Recorder Home Page

Instrument of Torture or Instrument of Music?

by Nicholas S. Lander

References

Journals

With few excepitons, the following journals concern the recorder specifically, or have done so in the past. For a more comprehensive listing of these and other journals concerned with Early Music see David Lasocki's Early Music Periodicals: Past and Present.

• American Recorder
  • Quarterly; beginning with v. 35 (1994), bimonthly (five times per year). 1960- . issn 0003-0724. The American Recorder Society, Inc., PO Box 631, Littleton CO 80160. Membership $40 (includes journal and newsletter). Back issues available from University Microfilms International.
  • American Recorder On-Line
• American Recorder Society Newsletter
  • Quarterly (irregular); 1994- published five times per year with American Recorder. 1950- .
• ARTAfacts
  • Newsletter of the American Recorder Teachers Association. ARTAfacts publishes teaching problems, suggestions, and solutions, notices and reviews, news of ARTA, and other recorder education news.
  • Editor: Patrick O'Malley, 1457 W. Catalpa 3, Chicago, IL 60640, 773-293-3138 email patrickrecorder@mac.com
  • WWW Page. Includes several back issues in PDF format.
  • ARTA membership includes Recorder Education Journal (see below) and ARTAfacts (newsletter): $20 per year; $25 outside the U.S. and Canada; contact Bruce Larkin, ARTA Treasurer, 1601 James Street, Durham NC 27707, USA, tel. (919) 493-8269, email larki001@mc.duke.edu.
• Australia's Journal of Recorder and Early Music, formerly The Recorder: Australia's Journal of Recorder and Early Music.
  • Journal of Victorian Recorder Guild, Inc., 42 Christa Ave, Burwood East, VIC 3151, Australia. Editor: Greg Dikmans, Early Music Studio, Faculty of Musc, University of Melbourne, Parkville Vic 3052, Australia, email dikmans@music.unimelb.edu.au Approximately twice per year. 1985- . ISSN 0816-152X. Subscriptions and back issues: Margaret Morrissey, 27 Manica St, West Brunswick, VIC 3055, Australia. A$6.00 per issue.
• Boston Early Music News
  • In-line Calendar which offers the most complete listing of concert, workshop, lecture and exhibit events in the six-state New England region (Maine, New Hampshire, Vermont, Massachusetts, Connecticut & Rhode Island).
• Bulletin, Associació Musical Bloc.
  • c/- Valencia, 316. 08009, Barcelona, Spain, tel. (93) 2072758.
• Cinnamon Sticks, The Recorder in Australasia
  • Twice Yearly since November 2000. Zana Clarke & Caroline Downer, Editors, PO Box 1363, Armidale NSW 2350, Australia, ph./fax +61 (0)2 6772 2205, email cinnamonsticks@orpheusmusic.com.au, WWW Page.
• The Consort.
  • Twice yearly (since 1948; suspended 1938-48; irregular before 1938). Haslemere, Surrey: The Dolmetsch Foundation, 1929- . issn 0268-9111. 'Jesses', Grayswod Road, Haslemere, Surrey GU27 2BS, England. £12. Back issues available from University Microfilms International.
• Crescendo: Le magazine de la musique ancienne [Crescendo: the magazine of early music].
  • Six issues per year. Nos. 32-38. Paris: SEPRA France, 1990- 91. issn 1146-1764. In French. Continued Fl&ucircte à bec & instruments anciens.
• Chrestologia
  • Newsletter of Antique Sound Workshop Ltd, 70 Lakewood Drive Plymouth, MA 02360-1921, USA, tel. +1 508 833 3979, fax +1 508 833 3760, email aswltd@capecod.net, WWW Page. Some back issues available.
• Crescendo: Le magazine de la musique ancienne [Crescendo: the magazine of early music].
  • Six issues per year. Nos. 32-38. Paris: SEPRA France, 1990- 91. issn 1146-1764. In French. Continued Flûte à bec & instruments anciens.
• ERTA (European Recorder Teachers Association) Newsletter.
  • Published as a supplement to Recorder Magazine. See below.
• Il flauto dolce: Revista semestrale per lo studio e la pratica della musica antica [The recorder: twice yearly review for the study and practice of early music].
  • Twice per year. Rome: Società Italiana del Flauto Dolce, 1971-88. oclc #10047157. In Italian (abstracts of articles in English). Continued by Recercare.
• Flûte à bec &; instruments anciens [Recorder and early instruments]
  • Quarterly. Nos. 6-31. Saint Malo, France: Association Française pour la Flûte à Bec (later Association pour l'Édition Artistique), 1983-1990. issn 0753-9916. Continued Flûte à bec. Nos. 1-5. 1981-82. issn 0291-0624. In French. Continued by Crescendo.
• Music Teachers International, a resource for music educators with the intention of providing a broad overview of teaching through its many aspects
• Musikprisma
  • Journal of Schwizerische Arbeitsgemeinschaft für Jugendmuik und Musikerziehung. In German. Secretariat SAJM, Postfach 269, CH-7302 Landquart, Switzerland; tel. +41 (0)81 322 90 33; fax +41 (0)81 322 6835.
• Nuovo Nieuws [Nuovo News].
  • Two issues per year. Nos 1-8. Newsletter of Ensemble Flauto Nuovo, Friesland. In Dutch. T.F. Doornbos, Lepenlaan 62, 9103 RK, Dokkum, The Netherlands, tel. 05190-95472.
• Recercare: Rivista per lo studio e la pratica della musica antica. Organo della Società italiana del flauto dolce [Recercare: review for the study and practice of early music; organ of the Italian recorder society].
  • Annual. 1989- . ISSN 1120-5741. In Italian. Libreria Musicale Italiana Editrice, PO Box 198, I-55100 Lucca, Italy. Continues Il flauto dolce.
• The Recorder Education Journal
  • Annual. Official publication of the American Recorder Teachers Association and the European Recorder Teachers' Association (UK).
  • Editor: Dr David Lasocki. Copies available from: Bruce Larkin, ARTA Treasurer, 1601 James Street, Durham NC 27707, USA; Peter Bowman, ERTA-UK President, 4 Heathleigh Cottages, Maidstone Road, Horsmonden, Kent TN12 8JL, England; and Administratie Huismuziek, p/a Bureau LOAM, Keizerstraat 3, 3512 EA Utrecht, The Netherlands.
  • WWW Page.
  • The aim of The Recorder Education Journal is to present articles on the recorder in education at any level: amateur, primary, secondary, college, or professional. The subject is interpreted broadly, featuring articles on psychological, physical, philosophical, and musicological aproaches to teaching and playing, in addition to the nuts and bolts of teaching.
