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Bush Idyll, Frederick McCubbin (1893)

Australian Compositions for Recorder

Compiled by Nicholas S. Lander

Introduction | Index of Composers | References | Acknowledgements

Introduction

The catalogue presented below began life as a response to an email enquiry from a French recorder player/teacher seeking information about Australian repertoire for his instrument. On reviewing the available suveys -- Strong (1980), Tattersall (1984), Shanahan (1985), Tattersall (1987), Baxt (1990) and Tokimitsu (1996) -- it seemed to me that there was a great deal we still don't know about the matter. I resolved to do something about it.

If to date some half-dozen surveys of music for recorder by Australian composers have been published, do we really need yet another?

A first step has been an exploratory trawl using readily available library and internet resources as well as the contents of my own library. To date I have consulted the on-line library catalogue of the Australian Music Centre (AMC), the State Libraries of South Australia and Western Australia, the Universities of Queensland, Sydney, Wollongong & Western Australia, Monash University, Australian National University, and, of course, the invaluable reference works cited below. To these I have added a few items from my own music collection, old programmes and my memory, such as it is. The list presented here is rather more comprehensive than what has come before: It includes some 500 items.

For each item in this catalogue I have adopted as a de facto standard something like the data structure of the AMC's on-line library catalogue. The numbered entries are as follows:

  1. Title. / Author. - year of composition.
  2. City: Publisher & Catalogue Number.
  3. Format (number of pages); dimensions.
  4. Instrumentation.
  5. Duration.
  6. Notes, including reviews.

In some cases I have appended a brief note.

For instruments of the recorder family the usual abbreviations for the different sizes of instrument are applied, namely:

There is a discouraging consequence of this systematic categorisation. The sad fact is that even a brief perusal of the catalogue is enough to convince the reader that for much of this repertoire (small as it is) we lack essential details, amongst them knowledge of the publisher, date, or library where a particular score can be consulted. And too often the reader has to guess the nature of the work, its length or its intended audience, and so on.

I have opted for inclusion of all material I have encountered. In revisiting this topic so soon, it might be argued that we would do well to devise suitable criteria for inclusion and exclusion. This line of thought will lead us to ask ourselves questions such as the following:

Should we include only published works, and what does "published" mean? Does it include any manuscript lodged with the Australian Music Centre? Does it include any home-brewed composition recorded with a note-processor and published from home or on the Internet?

Do we restrict the list to items which have been recorded or broadcast or publicly performed? Do we exclude arrangements of existing compositions? Do we invoke some kind of "peer review"? Do we exclude pedagogical items?

What about items which have been recorded as improvisations? Are they compositions?

Come to that, what is an Australian? After all, we claim Hughes (born overseas but living here most of his life and writing music about Australia) and Benjamin and Grainger (indisputably Australian in style, but living overseas because they didn't like it here).

This list could easily be extended.

In my view such qualms are, in large measure, misplaced in a situation where despite so many surveys three items for recorders by Alfred Hill have hitherto been missed, and two of the most prolific Australian composers for the recorder have been either ignored (Mike Leadabrand whose Songs from the Deep alone amounts to some 150 pages of music) or seriously un-represented (Glyn Marillier who has published a score of compositions and many arrangements), one suspects because they live on the Western coast of the continent. And certainly one of the most interesting, another Western Australian (Diarmuid Pigott), has been omitted, perhaps because he is something of a recluse who publishes exclusively on the Internet. Similarly, works by WA's Robert Schulz and Margaret Quayle have hitherto gone un-noticed. This neglect, which includes a bias towards the confections of Australia's 'Far East', just won't do!

Surely a bibliographer in this context could do worse than simply eschew any "point of view" whatsoever. If the net is cast sufficiently widely we are less likely to leave anything out. Those who use a bibliography are best able to decide which references they wish to keep in contention, given a particular task. If the bibliographer is too selective this will effectively deny readers any such choice. That much seems obvious enough.

Thus I have included all items which concern Australia or Australians or Australiana. Amongst them, I have listed a piece from the American Music Centre Library entitled The Woylies at Home by David Cleary (1986) on the basis that Woylies (a sort of Bandicoot) are distinctly Australian creatures, and Cleary may well be an expatriate Australian. Similarly, I have included John Tavener's Let's Begin Again, which, though from the pen of a noted British composer, was jointly commisioned by the Festival of Perth. There are Anthony Gilbert's Igórochiki, Paluma, Flame-Robin which draw on Australian bird-song for their thematic material, and his Chant of Cockeye Bob which was written for primary schools in Bendigo, Victoria. And I have included two works by Canadian composers (Neil Currie and Jana Skarecky) which were premiered in Australia by an Australian player (Ian Shanahan).

In my view, the critical thing now is to fill in the details of what we already know rather than worry unduly about what work is and isn't going to be of interest to our readers.

For my part I undertake to trawl shoals further from home by including the results of searches of the remaining State, College, Conservatorium and University Libraries whose catalogues are available to me over the Internet.

Readers (perhaps even the composers themselves) may wish to copy the following list to their hard disc, annotate it with the missing details where they know them and email it to me. All contributions will be duly acknowledged. I see this as very much a joint effort and myself as merely the compiler.

This presentation is far from the last word; indeed, it is but a new begining. Hopefully, unlike its predecessors, this approach will lead in time to a dynamic, self-correcting and authoritative document.

In this context, mention must be made of Walter van Hauwe's on-line Catalogue of Contemporary Blokflute Music available at the Stichtung Blokfluit site launched in July 1998. This ambitious project aims to compile a comprehensive information base of 20th-century recorder music with data logged in some 40 fields and will clearly become the principal repository for data in this arena. To date, although a total of some 3,650 items have been catalogued, as yet only some 85% of Australian compositions have been logged. On a world-wide scale the scope is enormous.

Index of Composers

Catalogue

Abbott, Harold (? dates)

Reference: Evans (1962).
  1. [A song cycle: title unknown]. / Harold Abbott. - 1961.
  2.  
  3.  
  4. 3 voices + 2 recorders + guitar.
  5.  
  6.  

Adams, Cavin

  1. Cappuccino Break. / Cavin Adams. - ? date.
  2. Orpheus Music YCS 008 (ca 2000)
  3. 1 score (4 p.) + 1 part ([1] p.)
  4. tenor recorder & piano
  5.  
  6. Reviewed by Paul Clark, Recorder Magazine 21(4): 145-146 (2000).

Ahearn, Michael (1962-)

  1. Elegy. / Michael Ahearn. - 1981.
  2.  
  3.  
  4. SATT recorders
  5.  
  6.  
  1. Amicizia. / Michael Ahearn. - 1984
  2. Australian Music Centre
  3. 1 facsimile score (3 p.); 42 cm.
  4. Alto recorder.
  5.  
  6.  

Aked, Lindsay (1930-)

  1. Suite. / Lindsay Aked. - 1956.
  2. Sydney: Albert & Son 62 (1966).
  3. 1 score (15p.)
  4. SAAT recorders
  5.  
  6.  
  1. Suite 2: 1. Ouverture, 2. Passepied, 3. Gavotte, 4. Rondeau. / Lindsay Aked. - ? 1996.
  2. Belrose: Oberg Publications (1996)
  3. 1 score (23 p.); 30 cm
  4. AATB recorders
  5. 12:00
  6.  
  1. Swingtime 1: Blues and Beguine / Lindsay Aked. - ca 1968
  2. Sydney: Albert & Son (1968)
  3. 1 score (5 p.); 28 cm + 4 parts
  4. Recorder or flute or violin, glockenspiel or clarinet or trumpet, percussion, piano
  5.  
  6.  
  1. Swingtime 2: calypso mood / Lindsay Aked. - 1969
  2. Sydney: Albert & Son, c1969.
  3. 1 score (7 p.); 28 cm. + 4 parts.
  4. Recorders, violin or flute, trumpet or clarinet, percussion, piano.
  5.  
  6.  
  1. Swingtime 3: fox-trot / Lindsay Aked. - 1969
  2. Sydney: Albert & Son, c1969.
  3. 1 score (4 p.); 28 cm. + 4 parts.
  4. Recorders, glockenspiel or clarinet, percussion, piano.
  5.  
  6.  
  1. Beware! Mymecia gulosa!. /Lindsay Aked. - 1969.
  2. Sydney: Chappell & Co., Ltd.
  3. Score.
  4. SS recorders + percussion (triange & drum).
  5.  
  6. Mymerica domestica is the so-called Argentine Ant, a terrible introduced pest in the Eastern States of Australia – Nicholas Lander.
  1. Two Moods for Recorder Ensemble / Lindsay Aked. - 1980.
  2. West (NSW Government Printer), Sydney
  3.  
  4. SAT recorders + percussion
  5.  
  6.  
  1. Les Jongleurs / Lindsay Aked. - 1974.
  2. Sydney: Albert & Son.
  3.  
  4. recorders
  5.  
  6.  
  1. Divertimento / Lindsay Aked. - 1974.
  2. Sydney: Albert & Son, 1974
  3. Score + part.
  4. S recorder + piano.
  5.  
  6.  
  1. Divertimento / Lindsay Aked. - 1993.
  2. Belrose: Oberg Publications, 1995
  3. Score + part.
  4. Alto recorder + keyboard (acoustic or elecronic).
  5.  
  6. Prelude, Pastorale, Song Without Words, Rondeau.
    Dedicated to Howard & Helen Oberg.
  1. Suite for Courtney / Lindsay Aked. - 1993.
  2. Belrose: Oberg Publications, 1995
  3. Score + part.
  4. Alto recorder + keyboard (acoustic or elecronic).
  5.  
  6. Bathtime Bop, Bathtime Rhumba, See the Rabbit, See the Clouds, Bassinet Dance, Lullaby for Courtney. Short pieces representing a day in the life of Courtney Rose born 15.01.1993
  1. Divertimento No. 2 / Lindsay Aked. - 1995.
  2. Belrose: Oberg Publications, 1995
  3. Score + part.
  4. Soprano recorder + keyboard (acoustic or elecronic).
  5.  
  6. Prelude, Elegy, Alla Sarabanda, Reel. Dedicated to H.K.M.O.
  1. A Collection of Traditional Folk Songs / Lindsay Aked. - 1995.
  2. Belrose: Oberg publications, 1995
  3. Score + part.
  4. Soprano recorder (or flute) + piano.
  5. 14 min.
  6. Hey Robin, Jolly Robin; Three Ravens; Pastime with Good Company; The Agincourt Song; Donna, Donna; Zion Me wan Go Home; Jamaican Rumble; Russian Roulette. Dedicated to H.K.M.O.
  1. Song & Dance / Lindsay Aked. - ? date.
  2. ? unpublished
  3.  
  4. SAT recorders + optional piano, percussion & double bass
  5.  
  6.  
  1. Sonatine. / Lindsay Aked. - 1997.
  2. Belrose: Oberg Publications HEO 1004 (1998).
  3. 1 score (17 p.); 30 cm + 1 part (6 p.); 30 cm
  4. S recorder + piano
  5. 12:00
  6. Dedication: "For MAO"
  1. Sonatine. / Lindsay Aked. - ? 1998.
  2. Belrose: Oberg Publications HEO 1003 (1998).
  3. score + parts
  4. alto recorder + piano
  5. 12:00
  6. Dedication: "For MAO"

Allen, Geoffrey (1927-)

  1. Duo Sonata. / Geoffrey Allen. - 1958.
  2. Perth: The Keys Press.
  3. 2 parts, 14 pages each, in folder.
  4. AA recorders or 2 woodwinds.
  5.  
  6. See Hauwe (1998).
  1. Currawong Suite. / Geoffrey Allen. - 1958.
  2. Perth: The Keys Press
  3. Miniature score, 14 pages + parts.
  4. AAT recorders.
  5.  
    6. See Hauwe (1998).
  1. Divertissement. / Geoffrey Allen. - 1999.
  2. Perth: The Keys Press
  3. score (32 pp.) + parts.
  4. SATB recorders.
  5.  
  1. Bassementos. / Geoffrey Allen. - 2000.
  2. Perth: The Keys Press KP 0165 (2002)
  3. 1 score (14 p.); 30 cm
  4. Solo A or B recorder.
  5.  
  6. Reviewed by Jean McCreery, Recorder Magazine 22 (3): 108 (2002).
  1. Peter Piper's Pickings. / Geoffrey Allen. - 2002.
  2. Perth: The Keys Press KP 0164 (2002).
  3. part.
  4. Solo alto recorder.
  5.  
  6. "For Barnaby Ralph". Reviewed by Louise Philips, Recorder Magazine 22 (3): 108 (2002).

Allworth, Robert (1943-)

  1. How Many Sunsets Will I See? / Robert Allworth. - 1987.
  2. Evasound Records & Tapes Pty Ltd, JADCD 1012; Armidale: Orpheus Music OMP 085 (2002).
  3. score (2 p.)+ mandolin part (1 p.)
  4. A recorder + mandolin
  5.  
  6. Reviewed in American Recorder 44 (2): 30 (2003).
  1. The Ascension. / Robert Allworth. - 1983.
  2.  
  3.  
  4. SATB recorders.
  5.  
  6. Released on CD Music for a Champagne Breakfast (Jade JAD CD 1075).
  1. Concerto for Susan Jones. / Robert Allworth. - (? 2001).
  2. National Library of Australia (photocopy)
  3. 1 score (31 leaves); 42 cm.
  4. A recorder + mandolin
  5.  
  6. Reviewed in American Reocrder 44 (2): 30 (2003).

