Robert (recorders), Mark Levy (viola da gamba), (Richard Egarr harpsichord) |
Corelli,
Sonatas Op. 5 (Nos 3,4,7-12) Globe Records, Castricum, Holland [To be released 2001?] Email: Globe Records |
Voice flute (1988), alto recorder after Bressan (1990), 3rd and 4th flutes. |
|
54.
Ehrlich, Robert and Michael Form (recorders), Berliner
Bach-Akademie |
J S Bach: The Art of Fuge, arranged for 4 Quartets by Heribert Breuer. Arte Nova
Musikproduktion Arte Nova
Classics 74321 74465 2 (2000) |
Denner Alto in f’, A445, maple, 1991 (shortened by FM to German concert pitch!) |
|
55.
Ehrlich, Robert, recorder Mitteldeutsche Barocksolisten |
Telemann: Serenatas "Willkommen, schöner Freudentag", TWV 12:3 (Incl. Arias with recorder obbligato) Ars Musici AM 1221-2 (1998) |
Bressan
Alto in F, A415, maple, 1998 |
|
56. Ehrlich, Robert, recorder, Richard Egarr h/c, Mark Levy, v.d.gamba |
Georg Phillip Telemann-The Original Sonatas Globe GLO5161 |
Alto
in f’ 1996, VF in d’ 1988 (Both after Bressan c.1710) [Sonatine in a (TWV 41:a4) and Sonatine in f (TWV 41:a4) on
maple Bressan, prototype]? |
|
57.
Eichberger, Myriam |
Händel, Telemann, Weiss ambitus 97929 |
Alto recorder after Bizey; voice-flute after Bressan/Stanesby |
|
58.
Ensemble Aspecte |
Matthew
Locke: 7 Suites Pan Classics 510 068 |
Voice flute after Bressan |
|
59. Ensemble Diferencias, Bryony Crawford Conrad Steinmann, Urs Haenggli, Helma Franssen |
A Journey Through Al-Andalus and Hispania (Codex Las Huelgas, Atonio de Cabezon, Crostobal de Morales, etc.) Divox Antiqua, CDX-79809, [LC 1851] 2000 |
Ganassi in g’and Ganassi in c’’ by FM, Renaissance recorders in c”, g’, f’, and C by Bob Marvin. Recorder in g’ after Bassano by Andreas Schwob. |
|
60.
Ensemble Differencias, Conrad Steinman, Elsa Frank, Helma
Franssen, Urs Haenggli recorders |
Canto
Triplex CDX 79610 |
Renaissance
type in c”-flote |
|
61.
Ensemble Douce Memoire, Gerald Stempfel (recorder), Jan
Rokyta (Dulcimer) |
Intuition- Ratio
(in der Musik von 1300-1750) |
Voice Flute in
d’ (after J. Denner) by FM - other recorders by Adriana Breukink, Moeck |
|
62. Ensemble Fiori Musicali Copenhagen, Nikolaj Ronimus, recorder, Helene Jerg, b.’cello, Leif Meyer, harpsichord/organ |
“Les voix des Loeillet” Recorder Sonatas
of the Loeillet family. CLASS CD.229 |
FM
Recorders: F’ alto, after Bressan, 1988 VF in d’ Bressan 1992, Alto in f’, T
Stanesby Sen 1993, Alto in E flat’ after P Bressan, 1997, Alto in f’ J.
Denner 1990, “Thanks to Fred Morgan for making such wonderful instruments for
me. These great-grandchildren of Bressan, Denner and Stanesby are my living
originals” N.R. |
|
63.
Ensemble
Fitzwilliam, Jean-Pierre Nicolas, (recorder) |
Telemann: Solo,
Trio & Concerto. Auvidis Astree
E 8561 (1996) |
Denner alto in f'
by FM. |
|
64.
Ensemble
Fitzwilliam, Jean-Pierre Nicolas, Pierre Hamon (recorders) |
Marin Marais:
Pieces en Trio, Auvidis Valois
V 4638 (1991) |
Two Denner altos in f'; Two Bressan Voice Flutes |
|
65.
Ensemble
La Capriola (Arndt, Hug, Sabin, Schweitzer). |
Telemann -
Corellisierende Sonate Nr. 6 D-Dur - Trio G-dur - Concerto I
D-dur - Sonate g-moll - Concerto VI
a-moll - Sonate d-moll -
Corellisierende Sonate Nr. 3 d-moll (orig. h-moll) Bestellnummer:
bcc 0909 Labelcode:
02371 ISRC-Nummer: DE
H51 01 105 01-31 bbc.//BLUE.Calvin.CLASSICS |
Joachim Arndt: - Altblockflöte nach DeBey von Guido Klemisch (22-31) - Voiceflute nach Bressan von Joachim Rohmer (1-5) - Cembalo nach Harras von Jürgen Ammer (6-9, 18-21) Angela Hug: - Altblockflöte nach Stanesby von Frederic Morgan (14-17, 26-31) - Voiceflute nach Stanesby von Hans Schimmel 81-5, 10-13,
18-21) Anne Sabin: - Diskantgambe von Jörn Erichson (14-17, 22-25) - Bassgambe nach Tielcke, um 1700 von Jörn Erichson (1-9,
18-21, 26-31) Claudia Schweitzer: - Cembalo thüringisch von Jürgen Ammer (1-13, 18-31) - Cembalo nach Harras von Jürgen Ammer (14-17) A=413 Hz, Werckmeister III |
|
66.
Familien-Ensemble
Guttmann |
BANDBREITE Recorded October 1995, in a chapel called "Salinenkapelle" in Hallein (a town near Salzburg) compositions by W. Brade, A. Mullenbach, G.B. Fontana, L.Brouwer/Lennon/Mc Cartney, G.P.Telemann, A.Aigmueller, P.Smadback, A. Vivaldi, G.Miller — NO CAT. NO. [private
distribution] |
Ganassi soprano
(415HZ) - Fontana Sonata Seconda. |
|
67.
Fiori Musicali, Pamela Thorby (recorder), Kerstin
Linder-Dewan (violin), Paolo Grazzi (oboe), David Staff (trumpet), Penelope
Rapson (conductor) |
Bach / Zelenka, Violin Concerto in
D minor (Bach), Sinfonia in A minor (Zelenka), 'Brandenburg' Concerto no.2
(Bach) Metronome MET CD
1019 (1997) |
FM? |
|
68.
Flanders'
Recorder Quartet "Vier op'n Rij" (Verbrüggen, Marion) |
“Browning My Dere”, English Consort Music (Byrd, Tye, Stonings, Dowland, Baldwin) Vox Temporis
VTP CD92 012 (1993) |
Soprano in c’’, altos g’ and f’, tenor in c, basset in g, basset in f, bass in c, bass in f by Bob Marvin (1985), Ganassi recorders by Peter van der Poel and Fred Morgan (tracks 19-22 feature recorders by FM) |
|
69.