  • ARTA membership (includes Recorder Education Journal and ARTAfacts newsletter) $20 per year; $25 outside the U.S. and Canada. Contact Bruce Larkin, ARTA Treasurer, at the above address, or larki001@mc.duke.edu.
• The Recorder Magazine.
  • Quarterly. 1963- . ISSN 0961-3544. Ruth and Jeremy Burbidge, Peacock Press, Scout Bottom Farm, Mytholmroyd, Hebden Bridge, West Yorkshire HX7 5JS, England; tel. +44 01422 882751; fax +44 01422 886157; email ruth@recordermail.demon.co.uk; WWW Page. £2 per issue. Formerly published by Schott, London; for back issues, write to Magnamusic Distributors, Inc., PO Box 338, 74 Amenia Union Rd, Sharon CT 06069, USA; tel. (203) 364 5431; fax (203) 364 5168.
• The Recorder News
  • New Malden, 1937/38-1940/41 (4 issues), 1947 (1 issue); London, 1950-March 1963 (generally three times per year; 38 issues). oclc #28228425. Succeeded by The Recorder and Music Magazine.
• Revista de Flauta de Pico [Recorder Magazine]
  • Published 3 times a year (January/May/October), since January 1995. ISSN 1136-4475. Around 40 pages + an unpublished score. Price: 600 ptas. (Euope) and 700 ptas. (rest of the world). Directory of Spanish recorder players. For more information or subscriptions please contact: Barbara Sela, Apdo. de correos 10029, E-41002 Sevilla, Spain, fax: 5-4225114, email: barsean@arrakis.es, WWW Page
• WindKanal
  • Published 3 times a year by Mollenhauer, Weischselstraße 27, D-36043 Fulda, Germany, tel. +49 0661 9467 0, fax +49 00661 9467 36, email mollenhauer@t-online.de, WWW Page.

Books & Articles

The following lists some of the currently available books and articles on the recorder (most in the English-language) together with a few other titles of special interest to recorder players together with those referred to in this text. Those by Linde (1991) and Hunt (2002) contain exhaustive bibliographies of books, journals and articles in many languages. A select annotated bibliography is given by Rowland-Jones (1995d). For more comprehensive details (including excellent summaries) of these and many other books and articles relating to the recorder in English and other languages see Griscom & Lasocki (2003) and subsequent supplements variously published in American Recorder, Tibia, and Revista de Flauta de Pico, only the most recent of which are listed here (Lasocki 1999, 2000, 2003, 2004, 2005, 2006).

• Adorno, T. W. (1956). Dissonanzen. Göttingen.
• Alexandra, K. (1999a). Letters to the Editor: One-hand key systems. Recorder Magazine 18(4): 156 (1999).
• Alexandra, K. (1999b). The Dolmetsch Gold Series recorder for one hand. Recorder Magazine 19(4): 127-129.
• Alker, H. (1960-1961). Blockflöten Bibliographie. Biblios-Schriften 27-28.
• Alker, H. (1966-1975). Blockflöten Bibliographie. Heinrichshofen, Wilhelmshaven. 3 vols.
• Alker, H. (1984). Blockflöten Bibliographie. New Edition. Heinrichshofen, Wilhelmshaven. 2 vols.
• Anonymous (1991). L'enseignement de la flûte à bec en France. Flûte à bec 1: 36-41.
• Anonymous (1990). The recorder goes to college. American Recorder 31(2): 18-19.
• Arts Council (1969). Berlioz and the Romantic Imagination. Catalogue of an exhibition organized by the Arts Counicl and the Victoria and Albert Museum on behalf of the Berlioz Centenary Commitee in cooperation with the French Government, 17 October to 14 December. The Arts Council, London.
• Bamforth, D. (1993) The recorder orchestra – Part 1 (the history). Recorder Magazine 13(2): 50-51.
• Bamforth, D. (1994). The recorder orchestra – Part 2 (the music). Recorder Magazine 14: (2): 41-42.
• Barnes, R. (2002). 'New Instruments for New Music.' Centre for New Musical Instruments, London Guildhall University, 14th December 2001. Recorder Magazine 22(1):30-31.
• Bellson, J. (1973). The Gibson Story. Kalamazoo, Michegan.
• Bennetts, K, D. Bousted & P, Bowman (1998). The Quarter-Tone Recorder Manual. Moeck Verlag, Celle.
• Berlioz, H. (1865/1970). The Memoirs of Hector Berlioz, Member of the French Institute, including his travels in Italy, Germany, Russian and England. Translated and edited by David Cairns. Panther, London.
• Betz, M. (1922). Der Csakan und seine Musik: Wiener Musikleben im frühen 19. Jahrunder, dargestellt am Beispiel einer Spazierstockblockflöte. [The csakan and its music: Viennese musical life in the early nineteenth century, presented by the example of a walking-stick recorder.] Schneider, Tutzing. ISBN 3795207304.
• Betz, M. (2000). Csakan. In Sadie (2000).
• Bevan, C. et al. (1984). Band. In Sadie (1984, 1: 120-143).
• Bixler, M. (2007). A history of the American Recorder Society: a memoir. American Recorder 48(2): 11-22.
• Black, M. (1997). The Nyle Steiner Homepage. <http://www.patchmanmusic.com/NyleSteinerHomepage.html> Accessed 16 June 2003.
• Blaker, F. (1993). The Recorder Player's Companion. PRB Productions, Albany.
• Bolton, P. (<2006). The Recorder. CD-ROM. Self-published.
• Bousted, D. (2002). The Quarter-Tone Recorder Manual. Recorder Magazine 22 (3): 99-102.
• Bowman, P. (1994). The birth of a truly contemporary recorder. Recorder Magazine 15(4): 126-127.
• Braun, G. (1978). Neue Klangwelt auf der Blockflöte. Heinrichsohofens Verlag, Wilhelmshaven.
• Braun, G. (1998). New Generation. Windkanal 1-98: 22-23.
• Brewster, C. W. (1859-1873). Rambles About Portsmouth. 2 vols. L. W. Brewster, Portsmouth, New Hampshire, U.S.A. For the relevant passage see <http://www.seacoastnh.com/brewster/2.html> Accessed 16 June 2003.
• Brown, A. (1989). The Recorder: A Basic Workshop Manual. Brighton.
• Brown, A. (1997). Cuidado y Mantenimiento de la Flauta de Pico. 1^a parte. Revista de Flauta de Pico 8: 15-18 (1997).
• Brown, H.M. (1995). The recorder in the Middle Ages and the Renaisance. In Thomson & Rowland Jones (1995: 1-25).
• Brüggen, D. (1996). Vibrato and the recorder (Part 2). Tibia 21(2): xx-xx.
• Brüggen, D. & B. Dunham(1997). Ruling the Waves. American Recorder: January.