Anderson, Olive (1917-1995)

  1. The Blue Slippers. / Olive Anderson. - 1950.
  2.  
  3.  
  4. recorder + piano + childrens choir.
  5.  
  6.  
  1. This old man. / Olive Anderson. - 1971.
  2.  
  3.  
  4. SS recorders or flutes + oboe + percussion
  5.  
  6.  
  1. Elementary Chamber Music. / Olive Anderson. - 1975.
  2.  
  3.  
  4. S A recorders + piano or guitar.
  5.  
  6.  

Ashley, Karyn

  1. Spasmodic, a duet for four recorders. / Karyn Ashley.
  2. Armidale: Orpheus Music YCS 009.
  3. 2 scores
  4. SA and SA recorders (2 players).
  5.  
  6. Reviewed by Jean McCreery, Recorder Magazine 21a(4): 153 (2001).

Atherton, Michael

  1. Sir Walter Ralegh. / Michael Atherton. - 1977.
  2.  
  3.  
  4. recorder or flute + percussion.
  5.  
  6.  
  1. I can make music. / Michael Atherton. - 1982.
  2.  
  3.  
  4. SA recorders + percussion.
  5.  
  6.  
  1. Passages / Michael Atherton. - 1985.
  2.  
  3. 1 facsimile score (16 p.); 37 cm.
  4. Voices, S recorders, didjeridu, slide guitar, violin, 6 hole folk flute, violin, spanish guitars, bouzouki, bagpipe in G, thumb piano, percussion.
  5.  
  6.  
  1. Radum scadum: a selection, composer's autograph / Michael Atherton. - 1989
  2.  
  3. 1 facsimile score (20 p.); 30 cm.
  4. Voice, accordion, guitar, recorder, percussion.
  5.  
  6.  
  1. Three Fipples. / Michael Atherton. - 1991.
  2. Sydney: Currency Press (Thorn 1991).
  3.  
  4. SSS recorders.
  5.  
  6.  
  1. Paidushka. / Michael Atherton. - ? date.
  2.  
  3.  
  4. SAA recorders.
  5.  
  6.  
  1. Lilting. / Michael Atherton. - ? date.
  2.  
  3.  
  4. SAB recorders.
  5.  
  6.  

Bainbridge, Beryl (1919-)

  1. Little Suite Five. / Beryl Bainbridge. - 1969.
  2.  
  3.  
  4. 3 recorders + oboe + harpsichord.
  5.  
  6.  

Amanda Baker

  1. Phoenix Songs. / Amanda Baker. - 19??.
  2.  
  3.  
  4. sSATB recorders (one player) + piano.
  5.  
  6. Released on CD Phoenix Songs (Move MD 3165)

Bandt, Ros (1951-)

  1. Meditation. / Ros Bandt. - 1976.
  2. Currency Press: Sydney (Thorn (1995).
  3. 1 facsimile score ([2] p.); 37 cm.
  4. Alto recorder, flute or shakuhatchi.
  5. ca 2 min.
  6.  
  1. Flight. / Ros Bandt. - 1978.
  2. Sydney: Currency Press (Thorn 1995).
  3. 1 facsimile score (2 p.); 36 cm.
  4. Alto recorder.
  5. 4 mins.
  6.  
  1. Drifts in sand. / Ros Bandt. - 1977.
  2. Australian Music Centre
  3. 1 facsimile score (2 p.); 37 cm.
  4. Alto recorder, flute, bass recorder or shakuhachi.
  5. ca 3 min.
  6.  
  1. Five + Four. / Ros Bandt. - 1978.
  2.  
  3. Recorder ensemble.
  4. 10-12 min.
  5. See Hauwe (1998).
  1. Disjointed Quartet (music-theatre piece). Ros Bandt. - 1979.
  2.  
  3.  
  4. recorder.
  5. 10-12 min.
  6. Improvised Graphic Score that sends up the structure of a Mozart String Quartet. Released on CD ROM Creating Ensemble (UWS)
  1. Loops. / Ros Bandt. - 1983,
  2. Sydney: Australian Music Centre 788.36/BAN 1
  3. 1 facsimile score ([iv], 16 p.); 30 cm
  4. 4-channel tape, interactive quad playback + live performer on SATB recorders + voice
  5. 15 min.
  6.  
  1. Sub Terra. / Ros Bandt. - 1984.
  2.  
  3.  
  4. Renaissance T recorder.
  5. 13'20".
  6. See Hauwe (1998). Performed at The Call of the Four Winds Festival, Armidale (NSW), 21 January 2000, on renaissance bass recorder and tape.
  1. Ode after Catullus no. 5: to the unknown lover. / Ros Bandt. 1990.
  2. AMCOZ 783.2542/BAN 2
  3. 1 facsimile score (3 p., 2 folded p.), 30 cm
  4. recorder, narrator.
  5.  
  6.  
  1. Variazione Zefferelli . / Ros Bandt. - 1991.
  2.  
  3.  
  4. Recorder + voice (simultaneously).
  5.  
  6. See Hauwe (1998).
  1. The Lion and the Tram. / Ros Bandt. - 1997.
  2.  
  3.  
  4. Bass recorder + environmental recording.
  5. 7 mins.
  6. See Hauwe (1998).
  1. Subterranean Sue. / Ros Bandt. ? date.
  2.  
  3.  
  4. Tape (based on T recorder improvisations).
  5.  
  6.  
  1. After Meditation. / Ros Bandt. - ? date.
  2.  
  3. 1 facsimile score ([2] p.); 37 cm.
  4. Alto recorder.
  5. 4'40"
  6. See Hauwe (1998).
  1. Disjointed Polyphony. / Ros Bandt. - ? date.
  2.  
  3.  
  4. 2 recorders.
  5. 3 min.
  6. See Hauwe (1998).
  1. Dog. / Ros Bandt. - ? date.
  2.  
  3.  
  4. Bass recorder.
  5. 4'47"
  6. See Hauwe (1998).
  1. Sonic Loops. / Ros Bandt. - ? date.
  2.  
  3.  
  4. 8 channel DAT, composed on computer
  5. 15 min.
  6. See Hauwe (1998).
  1. Spring Flutes. / Ros Bandt. - ? date.
  2.  
  3.  
  4. SA recorders + voice.
  5. 2'40".
  6. See Hauwe (1998).
  1. Sweet Germinal Wheat. / Ros Bandt. - ? date.
  2.  
  3.  
  4. Recorder + lute.
  5.  
  6. See Hauwe (1998).
  1. Tank Piece No. 9. / Ros Bandt. - ? date.
  2.  
  3.  
  4. Renaissance S recorder.
  5. 3'54".
  6. See Hauwe (1998).

Banks, Don (1923-1980)

  1. Walkabout. / Don Banks. - 1972.
  2. [Sydney?]: Schott.
  3. 1 score (10 p.); 24 cm.
  4. Recorders or flutes + piano or guitars + cello + percussion + childrens choir.
  5.  
  6.  

Michael Barkl

  1. Red. /Michael Barkl. - 1996.
  2. Sydney: AMC Library number: 788.364 BAR 1
  3. 1 facsimile score [(i, 3] p); 30 cm
  4. S recorder.
  5. 4:10
  6. Dedication: "For Ian Shanahan".

Beath, Betty

  1. The Raja who married an angel. / by Betty Beath and David Cox. - 1978.
  2. Brisbane: Playlab Press, 1979.
  3. 1 score (34 p.); 30 cm.
  4. Voices, flutes, percussion, recorders.
  5.  
  6.  
  1. Night Songs. / by Betty Beath.
  2. Perth: The Keys Press (2000).
  3. 1 facsimile score (2 p.); 30 cm.
  4. solo recorder.
  5. 3:30
  6. Reviewed by Paul Clark, Recorder Magazine 21(4): 150 (2000). Dedication: "For Barnaby Ralph. Recorded by Barnaby Ralph, and released on Jade CD 1090.
  1. Meditation. / by Betty Beath (2001).
  2. SibeliusMusic; Sydney: Australian Music Centre 788.366/BEA 1
  3. score (in Sibelius format(
  4. solo tenor recorder.
  5. 4:30
  6. Commissioned by Australian recorder player Barnaby Ralph.
  1. Heart Song. / by Betty Beath (2001).
  2. SibeliusMusic
  3. score (in Sibelius format)
  4. soprano voice, bass recorder, cello.
  5. 4 minutes
  6. Commissioned by Australian soprano Susan Dunn.
  1. Let's Dance: an encounter for recorder and guitar. / by Betty Beath (2001).
  2. 1 score ([4] p.); 30 cm.
  3. Highgate Hill: Beath-Cox Art Enterprises (2005).
  4. T recorder + guitar.
  5. 4 minutes
  6. Dedication "For Barnaby and Leo".
  1. Procession: [a march of celebration ... the march of the bunyip]. / by Betty Beath (2001).
  2. 1 facsimile score (7 p.) ; 30 cm. yc 1983
  3. Highgate Hill: Beath-Cox Art Enterprises (2005).
  4. T recorder + guitar.
  5. 4 minutes
  6. Dedication "For Barnaby and Leo". Work for children "'Procession' begins with a fanfare for voices and instruments which may include: whistling and whistles, combs with paper, mouth organs, recorder, bamboo flutes, conch shells and gum leafs (sic.), tambourine, maracas, finger cymbals, triangles, gongs, chimes, rhythm sticks, spoons, shakers of pebbles and rice. The most important instrument is the voice used in chant."

Kirsty Beilharz (op. 1991)

  1. Gecko on desert sand . / by Kirsty Beilharz.
  2. Koln : P.J. Tonger 2624 (ca 1995).
  3. score ([3] p.); 30 cm
  4. TB recorders (1 player), Japanese rin (percussion instrument).
  5. 5 min.
  6. Dedication: "For Eric Gross".

Benjamin, Arthur L. (1893-1960)

  1. Jamaican Rumba. / Arthur Benjamin/arr. Garnaway.
  2. Fentone
  3. Score.
  4. SAT recorders.
  5.  
  6.  

Peter J. Billam (1948-)

  1. To Erich Jantsch. / Peter J. Billam - 1988
  2. Hobart: PJB Compositions (1998)
  3.  
  4. recorders SAATTB.
  5.  
  6.  
  1. Two Recorder Duets / Peter J. Billam - 1991
  2. Hobart: PJB Compositions (1998)
  3.  
  4. recorders SAATTB.
  5.  
  6.  
  1. Four Dances. / Peter J. Billam - 1995
  2. Hobart: PJB Compositions (1998)
  3.  
  4. recorders SATB.
  5.  
  6.  

Blake, Ian (?)

  1. Big Bird. / Ian Blake. ?date.
  2.  
  3.  
  4.  
  5.  
  6. Performed at The Call of the Four Winds Festival, Armidale (NSW), 21 January 2000.

Blom, Diana

  1. Nove Moderno. / Diana Blom.
  2. Armidale: Orpheus Music, OMP 101 (2003).
  3. score + parts
  4. SATB recorder quartet + optional percussion (drum, tambourine).
  5.  
  6. Reviews by Patrick Richmond, Recorder Magazine 23(2): 53 (2003); Charles Gamble, American Recorder 45(3): 38 (2004).
  1. Bebopaloobopawapbamboom. / Diana Blom.
  2. Armidale: Orpheus Music, OMP 098 (2003).
  3. score + parts
  4. SATB recorder quartet.
  5.  
  6.  
Review by Gwylim Beechy, Recorder Magazine 23(3): 88 (2003).
  1. Journeying. / Diana Blom.
  2. Armidale: Orpheus Music (2007).
  3. score + parts
  4. A/T T B/Sop. recorders.
  5.  
  6.  

Boyd, Anne (1946-)

  1. The Creation. / Anne Boyd. - 1965.
  2.  
  3.  
  4. 5 recorders, percussion.
  5.  
  6.  
  1. Yuya. / Anne Boyd. - 2004.
  2.  
  3.  
  4. T recorder & string quartet.
  5.  
  6. Based on the Japanese Noh story of Yuya. See concert review by Sarah Tennant, Recorder Magazine 25(4): 131-132 (2005).

Bradley, Reg (1900-1985)

  1. Three Pieces. / Reg Bradley. - ? 1950's.
  2.  
  3.  
  4. ATB recorders.
  5.  
  6. Probably written in the 1950s when Reg Bradley met Euen MacLean, a keen recorder player and founding member of the Victorian Recorder Guild – Robin Bradley.

Bradley, Robin (1937 -)

  1. Prelude & Tarantella. / Robin Bradley. - 1997.
  2. Published here.
  3. MIDI file
  4. Alto recorder
  5.  
  6.  
  1. Lullaby & Three Dreams. / Robin Bradley. - 1995.
  2. Published here.
  3. MIDI file
  4. Soprano recorder + piano.
  5.  
  6.  
  1. Introduction & Passaglia for G Ganassi recorder. / Robin Bradley. - 1996.
  2. Published here.
  3. MIDI file
  4. G Ganassi recorder.
  5.  
  6.  
  1. Suite for Descant & Piano. / Robin Bradley. - 1995.
  2. Published here.
  3. MIDI file
  4. Soprano recorder + piano.
  5.  
  6.  
  1. Suite in Miniature for Descant, Oboe & Cello: Scherzo, Nocturne, Lament, Little Prelude & Fugue. / Robin Hunter. - 1996.
  2. Published here.
  3. MIDI file
  4. Soprano recorder + oboe + cello.
  5.  
  6. First public performance was a chamber concert in Woodend, Victoria in 1996, with an oboe playing the recorder part – Robin Bradley.
  1. Contrapuntal Dialogues for Double Bass and Recorder. / Robin Hunter. - 1999.
  2. Published here.
  3. MIDI file
  4. Soprano recorder + oboe + cello.
  5.  
  6.  