Flanders Recorder
Quartet (and others) |
Deutsche Barock Kammermusik (VII) Ricercar RIC 206432 |
Ganassi Recorders |
|
70.
Form,
Michael (Blockflöte) Fabio Bonizzoni (Cembalo) |
Johann Sebastian Bach Flötensonaten/Flute Sonatas/Sonates pour Flûte, Raumklang RK 9701 (1999) |
Altblockflöte in f´nach Bressan a415,, Altblockflöte in e´ a415 (f’ a392) nach Bizey, Flûte de voix in d ´nach Bressan a415 -- “IN MEMORIAM FREDERICK MORGAN” |
|
71.
Frederick Morgan Consort, The (Fred Morgan, recorders,
Robert Moore, recorders, Tim Moore, recorders, Richard Ireland, Harpsichord
and recorders) |
Meet
the Recorder Family (Susato, Couperin, Spencer Robinson, Telemann, Byrd)
WG/B/S/5493 (1969) LP |
The
only recording - other than radio broadcasts – of Fred playing recorder, both
solo and consort. Treble recorder by Fred Morgan - others by Dolmetsch,
Coolsma and Küng. |
|
72.
Hamon,
Pierre |
Lucente Stella Opus 111, OPS
30-122 |
Bressan alto f’ a415 (1991), ganassi
a460 (1983), Voice flute a415 (1991) |
|
73.
Hamon,
Pierre |
Johannes Ciconia
(1370-1412) Alla Francesca OPUS III, OPS 30-101 |
? |
|
74.
Hauwe, Walter van |
Blockflute Classics 2 (Couperin, A. Danican-Philidor, J. Hotteterre, Dieupart) Moeck 10013 - Same CD released on
Channel Classics CCS 8095 |
Descant, alto and voice-flute |
|
75.
Hauwe, Walter van |
Blockflute Classics 1 (Telemann, Bach, J. S.) Moeck 10012 |
Descant, treble and voice-flute |
|
76.
Hauwe, Walter van |
Blokfluitmuziek Uit Vijf Eeuwen/Recorder Music from Five Centuries (Bassano, van Eyck, Marais, Shinohara and Ishii) CBS 71102 LP |
Recorder at A462 after Ganassi, by Fred Morgan (1979), Renaissance tenor at A462 by Bob Marvin (1976), Renaissance basset at A440 by Moeck (1977), Recorder after Ganassi at A440, by Fred Morgan (1980), Recorder after Bressan at A425, by Hans Coolsma (1973), Voice-flute (tenor in d') after Bressan, by Fred Morgan (1980), 'Aura' recorder by Hans Coolsma (1978), Recorder after Terton, by Hans Coolsma (1972), Voice-flute (tenor in d') after Bressan, by Fred Morgan (1980) |
|
77.
Hauwe, Walter van (Bob van Asperen, Wouter Möller) |
Georg Phillip Telemann Globe Records GLO CX 15005 (1982) LP |
Voice Flute (depicted on front cover of LP), others? |
|
78.
Hauwe, Walter van (recorders) |
Ladder of Escape 3 Attacca, Babel 8847-5 |
? |
|
79.
Hauwe, Walter van, recorders Bob van Asperen, h.chord &
organ, Wouter Möller, violoncello, Frans Robert, baroque bassoon |
Antonio
Vivaldi Sonatas Channel Classics CCS6194 Moeck |
Recorders by Fred Morgan (types not mentioned) 1994 |
|
80.
Heyens,
Gudrun (recorder) |
Tres Tendrement,
Marais-Consort, includes Philidor-Suite No 5, g-minor. Nomos Label (?) |
Alto after
Bressan (Philidor suite) |
|
81.
Il Dolcimelo Köln: Katja Beisch (recorder), Doris Runge (baroque
cello), Alexander Puliaev (harpsichord) |
"Affettuoso"
- Italienische Violinmusik in der Bearbeitung für Blockflöte. Music of
Berardi, Merula, Frescobaldi, Marini, Vivaldi and Corelli 7 13553 03012 6 (1997) |
Soprano
in c’ after Ganassi (1997), Alto in g’ after Ganassi (1996), Baroque altos by Ralf
Ehlert (1997), and Juergen Meyenburg (1991) |
|
82. Il Dolcimelo: Katja Beisch (recorder), Marie Verweyen (baroque violin), Doris Runge (baroque cello), Thomas Boysen (theorbo, lute, baroque guitar), Christoph Lehmann (harpsichord, organ) |
Ffor severall ffriends - Broken Consort by Matthew Locke and Contemporaries Aeolus AE-10056 (12/2000) |
Voice Flute by FM |
|
83. Jensen, Kirsten Lund (recorders) and Per Weile Bak (renaissance lute and archlute) |
Duo al Dente: A
Taste for Baroque (Bellinzani, Couperin F, Oswald, Corelli, Dowland,
O’Carolan) Danacord DACOCD 484 (1997) |
Stanesby
Jnr. Alto by FM (1996), Denner Alto by F. von Huene (1996), Denner Voice
Flute by Margaret Löbner (1991), soprano and sopranino by Roessler/Heide
(1990, 1991), Archlute by Thomas Neitzert (1989), renaissance lute by Klaus
Jacobsen (1990) |
|
84.
Kammertino
Linz-Wien |
Kammermusik Für Gitarre
Blöckflöte und barockgeige (Fux, Leopold, Bresgen, Matteis, Bach) Domino 801-412 |
Alto f’ 1983 (Denner) Others:
sopranino von Huene 1983, sixth flute, A. Loretto 1986, alt f’ Guido Klemisch
1983, alt f’ T. Prescott 1982, tenor in C Guido Hulsens 1987 |
|
85.
Kanji,
Ricardo (recorder), Jacques Ogg (harpsichord), Richte van der Meer (‘cello,
viola da gamba) |
Van
Wassenaer & Contemporaries Globe GLO 5101 (1993) |
Alto
after J. Denner |
|
86.
Kneihs,
Hans Maria |
Hotteterre "Le Romain", 5 Suites
for Recorder & Basso Continuo op. 2 Camerata
32CM-21 (Tokyo, 1987) |
Alto after Debey, 1975 |
|
87.
La Petite
Bande |
Concert de Danse (Lully, Charpentier, Rebel, De
la Lande and Rameau) ACCENT ACC
96122D (1997) |
Six recorders (Bizey a392?) built especially for this project |
|
88.
La Petite Bande, Mens Choir of La Petite Bande, Tolzer Knabenchor. (Barthold Kuijken, recorder) |
J.S. Bach, St. Matthew Passion, conducted by Gustav Leonhardt Deutsche
Harmonia Mundi 7848-2-RC (1989) |
Alto
after Denner f’ (a415) |
|
89.