• Cambell, M. (1975). Dolmetsch: The Man and his Work, Hamish Hamilton, London. ISBN 0295954167.
• Carmichael, C. (1999). Dynamics – and tremolo, too! Recorder Magazine 19(4): 131-133.
• Carter, W. (1991). Keeping the flame alive! Amplifier 1. Cached by Google, 30 May 2008.
• Castellani & Durante (199?). Del portar dell lingua negli instrumenti di fiato. SPES, Lungarno Guicciardini 9r, Firenze, Italy.
• Charlton, A. (1981). The Charlton Method for the Recorder: A Manual for the Advanced Recorder Player. University of Missouri Press, Missouri.
• Chemke, M. (1995). The Recorder in Israel. The Recorder Magazine 15(1): 29.
• Clark, P. (1993). Tempo in Recorder Consort Music. Society of Recorder Players.
• Clarke, Z. (1998). Vocalised Recorder. Orpheus Music (in press).
• Colberg, G. (2006). Das Blockflötenorchester. Last Accessed 22 March 2006.
• Cole, R. (1999). A Short History of the EVI. Chapter 1 of Doctoral dissertation, The Electronic Valve Instrument: Nyle Steiner's Unique Musical Innovation, submitted to the University of Washington in June of 1998. <http://www.synthmuseum.com/stp/stpevi01.html> Accessed 16 June 2003.
• Corcoran, R.E. (1965). Did recorder playing 'die out' in Britain? Recorder & Music Magazine 1(9): 261.
• Corstock, G.W. (1992). An early American recorder consort. American Recorder 33 (4): xx-xx.
• Davidson, J. (1994). Lyrebird Rising: Louse Hanson-Dyer of Oiseau-Lyre 1884-1962. Melbourne University Press.
• Davis, A. (1983). Treble Recorder Technique. Novello, London.
• Davis, H. (1984). Cross-Grainger, free music machine. In Sadie (1984, 1: 517-518).
• Degen, D. (1936/1972). Zur Geschichte der Blockflöte in den germanischen Ländern. [On the history of the recorder in Germanic countries]. Kassel: Bärenreiter. OCLC #16476451; reprint, 1972. OCLC #580993. ML 935 .D44 G4 1972.
• Delker, E. (?date). Ansätze zur Untersuchung dynamischer Ausdrucksmöglichkeiten auf der Blockflöte. Edition Moeck 4028, Celle. ISBN 3-87549-019-3.
• Denecker, P. (1997). De blokfluit in de 19^de eeuw. [The recorder in the nineteenth century.] Musica antiqua 14 (4): 167-72.
• Dessy, R. (2002). Sound-Off: Recorder Mikes: What Sounds Good, Is Good! <http://www.recorderhomepage.net/mikes.pdf> Accessed 16 June 2003. [in PDF format]
• Doht, J. (2006). Die Göttinger Blockflöte. Tibia 31(2): 105-107.
• Dolmetsch, C. (undated). The School Recorder Book, Part 3. E.J. Arnold & Son, Leeds.
• Dolmetsch, C. (1996). The recorder in evolution. The Recorder Magazine 16(2): 56-57.
• Epstein, Jan (1988). An interview with Frans Brüggen. The Recorder (Australia) 8: 8-10.
• Escalas, Romà (2004). La difusión de la flauta de pico en Catalunya, from Audenis On-line. Accessed October 2004. <http://www.audenis.com/contrib_flauta_sp.html>
• Fajardo, R.J. (1970). Enhancing the recorder sound. Recorder & Music Magazine 3(5): 172-174.
• Feider, D. (1993). Zur Entwicklung der Blockflöte im 20. Jahrhundert. [The development of the recorder in the twentieth century.] SAJM Zeitschrift 21 (1): 19-36; 21 (2: 3-17 (1993); 21 (3): 3-17 (1993); 21 (4): 3-17 (1993); 21 (6): 3-19.
• Feider, D. (1994). Mollenhauer Conrad, Blockflötenbau Fulda-ein Firmenportrait. [Mollenhauer Conrad, recorder manufacturer, Fulda: Portrait of the firm.] SAJM Zeitschrift 22 (5): 9-17.
• Figueroa, E. (2005). Creativity and Resistance: Maroon Cultures in the Americas. Accessed 31 October 2005. <http://www.folklife.si.edu/resources/maroon/presentation.htm>
• Fischer, J. (1990). Die Dynamische Blockflöte. Edition Moeck 4048, Celle. ISBN 3-87549-041-X.
• Fitzgibbon, H. M. (1934). Of flutes and soft recorders. The Musical Quarterly 20(2): 219-229.
• Form, M. (2002). A compass through the Ganassi jungle. Cinnamon Sticks 3(1): 6-11.
• Geiger, Georg (1992). The compleat recorder para-medic; or, how to put a recorder in trim while keeping your sanity, Part 1. The Recorder (Australia) 15: 19-23.
• Geiger, Georg (1992). The compleat recorder para-medic. Part 2. The Recorder (Australia) 16: 18-22.
• Godman, S. (1959). Francis William Galpin: Music maker. Galpin Society Journal 12: 8-16.
• Goodyear, S.F. (1978). The Recorder. Teach Yourself Books. Hodder & Stoughton, London.
• Green, D.H. (1996). Adler-Heinrich Bell Recorders. Chrestologia 21(2): 6-9 & 24.
• Griscom, R. & D. Lasocki (2003). The Recorder: A Guide to Writings about the Instrument for Players and Researchers. Routledge, New York & London. ISBN 0-415-93744-2.
• Gronefeld, I. (1992-1995). Flötenkonzerte bis 1850: ein thematisches Verzeichnis. Hans Schneider, Tutzing).
• Gutman, V. (1992). Alte Musick: Konzert und Rezeption. Amadeus, Winterthur.
• Hakelberg, D. (1995). Some recent archaeo-organological finds in Germany. Galpin Society Journal 48: 3-12.
• Hakelberg, D. (2002). Was von einer "Klangschaft" blieb? [What remains of a soundscape?] Archäologie in Deutschland – Das Magazin 4: 30-31. Summary.
• Hakelberg, D. (2000). Klangschaften im archäologischen Befund? Archaeologie Online: <http://www.archaeologie-online.de/magazin/thema/2000/04/d1.php3> Accessed 25 February 2003.
• Hall, R. (1978). J.S. Manifold: An Introduction to the Man and his Work. University of Quensland Press, St Lucia.
• Harlan, P. The origin of German fingering. Recorder News 8: 9. Shortened translation of an article in Hausmusik.
• Harras, M.H. (1994). Blockflöte. [Recorder.] In Die Musik in Geschichte und Gegenwart. Edn 2. Edited by Ludwig Finscher. Kassel: Bärenreiter. Sachteil, 1: 1576-1600. <http://www.mgg-online.com/> Accessed 16 June 2003.