Bright, Colin (1949-)

  1. The Sinking of the Rainbow Warrior: an opera in one act (prelude & 6 scenes) for 6 singers & 6 musicians. / music by Colin Bright; libretto: Amanda Stewart. - 1994.
  2.  
  3. 1 score (219 p.); 26 x 37 cm.
  4. 2 sopranos, alto, tenor, baritone, bass baritone, recorder(s)/flute(s), clarinet(s)/saxophone(s), violin, double bass (bass guitar or keyboard as required), keyboard(s), percussion (bass drum, tenor drum, tam-tam, log drums, toms, big drums,snare drum, crash cymbal, metal bar, cow bell, sticks, gongs or samples).
  5. 60 min.
  6.  
  1. Let the Storm Break Loose. / Colin Bright -2003. date.
  2. Sound files available here
  3. Recording made at the Colbright Studio during December 2003, on a PC with Logic Audio, and edited and produced by Colin Bright.
  4. Recorded voices, sSATB recorder
  5. 9 mins
  6. An electroacoustic composition, featuring recorder player Ian Shanahan. All the 'voice' samples of politicians, refugees, and commentators are taken from the public domain - radio and television. The recorder was the chosen instrument of the Hitler Youth Movement. As well as being a world renowned chess problemist and a composer, Ian Shanahan is a Grandmaster of recorders. This piece utilises the full range of recorders from bass to sopranino. The recorder plays, at different times, the role of interjector and commentator - the outspoken voice of the protagonist, the fanciful swoop of a bird in a flight of freedom, and the mournful cry of the disenfranchised spirit. Quarter tones are used frequently creating fragmented speech-like utterances. They are also used chromatically to create seamless fluid runs at very high speed. Quarter tones, too, create a human voice-like quality in the slower 'wailing' section. Multiphonics - colourful discords created by unusual fingering techniques - are interwoven throughout the music - and have a particular function when used against descending inverted minor triads. Some passages are beyond the possible, involving up to four different recorders over several octaves with no time at all to change instruments. This is intentional, and I regard this music as an electronic studio piece - not able to be realised 'live' without much simplification. Part of the idea, also, is to take a very old instrument into the electronic age, where, I must say, I think it sits very comfortably.

Broadstock, Brenton (1952-)

  1. Laudes. / Brenton Broadstock. - 1981.
  2.  
  3.  
  4. SSAA recorders + percussion.
  5.  
  6.  
  1. Aureole 3. / Brenton Broadstock. - 1984.
  2. Copies available from Australia Music Centre.
  3. 1 facsimile score (7 p.); 30 cm.
  4. A recorder or oboe + harpsichord or piano.
  5.  
  6. Aureole 3 was commissioned for and premiered at Recorder '84 where it was premiered by John Martin and Ann Murphy (Broadstock 1985, Martin 1985). Released on CD Phoenix Songs (Move MD 3165).
  1. Quintet: Further Down the Emperor's Road. / Brenton Broadstock. - 1987.
  2.  
  3. facsimile score (17 p.); 30 x 40 cm.
  4. sSATB recorders.
  5. 12 min.
  6. Commissioned for and premiered at Recorder '87 -- John Martin (pers. comm.) Sequel to an earlier work for woodwind quartet titled Down the Emperor's Road.

Brumby, Colin (1933-)

  1. Doriana. / Colin Brumby. - 1966.
  2. Sydney: J. Albert & Son. 61
  3. 1 score (7 p.); 28 cm.
  4. SSA recorders.
  5.  
  6.  
  1. A Windy beach. / music by Colin Brumby; poem by Tom Shapcott. - ca 1970
  2. Sydney: J. Albert & Son.
  3. 1 score (6 p.); 23 cm.
  4. 3 groups of speakers, 3 solo singers (or groups of singers), recorders, piano duet (4 hands), percussion.
  5.  
  6.  
  1. Four Simple Duos. / Colin Brumby. - ca 1976.
  2. Sydney: J. Albert & Son.
  3. 1 score (3 p.); 27 cm.
  4. SS recorders.
  5.  
  6.  
  1. Mediaeval Songs / [arranged by] Colin Brumby. - ? date.
  2. Sydney: Australian Music Centre Q 782.5542/BRU 1
  3. 1 facsimile score (14 p.); 42 cm.
  4. Voices, recorder, guitar, organ; voices, violin, percussion; voices, organ, cello; men's voices, violin, cello, rhythm sticks; women's voices, recorder, chime bars, guitar; men's voices, crow-bar (susp.); women's voices, tambourine; voices, recorder, violin, guitar, cello, drum.
  5.  
  6. De moi dolereu, A l'entrada, Bone est la dolours, Man mei longe, Worldes blis ne last, Jesu Christes milde moder, Edi beo thu hevene quene, Deo gracias Anglia
  1. Three pastorales: All day I have slept at the river; I hear the wild sound of flutes at night; Upon the tired road. / Colin Brumby. - ca 1976.
  2. Sydney: Australian Music Centre, 783.4542/BRU 8
  3. 1 facsimile score (11 p.); 30 cm. + 1 part (4 p.); 30 cm
  4. medium voice, flute/recorder, piano/harp.
  5. 5:00
  6. Lyrics by Larry Sitsky

Butterley, Nigel (1935-)

  1. The White-throated warbler. / Nigel Butterley. - 1964.
  2. Sydney: J.Albert & Son (1965); Armidale: Orpheus Music OMP 059 (2001)
  3. 1 score (2 p.); 28 cm. + 1 part (1 p.).
  4. s or A recorder (or flute or piccolo), harpsichord (or piano).
  5. 3 min.
  6. This quasi-serialistic work was premiered by UK recorder player Carl Dolmetsch and harpsichordist Joseph Saxby at the New South Wales Conservatorium of Music, Sydney on 27 February 1965.

    Reviews by Adam J. Dopadlik, Recorder Magazine 21a(4): 149 (2001); American Recorder 44 (2): 31-32 (2003).
  1. In the Head the Fire / Nigel Butterley. - 1966.
  2.  
  3. 1 facsimile score (91 p.); 42 cm.
  4. Tenor, baritone, male speaker, SATB choir, organ (doubling portative organ), piano, 2 piccolos (1 doubling flute), SATB recorders, 2 clarinets (1 doubling bass clarinet), 2 oboes (1 doubling cor anglais), 2 bassoons (1 doubling contrabassoon), 3 trumpets, 2 horns, 2 trombones, bass trombone, timpani, percussion, reverberation.
  5. 29 min.
  6.  
  1. Music for Sunrise / Nigel Butterley. - 1967.
  2. Sydney: J. Albert & Son (ca 1969); Orpheus Music OMP115 (2004).
  3. 1 score ([6] p.); 28 cm.
  4. SSSAAATTT recorders + flute + percussion.
  5. 5 min.
  6. Review by Pete Rose, American Recorder 46(2): 44-45 (2005).
  1. Meditations on Thomas Traherne. / Nigel Butterley. - 1968.
  2.  
  3.  
  4. recorder ensemble + orchestra.
  5.  
  6.  
  1. Canticle of the Sun. / Nigel Butterley. - ? 1966.
  2. ?Sydney: J. Albert & Son.
  3.  
  4. 3 groups of instruments, one of which is recorders.
  5.  
  6.  
  1. Four Pieces for Recorder Trio. / Nigel Butterley. - ?date.
  2. Armidale: Orpheus Music OMP117
  3.  
  4. AAT recorders.
  5.  
  6.  

Cale, Bruce (1939-)

  1. Cullenbenbong / Bruce Cale. - 1989.
  2. Australia Music Centre
  3. 1 facsimile score (6, 12 p.); 36 cm.
  4. B recorder + temple bells.
  5. 12 min.
  6. Released on CD Best of Australian Classics Jade JAD CD 1065
  1. Breeze in the chimes of time, op. 71A / Bruce Cale. - 1991.
  2. Australia Music Centre (1999).
  3. 1 facsimile score (39 p.); 37 cm.
  4. Flute, oboe, Bb clarinet, bassoon, horn, T/B recorder, mandolin.
  5. 9 min.
  6.  
  1. Spirals-Tunnels, Music 5. / Bruce Cale. - 1992.
  2. Australia Music Centre
  3. 1 facsimile score (31 p.); 38 cm.
  4. Alto recorder (or any instrument capable of quarter-tone reproduction) + tape.
  5. 8:00
  6.  

Carr-Boyd, Ann (1938-)

  1. Folk songs '76 / arranged for Catch 76 by Ann Carr-Boyd. - 1976
  2.  
  3. 1 facsimile score (6, 7, 5, 1, 3, 10, 7 p.); 42 cm.
  4. S/A voice + recorder/flute + guitar + piano/harpsichord + violoncello +percussion.
  5. 14 min.
  6. Catch '76 were a chamber group active in Sydney in the mid-late 1970s which included Howard Oberg (recorder & flute), Amanda Thane (soprano), Greg Pikler (guitar), Marc Bonetti ('cello) and Robert Goode (harpsichord & cello). They had a baroque offshoot in the form of The Parnassus Ensemble, as I recall – N.S. Lander.]
  1. Travelling. / Ann Carr-Boyd. - 1981.
  2. Sydney: Australian Music Centre
  3. 1 facsimile score (8 p.); 35 cm.
  4. SAT + s (optional) recorders + percussion + piano + organ (or 2nd piano).
  5. 3 min.
  6.  
  1. Whitsunday moon / Ann Carr-Boyd. - 1987.
  2.  
  3. 1 facsimile score (5 p.); 30 cm.
  4. 2 recorders (or other woodwinds) + piano.
  5. 4 min.
  6.  

Paul Bruer

  1. Linear walk. / Paul Bruer. - ? date.
  2. Armidale: Orpheus Music OMP143 (2005).
  3. 1 score.
  4. ABB recorders
  5.  
  6.  

Barbara Carroll,

  1. Emanon no name. / Barbara Carroll. - 1973.
  2. Sydney: Albert & Son. 230
  3. 1 score (2 p.) + 28 cm. 2 parts.
  4. SA or AA recorders
  5.  
  6.  
  1. Mime. / Barbara Carroll. - 1973.
  2. Sydney: Albert & Son 231 (1973)
  3. 1 score (2 p.) + 1 part ([1] p.) ; 28 cm
  4. Alto recorder + piano.
  5.  
  6. For left hand only!

Charles, Simon (1982–

  1. Evocation / Simon Charles. - 2007.
  2.  
  3.  
  4. bass recorder + guitar + electro-acoustic playback
  5.  

Richard Charlton (1955–)

  1. Echoes of the Dunbar. / Richard Charlton. - 2006.
  2.  
  3.  
  4. recorder, guitar & video projection
  5.  
  6.  

David Chesworth

  1. Two Executioners - an Opera / David Chesworth. - 1994.
  2.  
  3. 1 facsimile score (66 p.); 21 x 30 cm.
  4. 2 sopranos, mezzo-soprano, 1 male voice, keyboards (1 player: Roland U20 keyboard synthesizer, sampler with keyboard), tenor saxophone/recorders/whistles (1 player), percussion (1 player), (also 2 actors - silent roles). All voices amplified.
  5.  
  6.  

Clarke, Zana (1965-)

  1. Fragment Longing and Solace for Ganassi./ Zana Clarke - 1996.
  2. Grevillea Editions; Armidale: Orpheus Music OMP 014.
  3.  
  4. Any recorder, but written with c fingering.
  5. 3 min. 35" & 2 min. 10"
  6. Recorded on 'Nardoo', Move Records CD 3188. Reviewed by Paul Clark, Recorder Magazine 19: 51 (1999).
  1. Cold Honey. / Zana Clarke - 1997.
  2. Grevillea Editions; Armidale: Orpheus Music OMP 001 (1998).
  3.  
  4. Voice flute (tenor recorder in d') or tenor recorder.
  5. 8 min.
  6.  
  1. Gentle Walker. / Zana Clarke - 1997.
  2. Grevillea Editions; Armidale: Orpheus Music OMP 006.
  3.  
  4. Solo performer: Voice flute (tenor recorder in d')/tenor recorder + voice.
  5. 8 min.
  6.  
  1. Behind My Right Shoulder. / Zana Clarke.
  2. Armidale: Orpheus Music OMP 001.
  3. 1 score (15 p.) ; 30 cm
  4. Solo performer: alto recorder/soprano recorder + voice.
  5.  
  6.  
  1. Shadow Dancer. / Zana Clarke.
  2. Armidale: Orpheus Music OMP 002
  3.  
  4. Alto recorder.
  5.  
  6.  
  1. Dawn and Dusk: A Recorder Songbook. / Zana Clarke.
  2. Armidale: Orpheus Music OMP 007 & 012.
  3. 2 volumes.
  4. Solo performer: soprano/alto recorder.
  5.  
  6. Collection of melodies for soprano and alto recorders (AMEB standard 3-5).
  1. Swamp. / Zana Clarke.
  2. Armidale: Orpheus Music OMP 015.
  3.  
  4. Solo performer: alto recorder + voice.
  5.  
  6.  
  1. Mind Your Step. / Zana Clarke.
  2. Armidale: Orpheus Music OMP 107 (2003).
  3. score (5 p.)
  4. Solo performer: alto recorder + voice.
  5.  
  6.  
Reviews by Peter Wells, Recorder Magazine 23(4): 128-129 (2003; Pete Rose, American Recorder 45(4): 34-35 (2004)).
  1. Mind Your Step. / Zana Clarke.
  2. Armidale: Orpheus Music OMP 108.
  3. score (8 p.) + parts (2 p. each)
  4. AATB recorders.
  5.  
  6.  
Review by Peter Wells, Recorder Magazine 23(4): 128-129 (2003); Pete Rose, American Recorder 45(4): 34-35 (2004).
  1. A Fox Dance in the Mulberry. / Zana Clarke & Benjamin Thorn.
  2. Armidale: Orpheus Music OMP 036.
  3.  
  4. AATB recorders.
  5.  
  6. Three lively melodic pieces that are a lot of fun. The Fox: boisterous and rhythmic; The Mulberry Tree: serene and melodic; Sand Dance: a lively jig.
    Review by Paul Clark, Recorder Magazine 21(3): 106 (2000).
  1. Wild Strawberry Sweet. / Zana Clarke & Benjamin Thorn.
  2. Armidale: Orpheus Music OMP 037.
  3.  
  4. SATB recorders.
  5.  
  6. Two attractive melodic pieces. First movement alternates between 6/8 and 3/4 sections while second movement is in style of French overture.