La Petitie
Bande (Barthold Kuijken, and Koen Dieltiens, recorders) |
J.S. Bach,
Brandenburg Concertos II and IV, La Petite Bande, Sigiswald Kuijken. Deutsche Harmonia Mundi 05472 77308 2, recorded in 1993 (IV) and 1994 (II) |
Alto
after Denner f’ (a415) |
|
90.
La
Romanesca (Bandt, Wilkinson, Griffiths & Newnham) |
Iberian Triangle (Music of Christian, Moorish and Jewish Spain before 1492) Move Records MD 3114 |
‘Rosenborg’
(‘van Eyck’) soprano in c’’ at A466 |
|
91.
La
Simphonie du Marais (Hugo Reyne, Pierre Hamon etc.) |
H. Purcell: A
Collection of Ayres Virgin Veritas, 7243 5 45182 2 5 |
Alto rec.
after Stanesby (1994) and originals by Bressan (the recording commemorates
Bressan) |
|
92.
Lacey, Genevieve |
Phoenix Songs Move Records MD 3165 |
Alto after Denner (maple) a440 (Broadstock,
Shanahan (Lingua silens florum and Helical Ribbon, not Cathy's Song), Baker
and Bandt. |
|
93. Lacey, Genevieve (recorders), Australian Brandenburg Orchestra (dir. Paul Dyer) |
VIVALDI, Il Flauto Dolce, An Instrumental Opera for Recorder and Orchestra. ABC Classics
(ABC 461 828-2) (2001) |
Soprano after
Stanesby (1987), Alto after Denner (1985), Alto after Bressan (1994) |
|
94. Lacey, Genevieve (recorders), Linda Kent (harpsichord, chamber organ) |
Piracy
- Music Stolen for the Recorder. ABC
Classics ABC 472 226-2 (2002) |
Soprano after Stanesby, Alto after Bressan, Voice flute
after Bressan, Ganassi in g’ — all by FM. Ganassi soprano in c’’ by David Coomber |
|
95.
Lacey, Genevieve (recorders), Poul Høxbro (percussion,
three-holed pipe) |
Two (Anonymous, Marin Marais Move Records MD 3126 (1999) |
Ganassi-type recorder in G, Alto after Denner, Voice flute in D after Bressan & Stanesby. Others: Tenor Recorder by Yamaha, Ganassi type recorder in C by David Coomber. |
|
96.
Laurin, Dan |
Recorder Graffiti Intim Musik IMCD 012 Solo works by Lindh, Telemann, Masumoto, Bach, Ishii, Heberle, Andriessen, van Eyck, Anonymus (1991) |
Two Ganassi g altos, maple voice flute after Bressan: “Hearty and warm thanks to my recorder maker, Fred Morgan, who has given me a voice to sing with. He has made all the instruments, except the ones used in “Pastorale” and “Black Intentions” |
|
97.
Laurin, Dan |
The Japanese Recorder (solo, contemporary music by Ishii, Hirose, Shinohara, Masumoto) BIS-CD-655 |
Denner treble recorder (for Hirose) |
|
98.
Laurin, Dan |
Telemann,
Twelve Fantasias, JS Bach solo, CPE Bach sonata BIS-CD-675 (1994) |
“Two
voice flutes in D (a=415Hz) by Frederick Morgan, Daylesford, Australia. One
of which was built for this recording. They are both based on original
instruments by Bressan. Thank you Fred for building your instruments with so
much artistry and love. And thank you, Nikolaj Ronimus, for keeping my
instruments in good shape – D.L.” |
|
99.
Laurin, Dan |
Jacob van Eyck, Der Fluyten
Lusthof (Complete) BIS CD-775/780 (9 CDs) (1999) “Playing for Fred in his workshop in the lovely scenery of Victoria was always an adventure. Fred would sit with his huge hands on his lap, with that very attentive gaze of a real professional. He would start his comments with something like: “Hmmm… well… ah… you see… I changed the curve a little…” and immediately wander off for hours in discussions of what we thought we had heard in a particular tone with a particular fingering. I shall miss these discussions, filled with the most charming, understated humour. I asked Fred to write about this wonderful recorder (“Missing Link Soprano”) but sadly, fate intervened. I shall miss Fred’s friendly, Aussie accent, calling me over scratchy phone lines live, direct from Daylesford, Australia”. -- CD sleeve notes, p.51. Click HERE to read
complete text on CD sleeve notes. |
Hand-fluit, boxwood, after
original in Rosenborg Slot (1995), Hand-fluit, maple, after original in
Rosenborg Slot (1980?), Soprano in c’’, maple a415, after Ganassi (1989),
Altos in g’, Ganassi [maple a466, 1-piece (1998), maple a466 2-piece (1999),
maple a440 1-piece (1997), “missing link”* soprano, boxwood a440 (1998), Alto
in f’ and tenor in c’, kanuka (tea tree), by Paul Whinray. *Fred’s most recent attempt at designing a 17th century recorder appropriate for the music of van Eyck – “Fred came to me like a proud father with a prototype … a fat bulbous thing with chewing gum in the holes that were in the wrong place, scratching from the tools and a trial varnish just to see what it might look like. But the sound: I thought my ears would fall off! The offspring was given the name ‘Missing Link Soprano’.“ – CD sleeve notes, p.51. |
|
100.
Laurin, Dan |
Don Antonio Vivaldi: Concerti per flauto e flautino, Bach Collegium Japan/Suzuki. Concertos for alto and sopranino recorder and strings: RV 92, 108, 428, 435, 443, 444 and 445. BIS 865 (1997) |
Hallett flautino, Bressan A415 alto, Stained Denner alto 415, Single-hole Stanesby 415 |
|
101. Laurin, Dan (recorder) Orchestra "Van Wassenaer"; Makoto Akatsu, violin/director. |
“Entertainments For A Small Flute”: Giuseppe Sammartini: Concerto a più Istromenti p. La Fluta. John Baston: Concerto V. William Babell: Concerto I; Concerto II; Concerto III; Concerto IV. Robert Woodcock: Concerto II for sixth flute; Concerto III for sixth flute. TT: 69'39 BIS-CD-985 (2000) |
Two Hallett 6th Flutes, Bressan 415 soprano |
|
102.
Laurin,
Dan / Drottinholm Baroque Ensemble |
Vivaldi: Six Recorder Concertos BIS-CD-635 |
"Bressan" alto recorder, "Denner" recorder - “I would like to thank my wonderful instrument maker, Fred Morgan, who makes recorder playing such a joy” |
|
103. Laurin,
Dan, Hidemu Suzuki ‘cello, Masaaki Suzuki harpsichord and organ |
Handel
The Recorder Sonatas BIS-CD-955 (1999) |
Stanesby model alto (a403), Bizey
model alto (a392), Bressan model alto in E flat a (415). Also
Stanesby model alto by Paul M. Whinray (NZ) (a 415) |
|
104. Laurin, Dan, recorders/musical direction |
Telemann on the Recorder BIS-CD-855 |
Alto (stained) after Jacob Denner. Three voice flutes after P. Bressan (two boxwood, one maple), Alto recorder after P. Bressan – “Special Thanks to…Fred Morgan whose instruments are an indispensable element of the sound of the recording”. |
|
105.