• Haskell, H. (1988/1996). The Early Music Revival. Thames & Hudson, London/Dover, Mineola.
• Hauwe, W. van (1984-1992). The Modern Recorder Player. Vol. I (1984), II (1987) & III (1992). Schott, London. Also available in Catalan, French, German and Japanese.
• Hauwe, W. van (1997). Recorder versus blockflute. Windkanal 2-97: 6-7.
• Heyens, G. (2005). Advanced Recorder Technique. The Art of Playing the Recorder Volume 1: Finger and Tongue Technique. Schott, London. ISBN 3795705169.
• Heyens, G. (2005). Advanced Recorder Technique. The Art of Playing the Recorder Volume 2: Breathing and Sound. Schott, London. ISBN 3795705177.
• Higbee, D.S. (1960). An alternative to "pinching" or "thumbing". The Recorder News, New Series 29: 5.
• Höffer-Von Winterfeld, Linde & H. Kunz (1959). Handbuch der Blockflöten-Literatur. Bote & Bock, Berlin.
• Holman, P. (2002). Recorder Music in England, ca 1680-1740). Recorder Education Journal 8: 16-20.
• Holtslag, P. (1994). The present state of the recorder in England. Recorder Magazine 14 (3): 79. In German as: Zum Stand der Blockflöte in England. Tibia 20 (2): 451-52 (1995).
• Honigsheim, P. (1989). Sociologists and Music: An Introduction to the Study of Music and Society. Edn 2, ed K. Peter Etzkorn. Transaction Publishers. ISBN 0887382819.
• Huene, F. von (1994). Efforts to modernize the recorder. Recorder Magazine 15(4): 135-137.
• Hulthèn, A.L. (1997). Ragnar blends technology with music. Contact 12. <http://www.ericsson.com/about/publications/kon_con/contact/cont12_97/c12_10.html> Also published in Swedish as Ragnar blandar tekniken med musiken. Kontakt 12 (1997). <http://www.ericsson.com/about/publications/kon_con/kontakten/kont12_97/k12_10.html> Accessed 16 June 2003.
• Hunt, E. (1961). Recorder fingering. Galpin Society Journal 14: 76.
• Hunt, E. (1977/2002). The Recorder and its Music. Revised and enlarged. Eulenburg, London. Reprinted by Peacock Press, Hebden Bridge (2002). In French as La flûte à bec et son histoire, Editions Zurfluh, Paris (1979). Earlier edition in Dutch as De blokfluit en zijn muziek, Zomer & Keuning, Wageningen (1966).
• Hunt, E. (1980). Recorder. In Sadie (1984, 3: 648-58).
• Hunt, E. (1981). Another one-handed recorder. Recorder & Music 7(3): 66-67.
• Hunt, E. (1982). The one-handed recorder. Recorder & Music 7(6): 145.
• Hunt, E. (2002). The Recorder and its Music. Peacock Press, Mytholmroyd. Revised and corrected. ISBN 0-907908-98-5.
• János, B. (2007). A Furulya. Editio Musica, Budapest. ISBN 978 963 330 743 3.
• Jerome, T. (2003). Orkon. <http://www.tjimaging.com/orkon/> Accessed 11 March 2003.
• Juan, G.A. (1998). La flauta dulce en Argentina. Revista de Flauta de Pico 11.
• Katijani, M. (1989). Development of musician robots. Journal of Robotics & Mechatronics 1: 254-255 (1989). <http://concert.rm.mce.uec.ac.jp/mubot/history_e.html> Accessed 16 June 2003.
• Katijani, M. (1992). Simulation of robotic performances. Journal of Robotics & Mechatronics 4(6): 462-465 (1992). <http://concert.rm.mce.uec.ac.jp/mubot/history_e.html> Accessed 16 June 2003.
• Kenworthy, C. (1963). Profile: Edgar Hunt. The Recorder & Music Magazine 1(2): 53.
• Kersten, F. (2001). Teaching Recorder in the Music Classroom. MENC National Association for Music Education, Reston VA.
• Kientzy, M. (1982). Les sons multiples aux flütes à bec. Paris.
• Kinsell, D. (1976). J.C. Bridge and the recorder. Recorder & Music 5(5): 157-160.
• Kirnbauer, M. (1992). 'Das war Pionierarbeit.' – Die Bogenhauser Künstlerkapelle, ein frühes Ensemble alter Musik. ['That was pioneering work' – the Bogenhausen Künstkapelle, an early ensemble for early music.] In Gutmann (1992: 37-67).
• Kirnbauer, M. (1994). Die Holzblasinstrumente der 'Bogenhauser Künstler-Kapelle'. [The woodwind instruments of the Bogenhausen Künstlerkapelle.] In Flöten, Oboen und Fagotte des 17. und 18. Jahrhunderts: Bericht über den 1. Teil des 12. Symposiums zu Fragen des Musikinstrumentenbaus Michaelstein, 08./09. November 1991. (Beiheft . . . zu den Studien der Aufführungspraxis und Interpretation der Musik des 18. Jahrhunderts, 14/1.) Institut für Aufführungspraxis, Michaelstein. ISBN 3895121126. Pp. 21-30.
• Kite-Powell, J.T. ed. (1994). A Performer's Guide to Renaissance Music. Schirmer, New York.
• Kottick, E.L. (1975). Tone and Intonation on the Recorder. McGinnis & Marx, New York.
• Kunath, J. (1997). Total abgedrecht-völlig hochgeschraubt?! Windkanal 2-97: 24-25.
• Lander, N.S. (1996). The recorder: Instrument of Torture or Instrument of Music. Part 1. Australian Music Teacher 5(2): 91-96. Part 2. Australian Music Teacher 5(3): 152-160. [Derived from the present article. ]
• Lasocki, D, & R. Prior (1995). The Bassanos: Venetian Musicians and Instrument Makers in England, 1531-1665. Scolar Press, Aldershot.
• Lasocki, D., ed. (1995a). The Recorder in the 17th Century: Proceedings of the International Recorder Symposium Utrecht, 27-30 August 1993. STIMU, Utrecht.
• Lasocki, D. (1995b). The eighteenth-century recorder concerto. In Thomson & Rowland-Jones (1995a: 107-118).
• Lasocki, D. (1995c). A preliminary bibliography of ensemble pieces for recorder, 16^th - 18^th century. Recorder Education Journal 2: 79-85.
• Lasocki, D. (1999). Estudios sobre la flauta dulce publicados en 1995 (1^a parte). Revista de Flauta de Pico 13(1): 17-21.
• Lasocki, D. (2000). The recorder in print: 1998. What has been written about the recorder in other publications around the world. American Recorder (May): 9-16, 30, 36-37.