    Review by Paul Clark, Recorder Magazine 21(3): 106 (2000).
  1. Tall Bamboo. / Zana Clarke & Benjamin Thorn.
  2. Armidale: Orpheus Music OMP 097 (2002)
  3. 1 score (7 p.) + 3 parts (2 p. each); 30 cm
  4. SAT recorders.
  5.  
  6. Review by Constance M. Primus, American Recorder 45(4): 35-36 (2004)
  1. Dancing in the Mustard Fields. / Zana Clarke & Benjamin Thorn.
  2. Armidale: Orpheus Music OMP 104.
  3. score + parts
  4. SATB recorders.
  5.  
  6.  .
Review by Jean McCreery, Recorder Magazine 23(4): 129 (2003).

Cleary, David (? date)

  1. The Woylies at home. / David Cleary. - 1986.
  2. American Music Centre, Classmark M457.2 C6234 W9
  3.  
  4. AATB recorders.
  5. 6 min.
  6. Since Woylies are distinctly Australian creatures I have included this. Perhaps David Cleary is an expatriate Australian.

Clingan, Judith (1945-)

  1. Ave, Alleluia: Sacred songs, mostly for treble voices / compiled & decorated by Judith Clingan. - 1990.
  2.  
  3. 1 v. of music (17 p.); 34 cm.
  4. Treble voices, recorder accompaniment on one song.
  5.  
  6.  
  1. Canticle of light, A / Judith Clingan. - 1976.
  2.  
  3. 1 facsimile score (20 p.); 36 cm.
  4. Children's choir (SSA), adult choir (SSAATTBB), treble soloist (child), soprano soloist (adult), string sextet, recorder quartet, percussion.
  5.  
  6.  
  1. Folk and fancy: Sundry Songs / compiled and decorated by Judith Clingan. - 1981.
  2.  
  3. 1 v. of music (21 p.); 34 cm.
  4. SSA choir, accompaniment varies, includes recorders, piano, flute, clarinet, violin.
  5.  
  6.  
  1. Kakadu. / music: Judith Clingan; words: Marian Clingan, adapted [by] Judith Clingan. -1990.
  2.  
  3. 1 facsimile score (62 p.); 30 cm.
  4. SAB voices, flute, recorders, didgeridoo, hammered dulcimer, violoncello, percussion.
  5.  
  6.  
  1. Mythical beasts: Four songs. / words & music by Judith Clingan. - 1992.
  2.  
  3. 1 facsimile score ([28] p.); 37 cm.
  4. Children's voices, percussion, piano and/or recorders + tuned & untuned percussion.
  5.  
  6.  
  1. Nganbra: a Canberra canticle. / music: Judith Clingan; libretto: Anthony Hill. - 1988
  2.  
  3. 1 facsimile score (122 p.); 37 cm.
  4. 3 SSA choirs, SATB choir, soprano voice, 2 baritones, flute, clarinet, bassoon, violoncello, ripieno student violoncelli, synthesizer, 3 percussion, didgeridoo, bass recorders.
  5.  
  6.  
  1. Peter Pandemonium: music theatre for primary children. / libretto and music, Judith Clingan. - 1985,
  2.  
  3. 1 facsimile score (3, 4, 9 p.); 30 cm.
  4. Unison children's voices, speakers, recorders, strings, percussion
  5.  
  6.  
  1. The Rime of the ancient mariner. / Judith Clingan. - 1985.
  2.  
  3. 1 facsimile score (33 p.); 30 cm.
  4. SAB voices, strings, prepared piano or hammered dulcimer, flute, recorders, percussion.
  5. 30 min. approx.
  6.  
  1. The Seven Deadly Sins. / by Judith Clingan. - 1990.
  2. Sydney: Currency Press (Thorn 1995).
  3. 1 facsimile score (9 p.); 30 cm. + 1 folded sheet of music (33 x 230 cm.).
  4. Multitudinous s-GB recorders (the more the better) + percussion.
  5. 8-10 min.
  6. Commissioned for and premiered at Recorder '90 (Clingan 1990).
  1. Marco : an opera for young people based on the travels of Marco Polo. / by Judith Clingan. - 1990.
  2. Sydney: Australian Music Centre 782.1088054/CLI 2
  3. 1 facsimile score (59 p.) ; 30 cm
  4. Voices, chorus, SA recorders, flute, oboe, clarinet, 2 trumpets, percussion (3 players), hammered dulcimer, guitar, strings
  5.  
  6. Funded by the Performing Arts Board Australia Council.
  1. Songs of Solitude. / words and music by Judith Clingan. - 1991.
  2. Sydney: Australian Music Centre, Q 783.66542/CLI 1
  3. 1 facsimile score ([36 p.]); 37 cm.
  4. soprano voice + flute + oboe/recorder + clarinet + bassoon/recorder + harp.
  5.  
  6.  
  1. Song of the children. / words and music by Judith Clingan. - 1989.
  2. Sydney: Australian Music Centre
  3. 1 score (6 p.); 30 cm
  4. soprano/s 1 & 2, ATB recorders, hammered dulcimer (or keyboard), guitar
  5.  
  6. Excerpt from Terra beata - terra infirma.
  1. What am I? / words and music by Judith Clingan. - 1997.
  2. Sydney: Australian Music Centre
  3. 1 facsimile score (3 p.); 30 cm
  4. woman's voice (or unison female voices), S recorder, hammered dulcimer, percussion (2 players)
  5. 1:40
  6.  
CoganM

Cogan, Morva

  1. Carra barra wirra canna an Aboriginal lullaby . / arr. Morva Cogan (ca 1965).
  2. Sydney: Castle Music, Music of Australia
  3. 1 score ([3] p.); 25 cm.
  4. unison voices, A recorder + piano.
  5.  
  6.  

Cogan, Racheal

  1. Asiadeh and other Songs. / Racheal Cogan. - 2004.
  2. Armidale: Orpheus Music OMP 112 (2004).
  3. 8 p.; 30 cm.
  4. Alto recorder.
  5.  
  6. Review by Pete Rose, American Recorder 46(2): 44-45 (2005).
  1. For Fardin. / Racheal Cogan. - 2007.
  2. Armidale: Orpheus Music
  3. &nbasp;
  4. Alto recorder.
  5.  
  6.  

Coates, Bill (? dates)

  1. Two songs; Three pieces for recorder; Fourteen pieces for archiphone: in the temperament of 31 equal notes to the octave / Bill Coates. -- 1984.
  2. Sydney: AMC Library number: 786.7/COA 8 c.1
  3. 1 facsimile score (34 p.); 30 cm.
  4. Voice + archiphone; alto recorder; archiphone.
  5.  
  6. Four neighbours, Play of the dieses, Secret of Utnapishtim, Love of three dieses, De profundis, Prelude in C, Nocturne in G, Clashes, Quattrotonic No. 2, Alternatives 2, Toccata in C, Minor tone melody, Stoic lament, All the majors, Alternatives 1, Chains of midi-thirds, Septimal melody, Two songs, Quattrotonic No. 1, Three pieces for recorder, Fourteen pieces for archiphone, Swing.
  1. The Four Neighbours. / Bill Coates. ? 1986.
  2. Sydney: AMC Library number: 785.46612/COA 3 c.1
  3. 1 facsimile score (2 p.); 28 cm.
  4. Alto recorder + archiphone.
  5.  
  6.  
  1. Two Miniatures: The Minor Tone Melody; The Swing. / Bill Coates. - ? 1989.
  2. Sydney: Australian Music Centre, 788.36/COA 1
  3. 1 score ([12] p.); 30 cm.
  4. Alto recorder.
  5.  
  6. Music written in the temperament of 31 notes to the octave. Performance notes included
  1. Larghetto: / Bill Coates. - ? date.
  2.  
  3.  
  4. AT recorders.
  5.  
  6.  

Coggan, Margaret (? dates)

  1. Kurrawongs. / Margaret Coggan. - ?date.
  2. Armidale: Orpheus Music (2000)
  3.  
  4. Recorder ensemble.
  5.  
  6. Winner of Open Ensemble composition competition in The Third National Recorder Competition, Armidale 2000. Review by Paul Clark, Recorder Magazine 21(4): 145 (2000). A Kurrawong is an Australian magpie which has a charactistically liquescent call.
  1. Shining Light on the Water. / Margaret Coggan. - ? date.
  2.  
  3.  
  4. Recorder ensemble.
  5.  
  6.  
  1. Handeling a Rondo. / Margaret Coggan. - ? date.
  2. Armidale: Orpheus Music OMP041.
  3.  
  4. SAT recorders + piano.
  5.  
  6. Simple piece based on themes by Handel suitable for massed playing by fairly inexperienced players. Soprano part uses 5 notes.
    Review by Ben Norbury, Recorder Magazine 21(3): 107-8 (2000).

Cohen, Mary

  1. A Medieval Dance / Mary Cohen. - 1991
  2. Sydney: Currency Press (Thorn 1995).
  3.  
  4. SATB recorders
  5.  
  6.  

Cowie, Edward (1943-)

  1. Queensland Sweet 1: for recorder quartet / Edward Cowie. - 1991
  2.  
  3. 1 facsimile score (17 p.); 30 cm.
  4. 4 recorders.
  5.  
  6.  

Cronin, Stephen (1960-)

  1. Suite: Homage to Vaughan Williams. / Stephen Cronin. - 1983.
  2. Sydney: Australian Music Centre, Q 784.718365/CRO 1
  3. 1 facsimile score (17 p.); 36 cm.
  4. Alto recorder + string orchestra.
  5.  
  6. The dynamic range of the recorder, like the harpsichord and the guitar, has often been considered too soft to compete in the modern orchestra and the use of the instrument has largely been confined to performances of early music and chamber works. While usually associated with Baroque sounds and musical ideas, the revival of interest in the recorder during the early twentieth century is most notable in the English 'Pastoral' school which espoused strong Neoclassic ideals.

    In his Suite for Recorder and Strings written in 1983 while still a student, Stephen Cronin attempts to explore two aspects of twentieth century Neoclassicism. The first and third movements are obviously Neoclassic in design; the structure of the latter is fugal and its material is quite freely derived from the first movement. The central movement, a musical reference to Ralph Vaughan Williams to whom the work is in homage, uses free modal harmony and characteristic rhythmic configurations.

    Cronin's Suite was written at the suggestion of Bruce Mac Ray, a music student at the University of Queensland. It was premiered in 1984 by John Martin and the strings of the Queensland Symphony Orchestra, conducted by Patrick Thomas at a concert of new music at the ABC Ferry Road studios, Brisbane – John Martin (pers. comm.)

    This work has been recorded by Western Australian recorderist Tamara Herman and is now available on her CD Woodworks

ol>

  • Two movements: I. Largo, II. Scherzo. / Stephen Cronin. - 2003.
  • Griffith University - Queensland Conservatorium Library, QCGU Score M562.C76 M68 2003; National Library of Australia, MUS N m 785.44195 C947 MUS NL m 785.44195 C947
  • 1 ms. score (32 p.); 31 cm
  • Alto recorder + 2 violins + viola + cello
  • 10:00
  •  

    • Cugley, Ian (1945-)

    1. Alma redemptoris mater. / Ian Cugley. - 1971.
    2.  
    3.  
    4. Recorder + female choir.
    5.  
    6.  
    1. This is the Truth sent from Above. / Ian Cugley. - 1971.
    2.  
    3.  
    4. Recorder + oboe + cello + baritone.
    5.  
    6.  

    Currie, Neil. (1955-)

    1. Stopping by Woods on a Snowy Evening. / by Neil Currie. - 1985.
    2. Original score in Canadian Music Centre, Toronto. Facsimile in Sydney: Australian Music Centre 788.366/CUR 1
    3. 3p.; 28 x 43 cm; facsimile ([6] p.); 21 x 30 cm
    4. T recorder.
    5. 6:00
    6. Based on a poem of the same title by Robert Frost. Released on CD Phoenix Songs (Move MD 3165). Premiere: July 1985, Sydney, Australia; Ian Shanahan. Microtonic.

    Dean, Brett (1961-)

    1. Nocturne for Miss Genevieve. / by Brett Dean. - 2006.
    2.  
    3.  
    4. recorder, electronics
    5.  
    6. Composed for performance by Genevieve Lacey (recorder) and Bob Scott (electronics) on 18 October 2006 at The Edge, Federation Square, Melbourne. Broadcast by ABC Classic Radio at 2200 hrs, Friday 20 October 2006.

    Dench, Chris

    1. From n(ich)t: 1. / by Chris Dench. - 1999.
    2. Australian Music Centre
    3. 1 facsimile score (12 p.) ; 26 x 37 cm.
    4. Soprano voice, recorder, guitar
    5. 6 minutes
    6. Dedication: "To Berni M Janssen and the Aphids Trio: Deborah Keyser, Natasha Anderson, Geoffrey Morris." Text from Xstatic by Berni M. Janssen.