Laurin,
Susanna |
LYRISCHE SZENEN
(Lyric Scenes) Solo recorder music by Markus Zahnhausen: Signs of the Seasons (1989-91) Lyric Scenes
(1992) Lux aeterna
(1994) Musica inquieta
(1990) BIS CD 1013 1999 |
All recorders by FM |
|
106.
Laurin/Rasmussen/Meyer |
The French King´s Flautists BIS-CD-745 |
2 Voice flutes (maple and boxwood) |
|
107. Legêne, Eva and the Rosenborg Trio (Karen Englund, harpsichord, Mogens Andresen, baroque trombone) |
“Royal Music” Rondo Grammofon RCD 8332 (1991) |
Rosenborg recorders Nos. I and II in d’’ (~ in c’’ at
a460?) by FM carved in narwhal tusk after the originals. Ganassi soprano in c’’, Ganassi alto in g’. |
|
108. Leonhardt
Consort, Concentus Musicus Wien |
Bach: Das Kantatenwerk Vol 42, BWV 180-184 Teldec 8.35799, 242
738-2 |
Recorders after Stanesby, 1986 |
|
109. Lewis,
Lesley and Joanna Dudley |
Telemann Duo Sonatas Move MD 3140 (1994) |
Altos after Stanesby and Debey, a415. |
|
110. Linsenberg,
Judith (recorder) with Musica Pacifica |
Alessandro Scarlatti, Concerti da Camera Dorian
Recordings (Dor-93192) (2000) |
Alto after
Bressan (1995) |
|
111. Linsenberg, Judith (recorder) with Musica Pacifica |
|
Alto after
Bressan (1995) |
|
112.
Linsenberg,
Judith, recorders; Elizabeth Blumenstock, violin; Gonzalo Ruiz, oboe; Roy
Whelden, viola da gamba; Michael Eagan, archlute; Byron Schenkman,
harpsichord |
Marais:
Pieces En Trio. Virgin/Veritas
61365 |
Bressan-type
alto in f’, 1995 |
|
113.
Little
Consort - (Lucia Meeuwsen, soprano, Walter van Hauwe, recorders and traverso,
Kees Boeke, Viola da Gamba, Toyohiko Satoh, Lute, therobo) |
Songs & Arie
Musicali (Frescobaldi, Monteverdi, Caccini, van Eyck, Dowland, Quagliati) Quadro Records
QR6818501 (1985) LP |
? |
|
114.
Mala
Punica |
Ars Subtilis Ytalica Arcana A 21 |
Alto Ganassi
in g’, 1984 |
|
115.
Mala
Punica, Kees Boeke (recorder, viol), Pedro Memelsdorff (recorder), Jill
Feldman (soprano), Giuseppe Maletto (voice), Christophe Deslignes
(organetto), Karl-Ernst Schröder (lute), Svetlana Fomina (viol) |
D´Amor Ragionando Arcana A 22 (1994) |
Alto
Ganassi in g’, 1984 |
|
116.
Mala
Punica, Pedro Memelsdorff (recorder), Kees
Boeke (recorder, viella), Svetlana Fomina (viella), Christophe Deslignes
(organetto), Karl-Ernst Schröder (lute), Valentina Visconti (harp), Jill
Feldman (singer), Sabine Lutzenberger (singer), Claudine Ansermet (singer),
Giuseppe Maletto (singer) |
En Attendant: L'Art de la citation dans l'Italie
des Visconti Arcana A 23 (1995) |
Alto Ganassi in g’, 1984 |
|
117.
Mala
Punica/Pedro Memelsdorff |
Missa Cantilena Erato 0630-17069-2 |
Alto Ganassi in g’, 1984 |
|
118. Martin-Kosofsky,
Scott (recorder) |
Music for Solo Recorder, Vol. I, (telemann, bassano, "t' uitement
kabinet) (LP) |
Telemann: alto in f' by FM, 1974, after P. Bressan, c. 1700 and alto in f' by Andreas Glatt, 1973, after T. Stanesby, c.1700, Bassano: Renaissance soprano in c'' by Bob Marvin (van Noort, de Vois) |
|
119. Memelsdorff,
Pedro (recorder) and Andreas Staier (harpsichord) |
Delight in Disorder, The English Consorts of Two Parts 1640-1680 (William & Henry Lawes, Nicola Matteis, Matthew Locke, Henry Purcell). Deutsche Harmonia Mundi, DHM 05472 77318 2 |
Recorders: Fred Morgan 1984, Bob Marvin 1983 |
|
120. Miessen,
Marijke (recorder), Bob Van Asperen (Cembalo), Wouter Moller (cello) |
Aspects Of Chamber Music From The Netherlands -- Synphonia
(Padbrué) Praeludium ofte Voorspel (van Eyck) Den Lustelyken Mey (van Eyck) Phantasia &
echo (van Eyck) Sonata Op. 1, No. 1 (van Noordt) Radio Nederland, Transcription Service BFO Centre Nederland Music Volume 2 Realisation TECHNOSONIC, Holland (No catalogue no.) |
Ganassi and ‘Van Eyck’ (Rosenborg) models (?) |
|
121. Nallen,
Evelyn (recorders), Timothy Roberts (Harpsichord/Organ), Jeremy Ward
(bassoon), Frances Kelly (harp). |
The Nightingale in Love ASV CD DCA 606 (1988) |
Denner Alto in f’, Denner Voice Flute (unstained maple prototype ~1980/1) |
|
122. Nardoo
(Zana Clarke, recorders, Peter Bifffin, tarhu, fretless guitar, fretless
banjo) |
Waiting By The Sea Orpheus Music OM 401 1999 |
Voice Flute and Treble in f’ after Denner |
|
123. Newberry
Consort, The (Marion Verbrüggen, recorder) |
The Golden Dream, Harmonia Mundi 907123 |
Tenor recorder by F.von
Huene (1993), Soprano recorder by FM, (1989), Fourteen Course theorbo after
Reilich by Hendrik Hassenfuss, Cologne, Germany (1991), Violin after Nicola
Amati 1650, by Guy Derat (1989), Gamba after Addison by John Pringle, (1993) |
|
124. Palladian
Ensemble |
Bach Trio Sonatas Linn CKD 036 |
Alto recorder after Bressan (1993) Voice flute, Bressan / Stanesby – type (1992) |
|
125.