• Lasocki, D. (2001). Recorder. In The New Grove Dictionary of Music and Musicians. Edn 2. Edited by Stanley Sadie; executive editor, John Tyrrell, 21:37-53. London: Macmillan, 2001. Also online at <http://www.grovemusic.com/> (by subscription).
• Lasocki, D. (2003). The recorder in print, 2001. What's been written about the recorder in other publications around the world. American Recorder (May): 14-21.
• Lasocki, D. (2004). The recorder in print, 2002. What's been written about the recorder in other publications around the world. American Recorder (May): 8-15.
• Lasocki, D. (2004). The Recorder: A Research and Information Guide. Microsoft Reader eBooks. < http://www.ebookmall.com/ebook/82456-ebook.htm > Accessed 26 December 2004. Online version of Griscom & Lasocki (2003).
• Lasocki, D., ed. (2005). Musicque de Joye: Proceedings of the International Sympossium on the Renaissance Flute and Recorder Consort, Utrecht 2003. Stichtung Muziekhistorische Uitvoeringspraktijk (STIMU), Utrecht.
• Lasocki, D. (2005a). Tracing the lives of players and makers of the flute and recorder in the Renaissance. In Lasocki (2005: 363-405).
• Lasocki, D. (2005b). A listing of inventories and purchases of flutes, recorders, flageolets and tabor pipes, 1388-1630. In Lasocki (2005: 523-511).
• Lasocki, D. (2005c). Ein Überblick über die Blockflötenforschung 2002, Teil I. Tibia 2/2005.
• Lasocki, D. (2005d). Ein Überblick über die Blockflötenforschung 2002, Teil II. Tibia 3/2005.
• Lasocki, D. (2006). The recorder in print: 2004. What's been written about the recorder in other publications around the world. American Recorder 47(3): 12-21.
• Laurin, D. (1997/8). The relation between the vocal tract and recorder sound quality. <http://www.danlaurin.com/research.html> Accessed 16 June 2003.
• Laurin, D. (1999). Shaping the sound. American Recorder 40(4): 13-17.
• Letteron, C. (1989). Catalogue général: musique pour flûte a bec 1989. Zurfluh, Paris. [In French, German, English & Spanish.]
• Levine, J. & P. Rose (1997). The recorder player's introduction to jazz. Tibia 1/97: 335-345.
• Linde, H.M. (1991). The Recorder Player's Handbook. Edn 2, revised and enlarged. Transl. R. Deveson. Schott/Belwin-Mills, New York. In German as Handbuch des Blockflötenspiels. 2., brw., Schott, Ausg. Mainz (1984).
• Longley, B. (1994). The Recorder Player's Guide to Composers. Society of Recorder Players, Ipswich.
• Loretto, A.V. (1970). Adjustable lip on the recorder. Recorder & Music Magazine 3(8): 278-279).
• Loretto, A.V. (1993). Plastic recorders. Recorder & Music 13(1): 3-4, 8).
• Loretto, A.V. (1995). A-440 and Other Matters. Woodwind Quarterly 8: 94-96.
• Loretto, A.V. (1999). Letters to the Editor: Bell Keys. Recorder Magazine 18(4): 156-157.
• MacMillan, D. (1983). The Recorder in the late eighteenth and early nineteenth centuries. Consort 39: 489-497.
• MacMillan, D. (2003). The recorder in the nineteenth century. American Recorder 44 (5): 16-18.
• MacMillan, D. (2005). The Recorder 1800-1905. Unpublished PhD dissertation, University of Surry.
• MacMillan, D. (2007). An organological overview of the recorder 1800–1905. Galpin Society Journal60: 191-202.
• MacMillan, D. (2007). The Recorder 1800-1905. Recorder Magazine 27(4): 126-131.
• MacMillan, D. (2007). Arnold Dolmetsch and the Recorder Revival. The Consort 63: 90-104.
• MacMillan, D. (2007). The history of the recorder 1800-1905. Music-Images-Instruments 8: 181-194.
• Madgwick, P. & A.V. Loretto (1996). Old recorders for new. Communication #1486. FoMHRHI Quarterly 85: 35-44.
• Madgwick, P. & A.V. Loretto (1997). Well! Whoever would have thought of that. Some thoughts on recorder patents. Recorder Magazine 17(1): 3-8.
• Margolis, B. (1976). A composer's guide to the recorder. American Recorder 16(4): 113-122.
• Margolis, B. & S. Malinowski (1976). [A composer's guide to the recorder.] American Recorder 17(1): 6.
• Martin, A. (1993). A Guide to Ensemble Music for the Recorder. Society of Recorder Players, Ipswich.
• Martin, A. (2002). Musician for a While: A Biography of Walter Bergmann. Peacock Press, Hebden Bridge. ISBN 0-907908-83-7.
• Martin, J. (1994). The Acoustics of the Recorder. Moeck, Celle.
• Marx, K. (1978). Begegnungen mit der Blockflöte. [Encounters with the recorder.] Tibia 3 (1): 30–32.
• Mayes, A. (2003). Carl Dolmetsch and the Recorder Repertoire of the 20th Century. Ashgate, London. ISBN: 0754609685.
• McGowan, R.A. (1974). Italian Baroque Solo Sonatas for the Recorder and the Flute. Ph.D. dissertation, The University of Michigan. University Microfilms International, Ann Arbor, Michigan.
• McGowan, R.A. (1974). Italian Baroque Solo Sonatas for the Recorder and the Flute. Detroit studies in music bibliography, 37. Information Coordinators, Detroit.
• Marvulgio, M. & T. (1991). Wired for sound. American Recorder 32(2): 11-13.
• Mathiesen, I. K. & A.H. (1990). "Om Blokfløjten." [On the recorder.] Engstrøm & Sødring, Copenhagen.
• Maute, M. (2007). A new baroque revival: breaking through the final taboo. Early Music America 36-45, 54-55.
• Meadows, H. (1994). "Happy Birthday, Whenever that may be". Further thoughts on Mr Loretto's article. Recorder Magazine 15(3) 87-88.
• Michon, C. (1982). Petit guide practique de 'L'ecole hollandaise'.
• Moeck, H (1978). Zur 'Nachgeschichte' und Renaissance der Blockflöte. [On the 'post-history' and renaissance of the recorder.] Tibia 3 (1): 13-20; 3; 3 (2): 79–88. <http://moeckmusic.de/tibia/artikel7.pdf> [PDF format]
• Moeck, H. (1982). The twentieth-century renaissance of the recorder in Germany. The American Recorder 23(2): 61-67. A partial translation of Moeck (1978).
• Moeck, H. (1997). Blockflötenmundstück mit Frequenzregler. Tibia 22 (3): 323.