    1. Light-strung sigils. / by Chris Dench. - 2001.
    2. Sydney: Australian Music Centre Q 785.3417/DEN 1
    3. 1 facsimile score (vii, 48 p.); 26 x 37 cm.
    4. Amplified recorder (gsSATB), flute (doubling piccolo and alto flute), clarinet in A (doubling contrabass clarinet), piano, percussion, violin, cello.
    5. 13:15
    6. No. 5 from Configuration space / Platonia. Dedication: "For Colin Matthews & Music of Changes who commissioned this work".

    Donald, Ian (1935-)

    1. Construction for an exhibition. / Ian Donald. - 1975.
    2.  
    3.  
    4. AT recorders + flute.
    5.  
    6.  

    Dreyfus, George (1928-)

    1. The Adventures of Sebastian the Fox. / George Dreyfus. - 1968/1972.
    2.  
    3.  
    4. SATB/SSAT recorders + narrator.
    5.  
    6.  

    Eccles, Lance

    1. Blue Neon. / Lance Eccles. - 1983.
    2.  
    3. 1 facsimile score (5 p.); 30 cm. + 5 parts.
    4. SATTB recorders.
    5. 3 min.
    6. Review by Paul Richards, Recorder Magazine 26(1): 25 (2006).
    1. Music for Recorders / Lance Eccles. - 1983.
    2.  
    3. 1 facsimile score ([8] p.); 29 cm.
    4. SAATB recorders.
    5.  
    6. Review by Paul Richards, Recorder Magazine 26(1): 25 (2006).
    1. Nuclear Cloud. / Lance Eccles. - 1983.
    2.  
    3. 1 facsimile score (4 p.); 30 cm. + 5 parts.
    4. SAATB recorders.
    5. 2 mins
    6.  
    1. Bransle Suite. / arr. Lance Eccles. - 1984.
    2.  
    3.  
    4. S-B recorders + percussion (optional).
    5.  
    6.  
    1. Four Highland Songs./ arr. Lance Eccles. - 1984.
    2.  
    3.  
    4. SATTB recorders + guitar (optional).
    5.  
    6.  
    1. Three English Folksongs. / arr. Lance Eccles. 1984.
    2.  
    3.  
    4. TTTTB recorders.
    5.  
    6.  
    1. Three Yugoslav Dances. / arr. Lance Eccles. - 1984.
    2.  
    3.  
    4. SAA recorders + percussion.
    5.  
    6.  
    1. Amazing Blue Grace. / Lance Eccles. - 1984.
    2.  
    3. 1 facsimile score (4 p.); 30 cm. + 5 parts.
    4. AATTB recorders.
    5. 3 mins.
    6.  
    1. Fantasy on a Gregorian Theme: Asperges me [=Gregorian Fantasy, No. 1.] / L. Eccles. - 1984.
    2.  
    3. 1 facsmile score (3 p.); 30 cm.
    4. Recorders SATTB.
    5. 2 min.
    6.  
    1. Fantasy on Heute bin ich rot. / Lance Eccles. - 1985.
    2.  
    3.  
    4. SAATB recorders.
    5.  
    6.  
    1. Five Italian Folksongs. / arr. Lance Eccles. - 1985.
    2. Armidale: Orpheus Music OMP031
    3.  
    4. SATTB recorders + guitar.
    5.  
    6. These would suit the medium-level consort. The tunes are attractive, and there are not too many technical challenges, except perhaps in the last piece, which is in the style of a tarantella and has a few tricky cross-rhythms.
    1. Solar Orbit. / Lance Eccles. - 1985.
    2.  
    3. 1 facsimile score (2 p.); 30 cm.
    4. SATB ecorders.
    5.  
    6.  
    1. Playford Medly I, II. / Lance Eccles. - 1985.
    2.  
    3.  
    4. Alto recorder + crumhorn + percussion.
    5.  
    6.  
    1. Pink Neon. / Lance Eccles. - 1987.
    2. Sydney: Self published, performance parts available for hire.
    3. 1 facsimile score (5 p.); 30 cm.
    4. AATTB recorders.
    5. 3'28"
    6. "Pink Neon suggests the atmosphere of a sleazy nightclub , and in style it is reminiscent of the 'bump and grind' music of the '40s or '50s."

      Recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley

    1. Verbunkos Dance Suite. / Lance Eccles. - 1987.
    2. Armidale: Orpheus Music OMP026
    3.  
    4. SATTB recorders + guitar/harpsichord.
    5.  
    6. This is an medley of six 18th-century Hungarian tunes. The six pieces are played without a break, forming a single, fairly lengthy movement. The originals on which the suite is based were for solo violin; this arrangment is for recorder quintet. The upper parts demand fairly good players. Review by JANUS (Andrew Mayes), Recorder Magazine 21(3): 110 (2000).
    1. Apocalypse / Lance Eccles. - 1987.
    2.  
    3.  
    4. SATTB recorders.
    5. 7 mins.
    6. See Hauwe (1998).
    1. The Nations Vols 1 & 2 (revised). / arr. Lance Eccles. - 1987.
    2. Sydney: Self-published; Mundingburra: Cootamundra Music LE13/14a.
    3. Score.
    4. SSA/SST recorders.
    5.  
    7. 20 arrangements of European and Asian folksongs. Of intermediate level, and in a range of different styles. Review by Louise Phillips, Recorder Magazine 21a(3): 106 (2001).
    1. Elaboration on the Coventry Carol. / Lance Eccles. - 1987.
    2.  
    3.  
    4. SSA/SST recorders.
    5.  
    6. See Hauwe (1998).
    1. Spangled Sonata. / Lance Eccles. - 1987 (revised 2002).
    2. Armidale: Orpheus Music OMP 082 (2002)
    3. 1 score (7 p. ); 30 cm
    4. AA recorders.
    5. 7:00
    6. Movements: Shower of Amethysts, Crystal Towers, Shattered Moonlight. Reviewed by Geoffrey Allen, American Recorder 45(2): 43 (2004).
    1. Hang Gliders. / Lance Eccles. - 1988.
    2.  
    3.  
    4. SATTB recorders.
    5. 8 min.
    6. See Hauwe (1998).
    1. Variations on La Folia. / Lance Eccles. - 1988.
    2.  
    3.  
    4. SATTB recorders.
    5. 6 min.
    6. See Hauwe (1998).
    1. Transgressions: 1. Skating on thin ice, 2. In the transgressive mode, 3. Clocks 4. Vines and tendrils, 5. Caterpillar, 6. Internationale merry-go-round. / Lance Eccles. - 1988.
    2. Haberfield: L. Eccles & P. Petocz LE23 (ca 1998)
    3. 1 score (13 p.); 30 cm
    4. AA recorders.
    6. Reviewed by Helen Hooker, Recorder Magazine 21a(3): 106 (2001).
    1. The Planets' Feet. / Lance Eccles. - 1989.
    2. Armidale: Orpheus Music OMP 060 (2001)
    3. 1 score (12 p.) + 5 parts; 30cm
    4. SATTB recorders
    5. 10 min.
    6. Review by Carson Cooman, American Recorder 46(4): 48 (2005). See Hauwe (1998).
    1. The Planets' Feet. Part 2. / Lance Eccles. - 2003.
    2. Armidale: Orpheus Music OMP 093 (2002).
    3. 1 score (7 p.) + 5 parts; 30 cm
    4. SATTB recorders.
    5. –
    6. Review by Carson Cooman, American Recorder 46(4): 48 (2005).
    1. Five Ukrainian Folksongs / arr. Lance Eccles. - 1990.
    2. Armidale: Orpheus Music OMP022
    3.  
    4. SATTB recorders.
    5.  
    6. Arrangements for recorder quintet of a group of extremely attractive tunes. For the consort with some playing experience.

      Released on CD The Great Emu War (Orpheus Music OM101)
    1. Four Irish Songs / arr. Lance Eccles. - 1990.
    2. Performance parts available for hire.
    3. 1 facsimile score (12 p.); 30 cm.
    4. SSATB recorders.
    5.  
    6.  
    1. Gregorian Fantasy No. 2: Kyrie eleison. / Lance Eccles. - 1990.
    2.  
    3. 1 facsimile score (3 p.); 30 cm.
    4. SATTB recorders.
    5. 2 min.
    6.  
    1. Gregorian Fantasy No. 3. / Lance Eccles. - 1990.
    2.  
    3.  
    4. TBB recorders.
    5. 2 min.
    6. See Hauwe (1998).
    1. Gregorian Fantasy No. 4. / Lance Eccles. - 1990.
    2.  
    3.  
    4. SATTB recorders.
    5. 4 min.
    6. See Hauwe (1998).
    1. Three Gregorian Fantasies. / Lance Eccles. - ? 1990.
    2. Armidale: Orpheus Music OMP 119 (? 2004).
    3. 11 p, 5 pts
    4. SATTB recorders.
    5.  
    6.  

      7. Review by Paul Clark, Recorder Magazine 24(4): 133 (2004); Valerie Hess, American Recorder 46(4): 48 (2005).

    1. Storms. / Lance Eccles. - 1990.
    2.  
    3. 1 score (4, 3, 4 p.); 30 cm.
    4. SATB recorders.
    5. 8 min.
    6.  
    1. Public Hospital. / Lance Eccles. - 1990.
    2.  
    3.  
    4. AATTB recorders.
    5. 12 min.
    6. See Hauwe (1998).
    1. Feeding Time at the Zoo: Horses and Kangaroos), (Maggots and Salamanders, etc. / Lance Eccles. - ?date.
    2. Sydney: self-publshed; Mundingburra: Cootamundra Music LE15; Armidale: Orpheus Music OMP 073 (ca 2001).
    3. 1 score (40 p.) + 3 parts.
    4. SATB recorders.
    5.  
    6. 20 intermediate-level pieces, each one depicting a different animal. Review by Helen Hooker, Recorder Magazine 21a(3): 107 (2001). Review by Sally Harwood, American Recorder 46(2): 45 (2005).
    1. Spiders: 1. Redback, 2. Orb Weaver, 3. Funnelweb. / Lance Eccles. - ? date.
    2. Mundingburra: Cootamundra Music LE17; Armidale: Orpheus Music OMP 061 (ca 2001).
    3. 1 score (12 p.) + 4 parts (4 pp each); 30 cm
    4. SATB recorders.
    5.  
    6. These SATB pieces depict three of Australia's spiders – the Redback, the Orb Weaver (which hangs its big web in your garden), and the Funnelweb (the most dangerous of all).

      Orb Weaver: "Higher up among the trees, the Weaver in her arbor lies: With open arms she greets a guest and kisses him until he dies, then back and forth, and round and round, encasing him in silken skeins she leaves him hang, and clambers back to where, unmoving, she remains."

      Review by Helen Hooker, Recorder Magazine 21a(4): 152 (2001). Review by Sally Harwood, American Recorder 46(2): 45 (2005).

      Orb Weaver recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley

    1. The Nations Vols 3 & 4. / arr. Lance Eccles. ? date.
    2. Sydney: Self-published; Mundingburra: Cootamundra Music LE20.
    3. Score.
    4. ATB recorders.
    5.  
    6. A further 22 arrangements of European and Asian folksongs. Reviewed by Louse Phillips, Recorder Magazine 21a(3): 106 (2001).
    1. Four Korean Folksongs. / arr. Lance Eccles. - ? date.
    2. Mundingburra: Cootamundra Music LE16; Armidale: Orpheus Music, OMP 095 (2003).
    3. Score.
    4. SATB recorders.
    5.  
    6. Traditional Korean tunes. I've tried not to squash them into a classical Western harmonic framework.

      Reviews by John Martin, Australia's Journal of Recorder & Early Music 18: 24-25 (1994); Janice Ormerod, Recorder Magazine 23(3): 88 (2003). Released on CD The Great Emu War (Orpheus Music OM101).

    1. Four Revolutionary Songs from Northwest China. / arr. Lance Eccles. - 1993.
    2. Sydney: self-published; Mundingburra: Cootamundra Music LE18.
    3. Score and parts.
    4. SATB recorders.
    5.  
    6. In China these are all very famous tunes. I've tried not to impose a classical Western harmonic framework on them. Review by Greg Lewin, Recorder Magazine 21a(3): 106-107 (2001).

      Released on CD The Great Emu War (Orpheus Music OM101)

    1. Four Songs of Catalonia: Song of the Thief, Lady of Aragon, etc. / arr. Lance Eccles. - 1993.
    2. Sydney: Self-published; Mundingburra: Cootamundra Music LE19.
    3. Score and parts.
    4. SATB recorders.
    5.  
    6. These are SATB arrangements of four very beautiful melodies from Catalunya, in northeast Spain. Review by Greg Lewin, Recorder Magazine 21a(3): 106 (2001).
    1. An Evening of Chaconnes. / Lance Eccles. - 1997.
    2. Published by the composer, LE21; Armidale: Orpheus Music OMP 106 (2003).
    3. 1 score (22 p.) + 4 parts ; 30 cm.
    4. SATB recorders
    5.  
    6. A set of ten chaconnes for SATB recorders, written for the Sydney Society of Recorder Players. Score (32 pages) + two part books, one containing soprano and alto parts on opposite pages, and the other containing tenor and bass parts. A chaconne is based on a constantly repeating bass line, or at least, on the harmonies that the bass line supports.

      Review by Kathryn Bennetts, Recorder Magazine 21a(4): 152 (2001). Review by Susan Candy et al., American Recorder 46(3): 42 (2005).