Palladian
Ensemble |
Les Saisons Amusantes Linn CKD 070 (1997) |
? Voice flute and alto |
|
126. Palladian
Ensemble |
An Excess of Pleasure Linn Records LINN CKD010 (1993) |
‘Ganassi’ soprano 1992, Denner
Voice Flute 1992. Also Terton soprano and Stanesby Jnr alto by
Friederich von Huene (1985) |
|
127. Palladian
Ensemble |
The Winged Lion Linn CKD015 |
Ganassi
soprano 1992 Bressan alto 1993 Bressan/Stanesby-type voice flute 1992 |
|
128. Palladian
Ensemble (Pamela Thorby, recorders) |
A Choice Collection Linn CKD 041 |
Soprano, alto and voice flute by FM (all 1992), sixth flute by Tim Cranmore (1995) |
|
129. Palladian
Ensemble, Pamela Thorby (recorders), Rachel Podger (violin), Susanne Heinrich
(viol), William Carter (lute, guitar) |
Trios for 4 Music by George Frideric Handel, Georg Philipp Telemann, Jean-Marie Leclair, Johann Joachim Quantz Linn Records CKD 050 (1997) |
Alto after Bressan (1993), Voice-flute in d' after Bressan/Stanesby. Other Recorders by Friedrich von Huene: Soprano after Terton (1985), Tim Cranmore: Tenor after Rottenburgh (1995) |
|
130. Pehrsson,
Clas and Dan Laurin |
Georg Phillip Telemann, Complete Double Concertos with Recorder BIS-CD-617 |
Dan
Laurin - Treble in f’ FM, Bressan. Other recorders by Guido Klemisch 1983, 1984 & 1993 |
|
131.
Peñalver,
Guillermo |
"Sonate per Flauto e Basso Continuo" Poema Harmonico
(recorder, theorbo/baroque
guitar, viol). Lindoro MPC0702 (1998), Sevilla |
Includes a P. Locatelli Sonata in D major (Op.2,
n.2) for recorder, baroque guitar, and viol played on a voice flute by Fred
Morgan |
|
132. Perfect Houseplants —Pamela Thorby, recorders. Huw Warren, piano, accordio and ‘cello. Dudley Phillips, electric and acoustic basses. Mark Lockheart, saxophones and clarinets. |
Linn AKD 130 Total Time: 54:25 2001 |
Voice Flute by FM |
|
133.
Quadro
Hotteterre |
Französische Blockflötenmusik Teldec 6.41927 AW LP |
? Altos in f’ after Bizey |
|
134. Quadro
Hotteterre |
Blockflötenmusik des Barock (Hilton, Purcell, Locke, Marais, Merula, Telemann, Sammartini, Gautier) Teldec 6.42052 AW (Selections from LPs 1975-1978) LP |
? |
|
135.
Quadro
Hotteterre |
Italienische Blockflötenmusik Teldec 6.42335
AW (1978?) LP |
Alto
Ganassi in g’ |
|
136. Quadro
Hotteterre |
Marin Marais, Blockflöten-Suiten-Vol. 1 Teldec 6.41992 AW (1978?) LP |
Altos in f’ after Bizey (1974) |
|
137. Quadro
Hotteterre |
Marin Marais, Blockflöten-Suiten-Vol. 2 Teldec 6.42035 AW (1978?) LP |
Altos after in f’ Bizey (1974) |
|
138. Quadro
Hotteterre |
Marin Marais, Blockflöten-Suiten-Vol. 3 Teldec 6.42192 AW (1978?) LP |
Altos in f’ after Bizey (1974) |
|
139.
Quadro
Hotteterre |
Hotteterre: 6 Triosonaten Teldec 6.42801 (1982) LP |
Altos after Bizey (A390) 1975 (‘74?), Voice Flutes after Bressan (A415) 1980, Violoncello Piccolo by Ferdinand Gagliano, Naples 1740, Cembalo by David Rubio (1973), after Pascal Taskin, Paris 1750. |
|
140. Quadro
Hotteterre (Kees Boeke, Walter van Hauwe, Wouter Möller, Bob van Asperen)
with Frans Brüggen |
Musik mit drei Blockflöten, Das Alte Werke (Telefunken), 6.42365 (1979) LP (Teldec 94233 –CD?) |
Soprano recorders by Fred Morgan (1978), Friederick von Huene (1976); alto recorders by Friedrich von Huene (1973), J. Steenbergen (1730), Thomas Stanesby (ca 1700), P.J. Bressan (ca 1710), Fred Morgan (1976) after Bizey; tenor recorder by Friedrich von Huene (1975); bass recorder by Moeck |
|
141. Quadro Hotteterre with Frans Brüggen |
JACQUES MARTIN
HOTTETERRE (1674-1763) Recorder Sonatas — Six Sonates en
Trio op.3, Paris 1712, Premiere Suitte de Pièces à deux dessus sans Basse
Continue op.4, Paris 1712. Teldec 3984-26797-2 1970/1982, Re-released 2000 (CD) |
Alto recorders: copies after Bizey by FM, 1975, a390 Hz. Voice Flutes in D: P. Bressan, London, c1700; copy after Bressan by FM, 1980, a415 Hz (Six Sonates en Trio, recorded 1982), Altos by von Huene (Boston) and Coolsma (Utrecht), after Bressan (Boeke/ Brüggen - Pièces à deux…recorded 1970) |
|
142. Quadro
Hotteterre, Kees Boeke (recorder), Walter van Hauwe (recorder), Glen Wilson
(harpsichord, organ), Wouter Möller (cello) |
Sonatas / Canzonas Baroque Chamber Music - Purcell / Turini / Merula Philips 442 782 |
2 baroque alto recorders, 2 Sopranos in c'' and 2 altos in g' "Ganassi" (one in ivory), tenors by Bob Marvin. |
|
143.