• Moeck, H. (1997b). 50 Jahre Blockflötenorchester Berlin Neu-Kölln: en markantes Jubiläum der Blockflötengeschichte. Tibia 22 (4): 595.
• Monteiro, I. (2001). La Flauta Dulce en Portugal. [The Recorder in Portugal.] Revista de Flauta de Pico 17 (1): 17-21.
• Morgan, F. (1981). The Recorder Collection of Frans Brüggen. Drawings by Frederick Morgan. Zen-On, Tokyo.
• Morgan, F. (1987). A players guide to the recorder. The Recorder: Journal of the Victorian Recorder Guild 6: 1-4; 7: 10-16.
• Music, D.W. (1983). The recorder in early America. The American Recorder 24(3): 102-105.
• Myers, H. (1994). The Recorder. In Kite-Powell (loc. cit.: 41-55).
• Nicolucci, V., ed. (2000). Il Flauto Dolce, Dallo scolaro al virtuoso. virtuoso [The recorder: from student to virtuoso.] Ut Orpheus Edizioni, Bologna. ISBN 88-8109-441X.
• O'Kelly, E.E. (1990). The Recorder Today. Cambridge University Press, Cambridge.
• O'Kelly, E.E. (1995). The recorder revival ii: the twentieth century and its repertoire. In Thomson & Rowland-Jones (1995: 152-166).
• Orr, H. (1961). Basic Recorder Technique. B.M.I./Berandol, Toronto.
• O'Sullivan, P. (1991-1992). The recorder in the universities. The Recorder Magazine 11(3): 88-89; 11(4): 116; 12(3): 67-68.
• Paterson, S., D. Lasocki & D. Culbertson (1992). Discography of the Recorder in 1989, Vol. I. American Recorder Society, New York.
• Paterson, S. (199-). Discography of the Recorder, Vol. II. American Recorder Society, New York.
• Peter, H. (1958). The Recorder: Its Traditions and Tasks. Transl. S. Godman. Lienau-Hinrichsen, Berlin Lichterfelde. In German as Die Blockflöte und ihre Spielweise in Vergangenheit und Gegenwart, Lienaau, Berlin Lichterfelde (1953).
• Pichierri, L. (1960). Music in New Hampshire, 1623-1800. Columbia University Press, New York.
• Portell, P. (2007). Répertoire de Musique Imprimés;e (1670-1780), pour la Flûte à Bec, le Flageolet et le Galoubet. Fuzeau, Courlay.
• Porter, M.M. (1967 / 1980). The Embouchure. Boosey & Hawkes, London. ISBN 0085162132 (m).
• Puffer, G. (2001). Blockflötenunterricht in der ersten Hälfte des 20. Jahrhunderts. Peter Lang – Europäischer Verlag der Wissenschaften.
• Ranum (2002). To imitate French tonguings for wind instruments, is it realistic to think that "veddy" (or, rather, "teddy") is a near-equivalent for the syllables tu and ru? <http://ourworld.compuserve.com/homepages/PRanum/Page10.html> Accessed 16 June 2003.
• Ranum, P. (2002b). Some further thoughts about (and images of) the vowels in French tonguing syllables. <http://ourworld.compuserve.com/homepages/PRanum/laurin.html> Accessed 16 June 2003.
• Rampe, S. & Zapf, M. (1998). Neues zu Besetzung und Instrumentarium in Joh. Seb. Bachs Brandenburgischen Konzerten Nr. 4 und 5. Concerto, December/January (1997/8), February 1998.
• Read, R. (1966). Recorder Tone. Recorder & Music Magazine 2(1): 7-9.
• Rechberger, H. (1987). Die Blockflöte in der zeitgenössischen Musik. Finnish Music Inforamtion Centre, Helsinki.
• Rees, D. (1995). MIDI Wind Controllers FAQ - Version 1.2 <http://metalab.unc.edu/emusic-l/info-docs-FAQs/wind-controllers-FAQ.html> Accessed 16 June 2003.
• Reichenthal, E. (1991). Effective use of exceptional fingering. American Recorder 32(4): 16-17.
• Reiners, H. (1997). Reflections on a Reconstruction of the 14th-Century Göttingen Recorder. Galpin Society Journal 50: 31-42.
• Reiss, S. (1997). Blues, Jazz, Improvisation und die Blockflöte, Tibia 22 (2): 408-19.
• Renshaw, M. (1995). National Early Music Association: The Early Music Yearbook 1996. NEMA, Cambridge.
• Reyne, H. (1985). La flûte à bec romantique existe: Je l'ai rencontrée. [The Romantic recorder exists: I have encountered it.] Flute a bec & instruments anciens 15: 4-5. In German as: Die romantische Blockflöte existiert-ich habe sie gefunden. Zeitschrift SAJM 20 (6): 3-6 (1992).
• Reyne, H. (1987). Foreward. In Anton Heberle (1808/1987), Sonata für Sopranbockflöte solo. Edition Moeck Nr. 1119. Moeck Verlag, Celle.
• RIM (1988). Repertoirelijsten: Bamboefluit. Item 8519. Stichting Repertoire Informatiecentrum Muziek, Drift 23, 3512 BR Utrecht, Netherlands email: rim@mnn.nl [Originele composities voor ensembles van twee of meer bamboefluiten. Bovendien ander repertoire dat geschikt is voor bamboefluit-ensemble. Lists 80 works.]
• RIM (1992). Repertoirelijsten: Blokfluit-ensembles. Item 8304. Stichting Repertoire Informatiecentrum Muziek, Drift 23, 3512 BR Utrecht, Netherlands email: rim@mnn.nl [Werken voor ensembles van alleen blokfluiten en van blokfluit(en) met andere instrumenten. Tal van zoekindexen, o.a. op moeilijkheidsgraad en bezetting. Lists 1000 works.]
• RIM (1994). Repertoirelijsten: Blokfluit-ensembles: Supplement. Item 8304A. Stichting Repertoire Informatiecentrum Muziek, Drift 23, 3512 BR Utrecht, Netherlands email: rim@mnn.nl
• RIM (? date). Repertoirelijsten: Blokfluit. Item 8340. Stichting Repertoire Informatiecentrum Muziek, Drift 23, 3512 BR Utrecht, Netherlands email: rim@mnn.nl
• Robert, C. (1998). XXéme siécle et flûte á bec: Sa redécouverte en France. [The twentieth century and the recorder: its rediscovery in France]. Zurfluh, Paris. ISBN 2877500748.
• Robinson, A. (2003). Families of recorders in the late 17th and 18th centuries; the Denner orders and other evidence. Recorder Magazine 23(4), in press.
• Robinson, A. (2004). Families of recorders in the late 17th and 18th centuries. Artafacts 9(4): 10-20. Slightly expanded version of Robinson (2003).