    1. Rabbit Farm. / Lance Eccles.
    2. Armidale: Orpheus Music OMP 058
    3. Score + parts
    4. SATB recorders
    5.  
    6. Review by Jean McCreeny, Recorder Magazine 21a(4): 152 (2001).
    1. On the Forest Floor. / Lance Eccles. - ? date.
    2. Armidale: Orpheus Music OMP 064 (2001).
    3. score ()8 p.
    4. AA recorders
    5.  
    6. Five movements, inlcuding On the forest floor, Wombat's breakfast, Lichens. Reviewed by Louise Philips, Recorder Magazine 21a(4): 152 (2001). Reviewed by Geoffrey Allen, American Recorder 45(2): 43 (2004).
    1. Pigs with Wigs. / Lance Eccles. - ? date.
    2. Sydney: Currency Press (Thorn1995).
    3.  
    4. SSA/SST recorders
    5.  
    6.  
    1. Broken Promises. / Lance Eccles. - ? date.
    2. Sydney: Self published, 1994.
    3. Score and parts, 6pp.
    4. TTBB recorders.
    5. Broken Promises (1st mvt) 2'7''
    6. 'Lake of Tears' is primarily based on a Japanese scale, not only in the melody but also in the harmony.

      Lake of Tears, recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley
    1. Purple Neon. / Lance Eccles. - ? date.
    2. Armidale: Orpheus Music OMP009.
    3.  
    4. SDDTTTTBB recorders.
    5.  
    6. This is for nine recorders, ranging from sopranino to bass. It's rather "blue" in style and was written with reasonably experienced players in mind.

      Reviewed by Paul Clark, Recorder Magazine 19(2): 52 (1999); Letitia Berlin, American Recorder 41(1): 26-27 (2000).
    1. Spectrum. / Lance Eccles. - ? date.
    2. Armidale: Orpheus Music OMP010.
    3.  
    4. STTTB recorders.
    5.  
    6. 3 movements: Infra-Red, Sunlight, Ultra-Violet. Reviewed by Paul Clark, Recorder Magazine 19(2): 52 (1999); Letitia Berlin, American Recorder 41(1): 26-27 (2000).
    1. Shaanbei. / Lance Eccles. - ? date.
    2. Armidale: Orpheus Music OMP024.
    3.  
    4. SATBG recorders.
    5.  
    6. Shaanbei means Northern Shaanxi Province, and these are traditional tunes from that part of China. I've arranged them for a quintet of recorders (from soprano to great bass in C), being careful to preserve their Chinese quality.

      Reviewed by Letitia Berlin, American Recorder 41(1): 26-27 (2000).
    1. 20 Stampedes. / Lance Eccles. - 1998.
    2. Sydney: Self-published, LE22.
    3.  
    4. SATB recorders.
    5.  
    6. Reviewed by Mary T. Mitchell-Gogay, Recorder Magazine 21a(3): 106 (2001). 20 "Stampedes", each depicting a stampede by a different critter: hippopotamuses,warthogs, snails, angels . . .
    1. 10 Stampedes. / Lance Eccles. - 1998.
    2. Armidale: Orpheus Music OMP146.
    3.  
    4. SATB recorders.
    5.  
    1. Transgression. / Lance Eccles. - ? date.
    2. LE23, available from the composer.Available from Orpheus Music as LE009.
    3.  
    4. AA recorders.
    5.  
    6. 6 duets, not easy, but fairly good amateurs should be able play them well with not too much practice.
    1. In Brazilian Style. / Lance Eccles. - ? date.
    2. Armidale: Orpheus Music OMP028
    3.  
    4. SAAT recorders + guitar (optional).
    5.  
    6. These are four original pieces for recorder quartet without bass. Chords are also provided for an optional guitar accompaniment. They are in the style of the Brazilian choro, a popular instrumental form that arose during the 19th century and has continued to develop up till today. The rhythms are bit tricky in places.

      Review by Paul Clark, Recorder Magazine 21(3): 106 (2000).
    1. Four Sephardic Songs. / Lance Eccles. - ? date.
    2. Armidale: Orpheus Music OMP042
    3.  
    4. ATTB recorders.
    5.  
    6. These are based on songs of the Sephardim, descendants of the Jews who were expelled from Spain in the 15th century,most of them moving to the eastern Mediterranean. Poignant melodies retaining much of the character of the music of Spain.
    1. Promenades. / Lance Eccles. - ? date.
    2. Armidale: Orpheus Music OMP049 (2000)
    3. Score and parts.
    4. ATB recorders.
    5.  
    6. Three moderately demanding trios, quite traditional in harmonic content: Promenade of Goddesses, changing key several times and with wide leaps in the melody; Promenade of Nymphs, serene and undulating; Promenade of Satyrs, fast and with a constantly-changing rhythm (mainly 5/4).
    1. Colours of the New Millenium. / Lance Eccles. - 2000.
    2. Sydney: Self-published, LE24
    3. Score and parts.
    4. SATTB recorders.
    5.  
    6. Five Movements: Scarlet Moon, Purple Forest, Pink Bunnies, Black Cherry Blosoms, Silver Rainbow. Review by Kathryn Bennetts, Recorder Magazine 21a(4): 153 (2001).
    1. Metallica. / Lance Eccles.
    2. Armidale: Orpheus Music, OMP 050.
    3. Score and parts.
    4. ATTB recorders.
    5.  
    6. Six Movements: Platinum, Copper, Radium, Gold, Iron, Mercury. The musical language is for the most part conservative, but with the occasional modern effect in keeping with the nature of some of the metals depicted.
    1. Alleycats' Picnic. / Lance Eccles.
    2. Armidale: Orpheus Music, OMP 069 (2001).
    3. Score (4 pp) & parts (1 p).
    4. ATTB recorders.
    5.  
    6. Review by Sally Harwood, American Recorder 46(2): 45 (2005).
    1. Oceania. / Lance Eccles.
    2. Armidale: Orpheus Music, OMP 070 (2001).
    3. Score and parts.
    4. ATTT recorders.
    5.  
    6. Review by Sally Harwood, American Recorder 46(2): 45 (2005).
    1. Moonlit Garden. / Lance Eccles.
    2. Armidale: Orpheus Music, OMP 084 (2002).
    3. Score (4 pp) and parts (1 p).
    4. S recorder + piano.
    5.  
    6. Review by Alison Baldwin, Recorder Magazine 22(4): 154 (2002). Review by Scott Paterson, American Recorder 45(2): 42 (2004).
    1. Salad Undressing. / Lance Eccles.
    2. Armidale: Orpheus Music, OMP 094.
    3. Score and parts.
    4. A recorder + cello.
    5.  
    6.  
    1. Tango Armadillo. / Lance Eccles.
    2. Armidale: Orpheus Music, OMP 121.
    3. Score and parts.
    5.  
    6.  

      7. Review by 'PR', Recorder Magazine 24(4): 130 (2004); Carson Cooman, American Recorder 46(4): 48 (2005).

    1. The East is Red & Liuynag River. / Lance Eccles.
    2. Armidale: Orpheus Music, OMP 118.
    3. Score and parts.
    5.  
    6.  

      7. Review by Adam Dopadlik, Recorder Magazine 24(4): 130 (2004).

    1. Vampires. / Lance Eccles. - ? date
    2. Armidale: Orpheus Music, OMP 131
    3. 1 score (8 p.) + 4 parts; 30 cm.
    4. SATB recorders
    5.  
    6. Review by Carson Cooman, American Recorder 46(4): 48 (2005).
    1. Garden of Eden. / Lance Eccles.
    2. Armidale: Orpheus Music, OMP 137 (ca 2005).
    3. 1 score (7 p.) + 3 parts ; 30 cm.
    4. ATB recorders
    5.  
    6. Review by Bill Linthwaite, American Recorder 47(1): 48 (2006).
    1. Locomotion (three waltzes). / Lance Eccles. - date
    2. Armidale: Orpheus Music, OMP 138 (ca 2005).
    3. 1 score (8 p.) + 4 parts ; 30 cm
    4. SATB recorders
    5.  
    6.  
    1. Polska. / Lance Eccles.
    2. Armidale: Orpheus Music, OMP 139 (ca 2005).
    3. 1 score (8 p.) + 4 parts ; 30 cm.
    4. SATB recorders
    5.  
    6.  
    1. Some Repented. / Lance Eccles. - 2006
    2. Armidale: Orpheus Music, OMP 151
    3. 1 score + 3 parts; 30 cm.
    4. ATB recorders
    5.  
    6. Review by Valerie Hess, American Recorder 47(1): 45 (2006).
    1. Roadkill Sonata. / Lance Eccles. - 2007
    2. Armidale: Orpheus Music, OMP 171
    3. 1 score + 4 parts
    4. AABB recorders
    5.  
    6. Review by Gwilym Beechey, Recorder Magazine 27(4): 140-41.
    1. Hymns and Hearses. / Lance Eccles. - 2007
    2. Armidale: Orpheus Music, OMP 172
    3. 1 score + 4 parts
    4. SATB recorders
    5.  
    6. Review by Gwilym Beechey, Recorder Magazine 27(4): 140-41.
    1. Happy Birthdays. / Lance Eccles. - 2007
    2. Armidale: Orpheus Music, OMP 173
    3. 1 score + 4 parts
    4. SATB recorders
    5.  
    6. Review by Gwilym Beechey, Recorder Magazine 27(4): 140-41.
    1. Public Hospital. / Lance Eccles. - 2007
    2. Armidale: Orpheus Music, OMP 174
    3. 1 score + 4 parts
    4. AATTB recorders
    5.  
    6. Review by Gwilym Beechey, Recorder Magazine 27(4): 140-41.

    1. Goldilocks. / Lance Eccles. - 2007
    2. Armidale: Orpheus Music, OMP 178
    3. 1 score + 4 parts
    4. AABB recorders
    5.  
    6. A whimsical look at the classic fairytale.
      1. Through the Forest.
      2. A Short Sleep, with Bad Dreams. 3. Discovery, Struggle, Escape.
    1. Avalanche. / Lance Eccles. - ? date
    2. Armidale: Orpheus Music, OMP 187
    3. 1 score + 4 parts
    4. AATB recorders
    5.  
    6. The avalanches are of eggs, goldfish and frogs!

      Review by Janice Ormerod, Recorder Magazine 29(2): 72 (2009).
    1. Angry Babies. / Lance Eccles. - ? date
    2. Armidale: Orpheus Music, OMP 188
    3. 1 score + 5 parts
    4. SATTB recorders
    5.  
    6. Three nicely dissonant character pieces: 1. Babies in Uproar. 2. Babies Asleep. 3. DIsobedient Babies.

      Review by Janice Ormerod, Recorder Magazine 29(2): 73 (2009).
    1. Enviromania. / Lance Eccles. - ? date
    2. Armidale: Orpheus Music, OMP 192
    3. 1 score + 3 parts
    4. SAT recorders
    5.  
    6.  
    1. Mouse's Funeral. / Lance Eccles. - ? date
    2. Armidale: Orpheus Music, OMP 193
    3. 1 score + 4 parts
    4. SATB recorders
    5.  
    6. A set of 3 pieces with some nice close harmony and a lively dance at the end: 1. In a Church; 2. At the Graveside; 3. At the Wake.

      Review by Janice Ormerod, Recorder Magazine 29(2): 72 (2009).
    1. Piglets at the Trough. / Lance Eccles. - ? date
    2. Armidale: Orpheus Music, OMP 194
    3. 1 score + 3 parts
    4. SATB recorders
    5.  
    6. A set of character pieces: 1. Joyful Awakening; 2. Breakfast at the Trough; 3. An Outing to the Sausage Factory.

      Review by Janice Ormerod, Recorder Magazine 29(2): 72 (2009).
    1. Cinderella. / Lance Eccles. - 2009
    2. Armidale: Orpheus Music, OMP 203
    3. 1 score + 3 parts
    4. SATB recorders
    5.  
    6. Review by Helma Hartman, blokfluitist 1(2): 29 (2009).

    Edwards, Ross (1934-)

    1. Rain dance. / Ross Edwards. - 1978.
    2. In Steve Rosenberg, The Recorder Consort (Boosey and Hawkes), one of the Ten Little Duets (see below); Armidale: Orpheus Music OMP 023 (ca 1982)
    3. 1 facsimile score ([2, 2] p.); 35 cm; 1 score (15 p.); 30 cm
    4. SS/AA recorders.
    5.  
    6.  
    1. Ten Little Duets. / Ross Edwards. - 1982.
    2. Armidale: Orpheus Music OMP 023
    3. 1 facsimile score (11 p.); 42 cm.
    4. SS/TT recorders.
    5.  
    6. Includes Celebration, Mbira, Echoes, and Ocarinas. Reviewed by Paul Clark, Recorder Magazine 19(2): 51 (1999).
    1. Ulpirra. / Ross Edwards. - 1993.
    2. Armidale: Orpheus Music OMP 020
    3. 1 facsimile score (2 p.); 42 cm.
    4. S recorder.
    5. 1:36
    6. Recorded by Joanna Dudley on Tall Poppies TP051 1.40 Reviewed by Paul Clark, Recorder Magazine 19(2): 51 (1999).
    1. Two Duets. / Ross Edwards. - / date.
    2.  
    3.  
    4. SS recorders.
    5.  
    6.  
    1. Duet. / Ross Edwards. - 1995.
    2. Sydney: Currency Press (Thorn1995).
    3.  
    4. AA recorders.
    5.  
    6.  
    1. Tyalgum Mantras. / Ross Edwards. - 1999
    2. Australian Music Centre 785.5419/EDW 1
    3. score
    4. recorder, string quartet, dijeridu + percussion.
    5.  
    6. Premiered by Genevieve Lacey (2005)

    Robyn Ellis

    1. Midnight Run & David's Ramble. / Robyn Ellis. - ? date.
    2. Armidale: Orpheus Music OMP 113 (2004)
    3. 1 score (8 p.) + 1 part (3 p.)
    4. S recorder + piano
    5.  
    6. Premiered by Genevieve Lacey (2005). Reviewed by Geoffrey Allen, American Recorder 47(2): 48 (2006).