Quadro
Hotteterre/Alice Harnoncourt / Han de Vries |
Telemann: Trios & Quartette Teldec 97455 (3 CDs) (or) Teldec 4509-97455-2 (???) |
Alto recorder after P.I. Bressan (1979) Alto recorder after Thomas Stanesby (1978) |
|
144. Respectable Groove -Evelyn
Nallen (recorder), David Gordon (harpsichord, chamber organ, congas), Richard
Jeffries (double bass), Ichiro Tatsuhara (percussion) |
Music by Lunny, McSherry, Tickell (October 2001) |
"La Rotta
Della Manfredina" and "Trotto" are recorded on FM’s Ganassi alto in G (at A=415 and 440). "Trotto" is dedicated to FM. |
|
145. Respectable
Groove, The: Evelyn Nallen (recorder), Andrew Collis (recorder), Katrina
Koski (recorder), Barbara Law (recorder), David Gordon (harpsichord), Richard
Jeffries (double bass), Ichiro Tatsuhara (percussion) |
Tell Tale Ducks, Music composed by David Gordon: She moves through the fair Air (inspired by a Bach prelude & La Folia), Lucky with the Weather (recorder quartet) FMR CD29 - UG0197 |
Ganassi in G at A440 |
|
146. Salut! baroque - Sally Melhuish (recorder), Hans Dieter Michatz (recorder), Lucinda Moon (b.violin), Stephen Freeman (b.violin), Bianca Porcheddu (b.violin), Nicole Forsyth (b.violin/viola), Anthea Cottee (b.’cello), Tim Blomfield (Bass violin, b. ‘cello), Simon Martyn-Ellis (Lute, theorbo, Bar. Guitar), Katrina Brown (harpsichord). |
Georg Phillip Telemann Artworks Early Music AW031 (2002) |
Alto after Denner (1990) - played by Melhuish). Alto after Stanesby Jnr. (1985) – played by Dieter Michatz. |
|
147. Salut! baroque - Sally Melhuish and Hans Dieter Michatz, recorders |
Music by Pepusch — five cantatas and two trio sonatas. —To be released end of 2002 — see website at Salut! baroque |
Alto after Denner (1990) - played by Melhuish). Alto after Stanesby Jnr. (1985) – played by Dieter Michatz. |
|
148. Salut!
baroque - Sally Mellhuish (recorder), Tim Blomfield (b.‘cello), Luke
Green (harpsichord), Jane Edwards (soprano), Lucinda Moon (violin) and
Marshall McGuire (double harp). |
Salut! Walsingham Classics WAL 8024 2 (1998) |
Ganassi
style soprano 1990 |
|
149.
Schola
Cantorum Basiliensis Documenta (M.Figueras, R.Jacobs, K.Widmer,
M.Piguet, B.Dickey, J.Savall, A.Parker) |
Virtuose Verzierungs-Kunst Um 1600 Harmonia Mundi 165-99895/96 (1980) 2LPs |
Renaissance-Diskant-Blockflote (Ganassi) in g, Fred Morgan 1979 (A460), played by Michel Piguet. |
|
150. Schola
Cantorum Basiliensis Documenta- Georg Philipp Telemann |
Kammermusick Mit Blockflote; Conrad Steinmann, Kathi Gohl, H. Smith, J. Deutsche Harmonia Mundi: 1C065/16 9557 1 (1985) LP |
Denner alto by FM, 1981. Denner voice flute by Tom Prescott, 1979. Terton soprano by Scheele, 1975; c' tenor recorder after Bressan by Bernhard Junghanel, 1982. |
|
151. Schwarzer,
Jeremias |
Jeremias Schwarzer - Trio Diritto (December '52 by Earle Brown) Moeck 10 016 |
Alto recorder in f’ (a1=392 Hz) |
|
152. Schwarzer,
Jeremias (recorder), Egon Mihajlovic (harpsichord) |
Händel
/ Bach / Bachsöhne |
Alto rec.
after Bressan |
|
153. Soederberg, Camilla (recorder), Ann Wallstroem (violin), Peter Tompkins (oboe), Gudrun Oskarsdottir (harpsichord), Hoerdur Askelsson (organ), Judith Thorbergsson (bassoon), Sigurdur Halldorsson (violoncello) |
TITLE? Includes: Georg Philipp Telemann, triosonata in a-minor (from Essercizii Musici) for recorder and violin and b.c.2), Johann Joachim Fux, triosonata in C-major for oboe, recorder and b.c., Georg Friedrich Handel, triosonata in c-minor for recorder, violin and b.c., Antonio Vivaldi: concerto in g-minor, RV 103 for recorder, oboe and b.c. Produced in Iceland JAPIS 99 JAP 9969-2 (1999) |
Denner alto
(autumn 1998) |
|
154. Sour Cream (Frans Brüggen / Kees Boeke / Walter van Hauwe) |
Res Musice: The Passion of Reason The Sour Cream Legacy Glossa "Nouvelle Vision" 921102 (2 CDs) |
Three Ganassi sopranos,
three Ganassi g-altos, a Ganassi ivory g-alto (all Morgan) and many other
instruments by other makers. |
|
155. Steger, Maurice |
La Castella (Ucellini, Mealli, Mancini, Corelli) Claves CD
50-9809 |
Alto recorder after Bressan (1998); voice-flute after Bressan and Stanesby (1998). |
|
156. Steger, Maurice (recorder), I Barocchisti, Diego Fasolis, conductor (period instruments) |
Vivaldi: CONCERTI CD 50-2010 (2000) |
Concerto "Il Gardellino" RV 428: flautino in d' after Stanesby Junior by Heinz Ammann, Concerto in F Major RV 434: Alto after Bressan by Fred, Concerto G Major RV 437 and Concert a minor RV 108: Alto after Denner by Adrian Brown, Concerto G Mayor RV 438: Voice flute after Bressan and Stanesby by FM |
|
157. Steger, Maurice and the Continuo Consort (Kitaya, Zipperling, Weinmeister, Gohl, Feehan, Märkl) |
G. PH. TELEMANN: SOLOS & TRIOS CLAVES RECORDS, CD 50-2112 (2001) |
Alto recorder in f', after Peter Bressan, by Frederick Morgan, Australia (1-4, 10-13, 14-17, 19), Alto recorder in f', after Jacob Denner, by Adrian Brown, Netherlands (5-7, 21-24, 28-31), Tenor recorder in d', after Jacob Denner, by Adrian Brown, Netherlands (8-9), Alto recorder in f', after Jacob Denner, by Shigeharu Hirao, Japan (18, 20), Voice flute in d', after Peter Bressan and Thomas Stanesby, by Frederick Morgan, Australia (25-27) |
|
158.