• Rondón, V. (1998). Die Blockflöte in Chile, ihre Verbreitung und gegenwärtige Rolle. [The recorder in Chile, its propagation and current status.] Tibia 23 (4): 282–84.
• Rosado, F. (2003). The recorder in Portugal today. Recorder Magazine 23 (2): 44-45.
• Rothe, G. (2007), ed. Recorders Based on Historical Models. Fred Morgan – Writings and Memories. / Blockflöten nach historischen Vorbildern. Fred Morgan – Texte und Erinnerungen. Mollenhauer, Fulda. ISBN 978-3-00-021215-4 (English edition) & 978-3-00-021216-1 (German edition)
• Rowland-Jones, A. (1962, 2003). A Practice Book for the Treble Recorder. 2nd Edition with Updating Commetary. Selected Passages from the Recorder's Repertoire. Ruxbury Publications, Hebden Bridge.
• Rowland-Jones, A. (1978). Introduction to the Recorder: A Tutor for Adults. Oxford University Press, London.
• Rowland-Jones, A. (1959, 1986/1991, 2003). Recorder Technique: Intermediate to Advanced. 3rd Edition, Considerably Revised. Ruxbury Publications, Hebden Bridge.
• Rowland-Jones, A. (1992). Playing Recorder Sonatas: Interpretation and Technique. Oxford University Press, Oxford.
• Rowland-Jones, A. (1995). Playing Recorder Duets: A Guide to the Repertoire for Two Unnaccompanied Recorders. Allegro, Bristol.
• Rowland-Jones, A. (1995a). The recorder's medieval and renaissance repertoire. In Thomson & Rowland-Jones (1995: 26-50).
• Rowland-Jones, A. (1995b). The baroque recorder sonata. In Thomson & Rowland-Jones (1995: 51-73).
• Rowland-Jones, A. (1995c). The baroque chamber-music repertoire. In Thomson & Rowland-Jones (1995: 74-90).
• Rowland-Jones (1995d). Guide to further reading. In Thomson & Rowland-Jones (1995: 210-255).
• Rowland-Jones, A. (1999b). The first recorder: How? Why? When? . . . and Where?. American Recorder 30(5): 10-33.
• Rowland-Jones, A. (2000). Einige Überlegungen zum Begriff Recorder [Some thoughts on the word recorder.] Tibia 25 (2): 89-97.
• Rowland-Jones, A. (2001). Some thoughts on the word 'recorder' and how it was first used in England. Early Music Performer 8: 7-12.
• Rummel, L. (1977). Zur Wiederbelebung der Blockflötenbaus in Markneukirchen und Umgebung. Thesis, Leipzig University. Cited by Moeck (1982).
• Sadie, S. (1984). The New Grove Dictionary of Musical Instruments.3 vols. Macmillan, London/New York.
• Sadie, S. (2000). The New Grove Dictionary of Music and Musicians. Edn 2. MacMillan, London/New York.
• Schmidt, L.J. (1959). A Practical and Historical Source-Book for the Recorder. Ph.D. dissertation, Northwestern University. University Microfilms International, Ann Arbor, Michigan (UMI order number 59-04837).
• Schmidt, U. (1981). Notation der Neuen Blockflötenmusik: ein Überblick. Moeck Verlag, Celle.
• Sela, B. & G. Peñalver (1996). Fabricantes de Flautas de Pico en el Siglo XX. Revista de Flauta de Pico, Sevilla.
• Schanahan, I.L. (1985). The Avant-garde Recorder: A Preliminary Study of Some Recent Developments in Alto Recorder Playing Techniques and their Notation. B.Mus. dissertation, University of Sydney.
• Schmidt, U. (1981). Notation der Neuen Blockflötenmusik: ein Überblick. Edition Moeck 4022, Celle. ISBN 3-87549-013-4.
• Schultka, H. (1997). Originalmusik des 20. Jahrunderts für Blockflöte solo. Available from the author, Holger Schultka, Schlachthofstraße 9, 99085 Erfurt, Germany.
• Schwanse, U. (1998). Integration behinderter Menschen in Musikschulen. Windkanal 1-98: 26-27.
• Sela, B. & G. Peñalver (1997). Fabricantes de Flautas de Pico en el Siglo XX. Revista de Flauta de Pico, Sevilla.
• Seviour, M. (1993). A Discography of Recorder Music. Society of Recorder Players, Ipswich.
• Seyfrit, M. (1982). Musical Instruments in the Dayton C. Miller Flute Collection at the Library of Congress: A Catalogue, Volume I: Recorders, Fifes, and Simple system Transverse Flutes of One Key. Library of Congress, Washington, DC.
• Simmons, T. (1993). The good oil . . . What really happens when you oil your recorder? The Recorder (Australia) 17: 15-22.
• Thompson, S.E. (2004). Wooden fluijten in Beverwijck, a Dutch colony in the New World. American Recorder 45(5): 16 (2004).
• Simpson, A. (1995). The orchestral recorder. In Thomson & Rowland Jones (1995: 91-106).
• Smith, F.E. (2004). Observations on the flute writing in the operas of Christoph Willibald von Gluck (1714-1787). Early Music Performer 14: 16-27.
• Spanhove, B. (2000). The Finishing Touch of Ensemble Playing. Alamire, Peer, Belgium. ISBN 90 6853 1441.
• Stephenson, N. (1987). Memo from Wales: Lecturers hit the right note with spit-free recorder. The Recorder (Australia) 6: 34.
• Stobart, H. (1996). The llama's flute: musical misunderstandings in the Andes. Early Music 24(3): 471-482.
• Tada, I. (1982). The recorder in Japan. Early Music 10(1): 37-40.
• Tarasov, N. (2001). Blockflötenunterricht in der ersten Hälfte des 20.Jhr. Windkanal 4: 23-26. <http://www.windkanal.de/PDF/2001-4/WiKa0104Seite22-26.pdf> [PDF format]
  Review and commentary on a book by Gabrielle Puffer
• Tarasov, N. (2005). Bahn fre! Kreative Blocckonstruktionen in 19 Jahrhundert. Windkanal 4: 14-17.
• Tarasov, N. (2006). Basinstrumentenbau in Vogtland. Windkanal 1: 28-30 (2006).
• Tarasov, N. (2007). Bach and the Recorder. Part 1: Bach in Mühlhausen, Wemar, Köthen. Recorder Magazine 27 (1): 12-19.
• Tarasov, N. (2007). Bach and the Recorder. Part 2: Bach in Leipzig. Recorder Magazine 27 (2): 54-60.
• Thalheimer, P. (2004). Blockflötenmusik von Richard Strauss? Tibia 29(2): 82-86.
• Thalheimer, P. (2006). Peter Harlan und die Wiederentdeckung der Blockflöte. Tibia 3/2006.