    English, George Selwyn

    1. Alfresco miniature suite. / George Selwyn English. (ca 1969).
    2. Sydney: Southern Music Publishing Co.
    3. 1 score (7 p.); 29 cm.
    4. SAT recorders.
    5.  
    6. Pastorale, Wayfarers, Shepherds song.

    Epstein, June

    1. Mr Nightingale: an operetta for junior schools. / June Epstein. - ca 1978.
    2. Melbourne: Allans Music Australia, Imperial Edition 1160.
    3. 1 score (56 p.); 25 cm.
    4. Soloists + chorus + piano + recorder + percussion +dancers.
    5.  
    6. Written for Miss Mary Davis and the children and staff of St Catherine's School, Toorak, Victoria.

    Evans, Winsome
    1. A Rose in Phrygian Nines and Snave's Violetta Tango. / Winsome Evans.
    2. Armidale, Orpheus Music OMP 089 (2002).
    3. 1 score (3 p.)
    4. S or T recorder.
    5.  
    6.  
    Review in American Recorder 44 (2): 30 (2003).

    Finlay, Kass

    1. Willow Waltz, a collection of 9 modern recorder + percussion instrumentals for various recorder ensembles. / Kass Finlay. - 1974-2005).
    2. Sydney: Kass Music (ined, 2006)
    3. 1 score
    4. recorders + percussion
    5.  
    6. Willow Waltz 1, Dance, Extraordinary Ostinato, Whimsical Waltz, Motet, Feeling Melancholy, Gigue, Riding my Bike, Willow Waltz 2. Score to be published in 2006. Available on CD KM005 from Kass Music (2005). CD includes four tracks choreographed by Limbs Dance Company and taken on their national "After the Rain" tour of New Zealand.

    Finnissy, Michael

    1. Australian Sea Shanties (Third Set). / Michael Finnissy. - ? date.
    2.  
    3.  
    4. 4 recorders

    5. Noted at British Music Information Centre site.

    Ford, Andrew (1957-)

    1. Pictures of Lily. / Andrew Ford. 1982.
    2. Alto recorder + harpsichord.
    1. Le Pendu (The Hanged Man./ Andrew Ford. 1982.
    2. Recorder + harpsichord + percussion + singers.
    1. Songs for the Lady Pan (music theatre). / Andrew Ford. 1983.
    2. Alto recorder + percussion.
    1. The Piper's Promise: an opera for young performers. / Andrew Ford. 1987.
    2. Sydney: AMC Library number: Q 782.1088054 FOR 1
    3. 1 facsimile score (90 p.) ; 42 cm.
    4. 2 sopranos, 2 trebles, tenor, 2 trebles or tenor, 1 spoken voice, chorus, 2 flutes (1st doubling piccolo), 2 clarinets, 2 trumpets, 4 recorders, percussion (1 player), electric guitar, piano (2 players), strings.

    Fowler, Jennifer (1939-)

    1. Threnody. / Jennifer Fowler. - 1961.
    2. SSAT recorders.
    Winner of the 1961 Composer's Competition held by the Recorder Society of New South Wales (see Evans 1962).
    1. Dance with the wind. / Jennifer Fowler. - 2002.
    2. Australian Music Centre
    3. 1 set of 7 parts (14 p.); 30 cm
    4. SSAT recorders.
    5.  
    6.  

    Fox, Cenarth (Ken) (1940-)

    1. Stonningtina. / Ken Fox. - 1982.
    2. Richmond: Fox Plays (1982)
    3. 1 score + 6 parts; 30 cm
    4. SAATB recorders + guitar.
    5. 2:10
    6. "Stonningtina was composed for the Melbourne based recorder ensemble Stonnington and was first performed by this group in 1982."

    Recorded by Dymaxion, Strine Pearls (cassette), email Justine Thornley

    Fox, Malcolm (1946-)

    • WWW Page, from Australian Music Centre
    1. From Alice to Adelaide. / Malcolm Fox. - 1984.
    2. Sydney: AMC Library number: Q 782.5542 FOX 3
    3. 1 facsimile score (49 p.); 38 cm.
    4. SATB choir + recorders + percussion + organ + piano +strings.

    Garland, Peter (1952-)

    1. Three Dances From The Conquest Of Mexico. / Peter Garland (1978/1992).
    2. Frog Peak, Lebanon, Nh, USA.
    3. Score + parts (13 p.);, 29 cm.
    4. Recorder + percussion.
    Originally composed between July and September 1978, in Tocuaco, Michoacan; later revised in March 1992, while the composer lived in Adelaide, South Australia. Printed from the composer's manuscript.

    Ghandar, Ann (1943-)

    Senior lecturer in composition at the University of New England, Armidale, New South Wales. Ann has studied composition and piano with Larry Sitsky in Canberra, and Richard Meale in Adelaide and compostion with Jonathan Harvey in Southampton.
    1. Music for Ibises. / Ann Ghandar. - 1977.
    2. 1 facsimile score (11 p.); 36 x 26 cm.
    3. Flute, clarinet, SA recorders + piano + percussion + vibraphone.
    1. Little moon. / Ann Ghandar. - 1994.
    2. Sydney: AMC Library number: Q 785.3219 GHA 2
    3. 1 facsimile score (15 p.) ; 42 cm.
    4. Descant recorder, treble recorder, flute, clarinet in B flat, trumpet in B flat, violin, violoncello, piano, triangle (or finger cymbals), bass drum, woodblock..
    1. Cicada Music. / Ann Ghandar. - ? date.
    2. 1 facsimile score (15 p.); 36 cm.
    3. Flute, sSATB recorders + percussion + vibraphone + piano.
    1. Sydney Sounds: I. Bus no. 324, II. On the way to Manly, III. King's Cross nocturne, IV. Traffic. / Ann Ghandar. - ? date.
    2. 1 facsimile score (37 p. in various pagings); 37 x 27 cm.
    3. Flute, recorder, oboe, clarinet, trumpet, horn, piano, violin, side drum, timpani, cymbals, triangle, tambourine, maracas, woodblock, bass drum, gong, bongos, castanets, guiro, ratchet, whistle.
    4.  
    5.  

    Gilbert, Anthony (1934-)

    1. Igórochki (Little Games): Concertini for recorder and chamber orchestra./ Anthony Gilbert. (1991/2)
    2. Schott.
    3.  
    4. Recorders (one player, sSATB) + string quartet + cimbalom + guitar + percussion (crotales, vibraphone, marimba, handbells).
    5. 17 mins.

      The fourth movement includes Australian birdsong. Reviewed by Thomason (1994).

    1. Paluma./ Anthony Gilbert. (1991/2)
    2. ? unpublished, see Turner (1977).
    3.  
    4. Sopranino recorder + piano.
    5. 3 mins, 10 secs.

      Transcription of fourth movement of Igórochki (see above).

    1. Flame Robin./ Anthony Gilbert. (1994).
    2. Forsyth.
    3.  
    4. Sopranino recorder + piano.
    5. 3 mins, 10 secs.

      Transcription of fourth movement of Igórochki (see above).

    1. Chant of Cockey Bob./ Anthony Gilbert. (1981).
    2. Schott.
    3.  
    4. Childrens' voices + instruments (including recorders).
    5.  

    6. Written for the primary schools in Bendigo, Victoria.

    Gilmour, Russell (1956-)

    1. Boree. / Russell Gilmour. - ? date.
    2. 1 score (5 p.); 30 cm.
    3. Alto recorder.
    1. Miscellany of Musical Miniatures. / Russell Gilmour. - ? date.
    2. SAT recorders.
    1. Point II. / Russell Gilmour. - ? date.
    2. Sydney: Currency Press (Thorn 1991).
    3. AA recorders.
    1. Point III. / Russell Gilmour. - ? date.
    2. Sydney: Currency Press (Thorn 1995).
    3. AA or TT recorders.
    1. Entr'acte. / Russell Gilmour. - ? date.
    2. Sydney: Currency Press (Thorn 1995).
    3. ATB recorders.
    1. A Clutch of Fipples. / Russell Gilmour. - ? date.
    2. Armidale: Orpheus Music OMP 125 (2004).
    3. 1 score (7 p.) + 8 parts; 30 cm.
    4. SSAATTB recorders.
    5.  
    6. Review by Jan McCreery, Recorder Magazine 25(4): 128 (2005); Carson Cooman, American Recorder 46(4): 51 (2005).

    Glanville-Hicks, Peggy (1912-1990)

    • WWW Page, from Australian Music Centre
    1. Sonatina: for treble recorder or flute & piano / P. Glanville-Hicks. - 1938.
    2. London: Schott, published 1941.
    3. 1 score (12 p.); 30 cm.
    4. Alto recorder or flute + piano.
    5. Reviewed by Higbee (2005).

    Gordon, John (1915-1991)

    1. Three Songs. / John Gordon. - ? 1942.
    2. T recorder + cello + singer.
    1. Threondy. / John Gordon. - 1953.
    2. S-B recorders.
    1. Humoresque. / John Gordon. - 1961.
    2. AAT recorders.
    1. Six Miniatures. / John Gordon. - 1968.
    2. Sydney: Albert & Son (ca 1970)
    3. score (7p.); 28cm
    4. 2 recorders + beginner violin.
    1. To Musik. / John Gordon. - 1971.
    2. SAT recorders + voice.
    1. Four Pieces: Sad cuckoo, Sleeping cat, Puddleduck, Elegy (computer music). / John Gordon. - 1972.
    2. Sydney: G. Ricordi, (ca 1974).
    3. 1 score (6 p.); 24 cm.
    4. SAT recorders.
    5.  
    6.  

    7. Supplement to Australian Journal of Music Education 14.

    1. Evening Song. / John Gordon. - 1973.
    2. Recorder.
    1. 12+1: simple recorder duets. / John Gordon. - 1973.
    2. Sydney: J. Albert & Son, 1973.
    3. SA recorders + percussion (optional) + voice (optional).
    1. Winter Afternoon. / John Gordon. - 1980.
    2. Recorder.

    Grainger, Percy Aldridge (1882-1961)

    1. Country Gardens (English Morris Tune)/ Percy Grainger/arr.
    2. Bardic Edition
    3. Score.
    4. Soprano & alto recorders.
    1. Walking tune. / Percy Grainger/arr. Barry Peter Ould.
    2. Aylesbury: Grainger Society Edition [and] Bardic Edition] (1990)
    3. 1 score ([2] p.) + 1 part; 30 cm
    4. recorder + piano

    Grant, Quentin S.D. (? date)

    1. Meditation. / Quentin S.D. Grant. - 1993.
    2.  
    3. T recorder + Bb clarinet.
    4.  

    5. See Hauwe (1998).

    1. Simple Cold. / Quentin S.D. Grant. - 1993.
    2.  
    3. 2 recorders.
    4.  

    5. See Hauwe (1998).

    1. Yardbird Suite. / Quentin S.D. Grant/Ch. Parker Grant. - ? date.
    2. Recorder + violin + cello + vibraphone.
    3.  

    4. See Hauwe (1998).

    1. Starless Night, Hidden Flame. / Quentin S.D. Grant/Ch. Parker Grant. - ? date.
    2. Armidale: Orpheus Music OMP043.
    3. TTBB or SSBB.
    4.  
    5.  
    6. Extended piece using a minimalist style. Explores a range of rhythmic and melodic textures.

    Gretton, Harold (1982–)

    1. L'amour Normande. / Harold Gretton (2006).
    2.  
    3. recorder + guitar
    4.  
    5.  
    6.  

    Griffiths, John (1952-)

    1. Paseo en sueño. / John Griffiths. -1975. li>
    2. ATTB recorders + guitar.
    1. Conversation Piece. / John Griffiths. - 1976.
    2. Zimmerman.
    3. Alto recorder + guitar.

    Gross, Eric (1926-)

    1. Rondino pastorale, Op. 33./ Eric Gross. - 1962.
    2. Sydney: Australian Music Centre
    3. score (3 p.) + 1 part (2 p.); 30 cm
    4. harp/piano + alto recorder
    5.  
    6.  
    1. May in Italy. / Eric Gross. - 1976.
    2.  
    3.  
    4. Renaissance ensemble + counter tenor.
    5.  
    6.  
    1. Ian's Shenanigan No.1, Op.142. / Eric Gross. - 1985.
    2.  
    3. 1 facsimile score (2 p.); 30 x 36 cm.
    4. Alto recorder.
    5. 3 min., 45 sec.
    6. "Dedicated to Ian Shanahan."
    1. Ian's Shenanigan No.2, Op.142/2. / Eric Gross. - 1988.
    2.  
    3. 1 facsimile score (5 p.); 37 cm.
    4. sS recorder + tin whistle ( 1 player).
    5. 8 min., 10 sec.
    6. "Dedicated to Ian Shanahan."
    1. Lullaby for Danielle, Op. 131, No. 2. / Eric Gross. - 1990.
    2. Sydney: Australian Music Centre 788.365/GRO 1
    3. 1 facsimile score (2 p.); 30 cm. + 1 part (1 p.).
    4. Flute (or oboe, alto recorder or violin) + piano (or harp or electric keyboard).
    5. 2 min.
    6. Dedication: "For Silke Jacobsen"
    1. Three Pieces, Op. 173: No. 1 Pamela's Fancy (1990); No. 2 Marching to Nowhere (1990); No. 3Introspection (1990). / Eric Gross. - 1991.
    2. Koln-Rodenkirchen (1991); P. Tonger (ca 1995).
    3. 1 score (6 p.); 30 cm.
    4. #1: A/s recorder; #2: S/T recorder; #3: B recorder.
    5. #1: 1:40; #2: 2:45; #3: 2:55
    6.  
    1. Introspection, op.173 no.3 (1990). / Eric Gross. - 1993.
    2. Sydney: AMC Library number: MUS N m 788.367 G878
    3. 1 facsimile score (1 p.) ; 30 cm.
    4. Bass recorder.
    5. 2 mins, 55 secs.
    6.  