Steinmann,
Conrad |
MELPO (Lorenzo da Firenze, Ser Ghirandellus da
Florentia, Machaut, Eyck, Steinmann, Mose) Jecklin-Disco JD 622-2 (1988) |
Recorder in c’’ (after originals from the early baroque period) - other recorders by: Bob Marvin (c’’), von Huene (Denner f’), Ernst Meyer (g’), Moeck (f’) |
|
159. Steinmann,
Conrad (flageolet) |
The Abduction from the Seraglio (Mozart/Harnoncourt), Mozartorchester des Opernhauses Zürich TELDEC 0630-10025-2 (1985/1995) |
Flageolet in g’’ by FM (ie range of sopranino in g’’): Act 1 Overture, nr 5b (Janissaries Chorus), nr 14 (Duetto ‘Vivat Bacchus’), nr 19 Aria “O, wie will ich triumphieren’ (Osmin), nr 21b (?) Janissaries Chorus. |
|
160. Steinmann,
Conrad (recorder), Monica Hugget (violin), Pere Ros (viol), Johann
Sonnnleitner (harpsichord), Claude Flagel (hurdy gurdy). |
LE
PRINTEMPS OU LES SAISONS AMUSANTES, LP: Claves D
8302 (1983) CD: Claves CD 50-8302 (1989) |
Alto recorders by Frederick G. Morgan (1981) after J.C. Denner, Friedrich von Huene (1975) after J.C. Denner; soprano recorder by Klaus Scheele (1975) after Terton. |
|
161. Steinmann,
Conrad (recorders, flageolet) |
WERKE FUR BLOCKFLOTE SOLO VON 1600-1978 - Anonymous; Apollo's Banquet; J.S.Bach; Paganini; Gaveaux; Moser; Marti) CLAVES D 8001 (LP) 1980 |
Bob Marvin
renaissance g' alto; FM Bressan voice flute; Collin a Paris 1820 Flageolet;
von Huene Denner alto; Moeck bass |
|
162. Steinmann,
Conrad (recorders, flageolet) with Anneke Boeke, Pere Ros, Hopkinson Smith, Johann
Sonnleitner |
LES FETES
GALANTES Dieupart,
Monteclair, Hotteterre, Lavigne CLAVES D 8103 (LP) 1981 |
FM Soprano
fourth flute, Scheele Bressan alto; FM Debey alto; Kinoshita Rotteburgh
traverso; Anonymous 1800 Flageolet |
|
163. Steinmann,
Conrad with London Baroque |
Italian Concert
(Scarlatti, Mancini and Colista) Claves Records 50-8912 |
Alto rec.
after Denner (1984) |
|
164. Steinmann,
Conrad, Blockfloten, Aulos, Volkstrumente |
Pneuma Jecklin-Disco JD 669-2 |
Recorder in c’’ - Other recorders by: Bob Marvin |
|
165. Thorby, Pamela & Sonnerie (dir. Monica Huggett). Monica Huggett – violin, Emilia Benjamin – violin, Katherine McGillivray – viola, Alison McGillivray – cello, Sarah Groser – violone, Matthew Halls – harpsichord, organ, |
Baroque Recorder Concertos (Vivaldi, Telemann, Sammartini) Linn Records CKD 183 2002 |
Alto in f’ after Bressan (1993) — Vivaldi C minor and Telemann A minor. |
|
166. Thorby,
Pamela (recorder), Catherine Bott (soprano) |
H. Purcell:
Sweeter than roses L'oiseau - Lyre,
Decca (1995) |
Alto after Bressan (1993) |
|
167.
Thorsen,
Frode (recorder), Liv Basberg and Jarle Rui Aadna (voices), Kjetil Sandrum (double
bass), Jostein Stalheim (Accordion) |
Jostein Stalheim: Kast Det poly- og mikrotonale
akkordeon vol. 1 Hemera HCD 2918 (1996) [Norwegian Society of Composers - There are 6 compositions on this CD, all of them composed
by Jostein Stalheim. One of these pieces is called "Kast"; for
recorder/traverso, speaking voices (male and female), double bass and
accordeon] |
(Amongst
others) F. Morgan: voiceflute in d' after Bressan/Stanesby |
|
168. Thorsen,
Frode, recorder Hans Knut Sveen, harpsichord & organ Jane Odriozola, cello |
Georg F. Handel: Sonatas for recorder and basso
continuo. |
Alto after Stanesby, Voiceflute in d' after Stanesby/Bressan |
|
169. Tre Fontane (Kate Burridge, Helen Dell, Jeanette Hajncl, Stephen Morey, Barb Williams) |
Medieaval music from the 12th to 15th century. Cassette only (Melbourne, Australia) . |
Ganassi recorders (2) at 466 with a415 alternative foot joints. |
|
170. Trio
Diritto |
Without compression (Riehm, Marbe, Veru, Dinescu, Kröll, Thomas,
Goldstein) Cybele 260.501 |
Alto recorder, 415 Hz in f’ |
|
171.
Trio Faronell - Alan Davis, recorder, Jane Ryan, viola da
gamba, Andrew Hurst archlute and baroque guitar |
Petite Musique de Chambre TFCD1 (1998) |
Alto recorder after Stanesby 1991, voice flute 1994 Bass Viol – Claude Pierray 1709 Paris, Archlute and baroque guitar, Stephen Baser London 1997. |
|
172. Trio Faronell: Alan Davis (recorder), Jane Ryan (viola da gamba), Andrew Hurst (archlute) |
Preludes Airs and Divisions (English Ensemble Music of the Seventeenth Century by
Carr, Jenkins, Locke, Mace, Parcham, Henry & Daniel Purcell and Christopher Simpson) TFCD2 |
Alto recorder after Stanesby 1991 Viola da gamba by John Rose London 1589, Archlute by Stephen Barber and Sandi Harris London 1997 |
|
173.
Trio
Sonnerie, Marion Verbrüggen |
The Art of the Recorder, Bach, Bassano, Fontana, Marais Marion
Verbrüggen ASV/Gaudeamus
CD GAU 113 (1989) |
Ren G alto after Ganassi, Soprano
Ganassi, Alto in f’ Bressan, soprano in c’’ after Terton (All by FM) - treble
by Hans Coolsma |
|
174.
Tripla
Concordia (Cavasanti [Flauto & Traverso], Ciomei, Boersma & Martinoli) |
Georg
Phillip Telemann Sonatas & Trios, Johann Sebastian Bach Triosonatas &
suite BWV 997 Cantus C 9701/2 |
Recorder
after P.Bressan & T. Stanesby, Traversi by Alain Weemaels after Grenser
& Tutz, and after Rottenburg. |
|
175. Tripla Concordia (Lorenzo Cavasanti e
Giulio Capocaccia flauti dolci Caroline Boersma cello, Sergio Ciomei
clavicembalo) |
Frescobaldi,
Selma, Fontana, Castello: Canzoni, Fantasie e Sonate CD NUOVA ERA
7041 (1991) |
"Ganassi" recorders |
|
176. Tripla Concordia (Lorenzo Cavasanti flauto
dolce - Paolo Faldi oboe - Fabrizio Cipriani, violino - Maria De Martini,
fagotto - Caroline Boersma, violoncello - Sergio Ciomei clavicembalo) |
J.B.De
Boismortier - A.Dornel: Concertos and Sonatas CD DYNAMIC CDS
198 (1998). |
Soprano, alto and voice flute |
|
177. Tripla Concordia (Lorenzo Cavasanti,
flauto dolce - Paolo Faldi, oboe - Diane Moore, violino - Caroline Boersma,
violoncello, Sergio Ciomei Clavicembalo) |
G.Ph.Telemann: Trios and Quartets) CD NUOVA ERA
7067 (1992) |
Alto after Bressan/Stanesby |
|
178. Tripla Concordia, (L.Cavasanti, Giulio
Capocaccia, Caroline Boersma e Sergio Ciomei) e Kees Boeke |
G.Frescobaldi:
Canzoni vol.1). CD NUOVA ERA 7131 (1993). |
"Ganassi" recorders |
|
179. Tripla Concordia, Kees Boeke e Antonio
Politano |
G.Frescobaldi: Canzoni vol.2 & 3 CD NUOVA
ERA 7251/52 (1996). |
“Ganassi" recorders |
|
180.