• Thieme, U. (1986). Die Blockflöte in Kantate, Oratorium und Oper. Tibia 2/1986. <http://moeckmusic.de/tibia/artikel4.pdf> [PDF format]
• Thomas, D. (1997). Coment on Comm. 1486 (recorder patents). Communication #1500. FoMRHI Quarterly 86: 30.
• Thomas, D. (1998). Letters to the Editor: Bell Key Patent. Recorder Magazine 18(2): 73.
• Thomas, D. (1999). Modernising a plastic bass. Recorder Magazine 18(4): 133-134.
• Thomson, J.M. (1972). Recorder Profiles. Schott, London.
• Thomson, J.M. (1968/1974). Your Book of the Recorder. Edn 2. Faber & Faber, London. ISBN 0571048730.
• Thomson, J.M & A. Rowland-Jones, eds (1995). The Cambridge Companion to the Recorder. Cambridge University Press, Cambridge. ISBN 0 521 35269 X.
• Thorn, B. (1989). New sounds from old pipes. The Recorder (Australia) 10: 59.
• Thorn, B. (2006). Komponieren für Blockflöte im 21. Jahrhundert. Überlegungen eines Komponisten. Tibia 4/2006.
• Tsukamoto, T. (1975). Another bell key. Recorder & Music 5(2): 45-47.
• Tsukamoto, T. (1980). A one-handed recorder. Recorder & Music 6(9): 258-260, 265.
• Turner, J. (2005). John Parry's Nightingale. A British nineteenth-century concert piece for duct flute. Recorder Magazine 25(1): 13-15.
• Usher, M. (1993). The Useful Address Book. Society of Recorder Players, Ipswich.
• Utt, T-M. (2006). The Tartu Recorder. ERTA Newsletter 23: 2.
• van Acht, R. (1992). Checklist of Technical Drawings of Musical Instruments in Public Collections of the World. Moeck Verlag, Celle/Haags Gemeentemuseum, The Hague.
• Vetter, M. (1973). Il flauto dolce ed acerbo. Moeck, Celle.
• Villavicenzio, C. (2002). The electronic recorder explained. American Recorder 53(1): 7-9.
• Vinquist, M. (1974). Recorder Tutors of the Seventeenth and Eighteenth Centuries; Technique and Performance Practice. Ph.D. Dissertation, University of North Carolina. University Microfilms International, Ann Arbor, Michigan.
• Volonterio, M. ed. (1996). Dallo scolaro al virtuoso: il Flauto Dolce. Associazione Italiana per la Musica e la Danza Antiche, Rome.
• Volkhardt, U., A. Padberg (2002). Die Blockflöte in der Jugendbewegung, Kriegs- und Nachkriegszeit des 20. Jahrhunderts. Hintergründe – Dokumente – Interviews. Eine Filmdokumentation anlässlich des 4. Folkwang Symposions für Blockflötenmusik 2002. Film- und Tonaufnahmen: Studierende der Uni Essen. See here for details.
• Waitzman, D. (1967). The decline of the recorder in the 18th century. Recorder & Music Magazine 2(7): 222-225.
• Waitzman, D. (1968). The bell key. Recorder & Music Magazine 2(10): 324-327. Reprinted in The American Recorder 9: 306.
• Waitzman, D. (1969). Letters: The bell key. Recorder & Music Magazine 3(1): 20.
• Waitzman, D. (1978). The Art of Playing the Recorder. AMS Press, New York.
• Waterman, R. (1987). Recorders … and all that jazz. The Recorder, Journal of the Victorian Recorder Guild 6: 26-28.
• Weisber, A. (1975). The Art of Wind Playing. Macmillan, New York.
• Weissmann/R, J.S. (1984). Csákány. In Sadie (1984, 1: 525).
• Welch, C. (1911/1961). Lectures on the Recorder in Relation to Literature. Oxford University Press, London.
• Wells, P. (2000). "Giving the Fingers": Conventions in the Notation of Contemporary Recorder Music. Recorder Magazine 20(2): 59-62.
• Williams, A. (2004). From art instrument to plastic fantastic: The revival of the recorder. Traffic 4: xx-yy. Post-Graduate Association, University of Melbourne.
• Williams, A. (2005). The Dodo was Really a Phoenix: the Renaissance and Revival of the Recorder in England 1879-1941. Unpublished PhD dissertation, University of Melbourne.
• Wollitz, K. (1982). The Recorder Book.Knopf, New York; Gallancz, London. In Italian as Manuale del flauto dolce, Longanesi, Milan (1982).
• Zaniol, A. (1978-1981). Il flauto dolce [The recorder]. Strumenti e musica 21 (8): 90, 92 (1978); 21 (10): 106, 108 (1978); 21 (11): 127-28, 130 (1978); 21 (12): 114, 116 (1978); 22 (1): 104, 106 (1979); 22 (2): 212, 214, 216 (1979); 22 (3): 126, 128 (1979); 22 (4): 114 (1979); 22 (5): 150, 152 (1979); 22 (7): 98, 100 (1979); 22 (8: 248, 250 (1979); 22 (9): 186, 188 (1979); 22 (10): 153-54 (1979); 22 (11): 164, 166 (1979); 22 (12): 156, 158 (1979); 23 (1): 122, 124 (1980); 23 (2): 220, 222 (1980); 23 (4): 150, 152 (1980); 23 (5): 144, 146 (1980); 23 (6): 166, 168 (1980); 23 (7): 122, 124 (1980); 23 (8): 212, 214 (1980); 23 (10): 188, 190 (1980); 23 (11): 162, 164 (1980); 23 (12): 144, 146 (1980); 24 (1): 182, 184, 186 (1981); 24 (2): 136, 138, 140 (1981); 24 (3): 130, 132 (1981); 24 (4): 162, 164 (1981); 24 (6): 138, 140, 142 (1981).
• Zaniol, A. (1982-1983). A chaque musique sa flûte à bec. [To each type of music its recorder]. Flüte à' bec 5: 32-35 (1982); 6: 3-14 (1983). In English as: The recorders of the middle ages and renaissance. Continuo 8 (1): 2-7 (1984); 8 (2): 12-15 (1984); 8 (3): 6-9 (1985). In German, with updates, as: Jeder Musik ihre Blockflöte: Blockflöten des 14./15.-17. Jahrhunderts. Tibia 13 (2: 73-83.
• Zaniol, A. (2000). Il flauto dolce: fonti documentali antiche. Breve guida per un approccio proficuo. In Nicolucci (2000: 103-109).
• Zuilenburg, P. L. van (1999). Recorders in South Africa. Recorder Magazine 19(2): 63-64.

© Copyright 1996-2006, N.S. Lander
Webmaster: Nicholas S. Lander