Tripla
Concordia, Lorenzo Cavasanti (recorder) |
Giovanni Bononcini: Divertimenti da Camera |
FM 1991 after T. Stanesby, FM 1998 after J. Denner and Francesco Li Virghi 1995 after T. Stanesby J. |
|
181.
Tripla
Concordia: Cavasanti, Lorenzo (recorder), Caroline Boersma (‘cello), Sergio
Ciomei (harpsichord) |
HAENDEL:
Recorder Sonatas; CD Philarmonia In Preparation 1999/2000? |
Alto
Denner, 1998 Alto Bressan,
1990 |
|
182.
Tripla
Concordia: Cavasanti, Lorenzo (recorder), Fabio Biondi (violin), Caroline Boersma
(‘cello), Sergio Ciomei (harpsichord) |
Georg Philipp TELEMANN: triosonatas for recorder, violin and continuo, Philarmonia PH9A001 1999 |
Alto recorder after Bressan (1991) |
|
183. Tyson,
John (recorders) |
“Something Old, Something New”, Vivaldi, Boismortier; Cooke, Hovhaness; Lovenstein. Titanic Ti-169 (1990) |
Alto recorders
(Vivaldi) by FM and Friedrich von Huene; soprano recorder by FM, alto recorder (Cooke, Hovhaness, Lovenstein) by Friedrich von Huene |
|
184.
Verbruggen
& Flanders Recorder Quartet |
Vivaldi~Le
Quatro Stagioni Harmonia Mundi
HMU 907153 |
Soprano
in c'' after Terton (1978), Alto in f' after Denner, Alto in f' after
Stanesby Jr., Voice Flute in D after Denner (1986), Sopranos, tenor in c’, Bass
in C by Friederich von Huene, Soprano in c’’, alto in f’, tenor in c’ by P.
van der Poel, soprano in c’’, alto in f’ by H. Schimmel, Basset in F by G.
Klemisch, Contrbass by H. Roessler. |
|
185. Verbruggen
/ Springfels |
Telemann~Solo Works Harmonia Munde HMU 907158 |
Alto recorder after Stanesby, Voice flute after Denner |
|
186. Verbruggen,
Gibbons, Mahler |
Eighteenth Century Recorder Sonatas Titanic TiCD-35 |
Soprano recorder after Stanesby Jr. |
|
187. Verbruggen,
Koopman, Ter Linden |
Handel/Recorder Sonatas Harmonia Mundi HMU 907151 |
Alto recorder in F after Thomas Stanesby, Voice flute in D after Thomas Stanesby |
|
188. Verbruggen,
Marion |
Van Eyck/Der Fluyten Lust-Hof Harmonia Mundi HMU 907072 |
Soprano recorder after Rosenborg, Alto recorder in G after Ganassi |
|
189. Verbrüggen, Marion |
Händel. The Complete Sonatas for Recorder HMU 907151 |
Alto recorder in f1 after Th. Stanesby, 1992; voice-flute in d’ after Th.
Stanesby, 1988 |
|
190.
Verbrüggen, Marion |
Jacob van Eyck “Der Fluyten Lusthof” (Vol II) Harmonia Mundi HMU 907170 (1996) |
Ganassi in c & g, ‘Rosenborg’ or van Eyck’ in c’’ |
|
191.
Verbrüggen, Marion & Anneke Boeke, (recorders) Aniko
Horvath (harpsichord) |
Recorder Duets of Three Centuries, Johann Kuhnau: Two Parties for Harpsichord White Label HRC 131 |
? |
|
192.
Verbrüggen, Marion (recorders), Mitzi Meyerson (harpsichord) |
JS Bach Trio Sonatas, Harmonia Mundi HMU 907119 (1994) |
BWV 525 – Alto in F after T. Stanesby, BWV
527 – Soprano recorder in C, after E. Terton, BWV 529 – Alto in f’ after
J.C.Denner, BWV 530 – Alto recorder in f’ by Peter v.d. Poel after J.C.
Denner, BWV 1031 -Voice flute by FM after J.C. Denner, Harpsichord by Joel
Katzman, Asmterdam 1993 after Johanes Ruckers 1638. |
|
193. Verbruggen, Marion (recorders), Sarah Cunningham (gambe), Orchestra of the Age of Enlightenment (Monica Huggett) |
Telemann “Le
Plaisirs” Harmonia Mundi HMU 907093 |
Alto recorders (1978 and 1990) after Stanesby |
|
194. Verbruggen,
Marion and the Newberry Consort |
!Ay Amore, Spanish Seventeenth Century Songs and Theatre Music Harmonia Mundi HMU 907022 |
? |
|
195. Verbruggen,
Marion and Trio Sonnerie |
Bach~Bassano~Fontana~Marais ASV CD GAU 113 |
Renaissance
soprano after Ganassi, Renaissance G alto after Ganassi, Alto recorder after
Stanesby, Soprano recorder after Terton |
|
196. Verbruggen,
Marion, recorders |
Bach/3 Suites Harmonia Mundi HMU 907071 |
Alto recorder after Stanesby (1991), Voice Flute after Stanesby |
|
197. Waterman,
Rodney (recorders), Doug de Vries (guitar, cavaquinho) |
Água & Vinho (Brazilian Contemporary, Original,
Renaissance) Orpheus Music OM 201 (7/1998) |
Voice Flute (unstained maple) in d’ A440 [E flat at A415](1997), Ganassi in g’ (1980), and others by Yamaha and Zen-On |
|
198. Waterman, Rodney (recorders), Doug de Vries (guitar, cavaquinho) |
Água & Vinho
(expanded re-release of 1998 Orpheus CD by ECM – 18 mins extra music) (11/2000) |
Voice Flute (unstained maple) in d’ A440 [E flat at A415](1997), Ganassi in g’ (1980) and others by Yamaha and Zen-On. |
|
199. Wiener
Blockfloetenensemble |
Wiener Blockfloetenensemble (Brade, Glogauer Liederbuch, Senfl, Widmann; Praetorius; WBE Improvisation, van Eyck, Telemann, Berio, Haydn) Telefunken Teldec 6.42896 AG (1982) LP |
Renaissance recorder consort by Bob Marvin; Terton soprano by von Huene; two Denner altos by FM; modern recorders by various makers. |
|
200. Wilkinson,
Ruth (recorder), Linda Kent (harpsichord) |
Music for the
Countess of Sandwich (Complete suites for voice flute by Charles Dieupart –
sonatas 5&6 harpsichord solo) Move Records Move MD 3161 (1995) |
Voice Flute
(maple) |