    Jeanette Hajncl (1957-)

    Jeanette Hajncl, who now lives in the UK, is Australian by birth.
    1. Otway Night . / Jeanette Hajncl. - 1994.
    2. Ti-tree Press (1995), available from the composer.
    3. A4 score: 7 pages; parts:A3 single-sided; hand-written
    4. 3 recorders, S, S/A, S/T
    5. 3 min.

    6. This piece was written in response to a painting of the same name by the Australian artist Jan Senbergs. It includes some advanced techniques (flutter tonguing, etc.)
    1. Dream. / Jeanette Hajncl. - 1995.
    2. Unpublished.
    3. Hand-written A4 score: 8 pages; parts: A3 single-sided
    4. Recorders ATTBB
    5. 5 min.

    6. Generally moderately easy, slow, gentle piece, with one section more demanding for the alto.
    1. The Disley Suite. / Jeanette Hajncl. - 1997.
    2. Ti-tree Press (1997), available from the composer.
    3. A4 score: 11pages and cover; parts: A3 double-sided, computer set
    4. Recorders SATB
    5. 9 min.

    6. 4 movements, each being a musical potrait of a recorder player living in the Manchester area, and belonging to the Manchester Society of Recorder Players. Conventional notation and playing techniques throughout. One movement is in 5/8. Movements 2 and 3 are moderately easy.
    1. LULU. / Jeanette Hajncl. - 1996.
    2. Ti-tree Press (1997), available from the composer.
    3. A4 score: 3 pages; parts: A4 single-sided; computer set
    4. recorders SAAA/S
    5. 1 min, 20 sec.
    1. Sleep. / Jeanette Hajncl. - 1998.
    2. Unpublished, soon to be available from Ti-tree Press.
    3. A4 score: 2 pages; parts: A4 single-sided; computer set
    4. Tenor or soprano voice + recorders SATB
    5. 1 min.

    6. Setting of words by John Donne. Very easy recorder parts, but includes Ebs and Dbs.
    1. COMA-toes. / Jeanette Hajncl. - 1998.
    2. Ti-tree Press (1998), available from the composer.
    3. Flexible ensemble, in 4 parts (2 treble clef, 2 bass).
    4. 4 min.

    5. This piece is a light-hearted one about ensembles falling apart and getting back together again. It was written for COMA (Contemporary Music-making for Amateurs) and works well with orchestral instruments combined with recorders, or with the addition of percussion. One treble and one bass part are very easy, and each part is built on a repeated character. Glissandi are a feature.
    1. Recollections. / Anne Norman & Jeanette Hajncl. - 1994.
    2. Unpublished.
    3. A4 single-sided music sheet, A4 single-sided instruction sheet.
    4. Recorder (s/S/T) + shakuhachi.
    5. 4 min.

    6. Joint composition by Anne Norman and Jeanette Hajncl, involving some opportunity for improvisation.

    Hames, Richard (1945-)

    • WWW Page, from Australian Music Centre
    1. Ku. / Richard David Hames. - 1979.
    2. Sydney: AMC Library number: Q 788.36 HAM 1
    3. 1 facsimile score (8 p.); 36 cm.
    4. Alto recorder (amplified) + dancer + multiple tape-delay system.
    5. 18 min.

    Hannan, Michael (1949-)

    1. Island Song. / Michael Hannan. - 1983.
    2. Sydney: Currency Press (Thorn 1991); AMC Library number: Q 785.3619 HAN 1
    3. 1 facsimile score (8 p.); 33 cm, 2pp.
    4. SSSAT recorders + organ + 3 percussionists + piano (rehearsal only).
    5. 3'20''.
    Island Song was commissioned by the New South Wales Department of Education for its Combined Primary Schools Recorder Group. It was first performed in the Sydney Opera House in 1983.

    Recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley

    Harper, Don (1921-)

    • WWW Page, from Australian Music Centre
    1. Songs from Alice: Alice in Wonderland & Through the Looking-glass. / words by Lewis Carroll; set to music by Don Harper. - 1978.
    2. London: A. & C. Black, 1978.
    3. 1 v. of music (48 p.); 27 cm.
    4. Voice + piano, flute/recorder (on some songs).

    Hardy, John

    A number of recorders sonatas by this Western Australian composer are to be published shortly by Orpheus Music.

    Hicks, Marion (before March 1960)

    1. Rondo. / Marions Hicks. - 1958.
    2. Chappell, London.
    3. SSA recorders.

    Alfred Hill (1870-1960)

    • WWW Page, from Australian Music Centre
    1. Wynum Serenade. / Alfred Hill
    2. New York: Stiles Music Publications (in preparation)
    3.  
    4. ATTB recorders.
    5.  
    6. Written for John Manifold and friends. Wynum was the suburb of Brisbane where Manifold lived. See Hall (1978: 129). Originally for ATTB recorders, but in keys awkward for recorders and performed by Manifold on 2 recorders and 2 clarinets.
    1. Little Suite. / Alfred Hill
    2. London/Narara NSW/New York: Stiles Music Publications S38b - 2003.
    3. 1 score (5 p.); 21 x 30 cm
    4. ATTB recorders.
    5.  
    6. The second of three quartets in romantic style written for John Manifold and friends (Allan Stiles, pers. comm, 2003)
    1. In Serious Mood. / Alfred Hill
    2. New York/London: Stiles Music Publications S31 - 2002.
    3. 1 score (5 p.); 21 x 30 cm.
    4. ATTB recorders.
    5.  
    6. The third of three quartets in romantic style written for John Manifold and friends (Allan Stiles, pers. comm, 2003).

    Hill, Mirrie (1892-1986)

    1. Simple Melodies for Recorder: Stage 1. / Mirrie Hill. - ca 1971.
    2. Sydney: Albert & Son 189 (1971).
    3. 1 score (8 p.) + parts; 28 cm.
    4. SA recorders
    5.  
    6.  

    1. Simple Melodies for Recorder: Stage 2. / Mirrie Hill. - ca 1971.
    2. Sydney: Albert & Son 190 (1971).
    3. 1 score (10 p.) + parts; 28 cm.
    4. SSAA recorders
    5.  
    6.  

    Holgate, Stephen (1953-)

    1. Earth Dream. / music: Stephen Holgate; text: Ian Edwards. - 1985.
    2. 1 facsimile score (40 p.); 30 cm.
    3. Children's choir + recorders + pitched & unpitched percussion + guitar.
    4. 30 min.
    1. Little Pumpkin. / music, Stephen Holgate; words, Merrill Johnson. - 1982.
    2. facsimile score (4 p.); 30 cm.
    3. Children's voices, recorders + pitched & unpitched percussion.
    4. 3 min.
    1. Morning Glory, Radiant Might. / text: Robin Gurr; music, Stephen Holgate. - 1991.
    2. [s.l.]: [Stephen Holgate], [1994]
    3. 1 score (62 p.); 30 cm.
    4. SSA or SAA choir + recorder + 2 flutes + clarinet + 2 trumpets + violin + cello + percussion.
    5. 10 min.
    1. Play it Cool! / Stephen Holgate. - 1982.
    2. 1 facsimile score (1 p.); 30 cm.
    3. Children's ensemble: voices + recorders + glockenspiels + bass (xylophone, keyboard, string bass etc.).
    4. 3 min.
    1. Sanctus, around. / Stephen Holgate. - 1982.
    2. Sydney: Australian Music Centre
    3. 1 facsimile score (1 p.); 30 cm.
    4. Recorders in 4 groups.
    5. 2 min.
    6.  

    Holland, Dulcie (1913-2000)

    • WWW Page, from Australian Music Centre
    1. Sonatina. / Dulcie Holland. - 1961.
    2. Toronto: BMI Canada, c1964.
    3. 1 score (19 p.); 31 cm.
    4. SS recorders + piano.
    5. 8 min.
    1. Festival Flourish. / Dulcie Holland. - 1965.
    2. Recorder + strings.
    1. Three Duos. / Dulcie Holland. - 1968.
    2. Sydney: Southern Music Publishing, ca 1969.
    3. 1 score (6 p.); 28 cm.
    4. SS/TT recorders.
    1. Lullay, my tiny child. / Dulcie Holland. - 1971.
    2. Sydney: J. Albert 38 (1974)
    3. 1 score (3 p.); 27 cm. + 1 part (2 p.)
    4. S recorder/flute + piano or harpsichord.
    5. 3 min.
    6. "Dedicated to the Epstein Duo"
    1. Starlight. / Dulcie Holland. - 1972.
    2. Sydney: J.Albert & Son 311 (ca 1974)
    3. 1 score (4 p.); 27 cm. + 1 part (2 p.).
    4. S recorder/ flute + piano or harpsichord.
    5. 2 min., 30 sec.
    6. "Dedicated to the Epstein Duo."
    1. Doves Around. / Dulcie Holland. - 1992.
    2. Sydney: Australian Music Centre.
    3. 1 facsimile score (4 p.); 30 cm.
    4. SATB recorders.
    5.  
    6.  Dedicated to Ian Shanahan.

    Hollier, Donald (1934-)

    • WWW Page, from Australian Music Centre
    1. In dulci jubilo: A pageant for children. / Donald Hollier. - 1970.
    2. 1 facsimile score (104, 10 p.); 37 cm.
    3. Solo children's or adults' voices (sung & spoken roles), chorus of treble voices & congregation, flute, clarinet, recorder, guitar, piano, 3 trumpets, 2 percussionists, pre-recorded tape of choir.

    Howlett, May (1931-)

    1. Six Meditations on the Upanishads. / by May Howlett. - 1971.
    2. Sydney: AMC Library number: Q 782.5547 HOW 1
    3. 1 facsimile score (26 p.); 36 cm.
    4. Tenor + full SATB choir + children's choir + organ + percussion + recorders.
    5. 15 min.
    1. Shan-Ti. / May Howlett. - 1987.
    2. Alto recorder.
    1. Ashes of Roses: A motet. / poetry & music by May Howlett. - 1988.
    2. Ben Lomond, N.S.W. : Grevillea Editions (1995); .AMC Library number: 782.6526 HOW 1
    3. Performance parts available for hire.
    4. 1 score (18 p.); 30 cm.
    5. Small SSA choir + harpsichord + classical guitar + 2 recorders.

    Irik, Michael (1953-)

    1. Anneke's Barong Dance. / Michael Irik. - 1984.
    2. Alto recorder + piano.
    1. Alapana. / Michael Irik. - 1985.
    2. Alto recorder + percussion.
    1. Epigrams. / Michael Irik. - 1985.
    2. s-B recoders.

    Irlandini, Luigi

    1. Angistoma II. / Luigi Irlandini. – 2000.
    2. Armidale: Orpheus Music OMP 062.
    3. Score (8 p.) + parts (4 p. each).
    4. SS recorders.
    5.  
    6. Review in American Recorder 44 (2): 32 (2003).
      The title possibly refers to Proterato angistoma, an elegantly formed sea-shell found in the Western Pacific.
    1. Partita. / Luigi Irlandini. – ?date.
    2. Armidale: Orpheus Music OMP 142.
    3. Score & parts.
    4. sSATBC recorders.
    5.  
    6.  .
    Jeffrey, Jason">
    1. Dance. / Jason Jeffrey – ?date.
    2. Armidale: Orpheus Music YCS 010.
    3. Score & parts.
    4. A recorder + guitar.
    5.  
    6. Review by Pete Rose, American Recorder 45(1): 38 (2004).

    Jenkins, Colin (1935-)

    1. Folk Tune. / Colin Jenkins. - 1969.
    2. SS recorders.
    1. Peace. / Colin Jenkins. - 1969.
    2. SSAT/SATB recorders.
    1. Demon's Dance. / Colin Jenkins. - 1969.
    2. SAA/SAT recorders.

    Jones, Trevor (1932-)

    • WWW Page, from Australian Music Centre
    1. Fugue in Jazz Rhythms. / Trevor Jones. - 1961.
    2. SAAT recorders or 4 bassoons.
    Winner of the 1961 Composer's Competition held by the Recorder Society of New South Wales (see Evans 1962).

    Jurth, Attila

    1. Round Robin. / Attila Jurth. - 1985.
    2. Sydney: Australian Music Centre, 785.2416/JUR 1
    3. 1 facsimile score (6 p.); 30 cm
    4. SA recorders, violin(s) 1, violin(s) 2, (and/or viola(s), cello(s), piano
    5. 1 minute.
    6. Dedication: "In memoriam Károly Kocsárdi (1920-2000)".

    Karpiniec, Stefan (? date)

    1. Jig O'Doom. / Stefan Karpiniec. - 1979.
    2. PDF file available here.
    3. score
    4. SAT recorders.
    5. 1 minute.
    6.  

    Kats-Chernin, Elena (1957)

    1. Re-inventions. / Elena Kats-Chernin. - 2004.
    2. Boosey & Hawkes
    3. rental score
    4. Recorders + string quartet
    5. 22 minutes
    6. Premiered in January 2005 by Genevieve Lacey with the Flinders String Quartet. Orchestral version premiered in April 2005 by Genevieve Lacey with the Queensland Symphony Orchestra. See explanatory note by Kats-Chernin in Dragon's Breath 29: 2 (2005).

    Knights, Allan (1929)

    1. Theme and Variations. / Allan Knights. - 1979.
    2. Recorder + harpsichord.

    Laskewicz, Zachar (1971-)

    1. Re-inventions. / Zachar Laskewicz. - 1988.
    2. Australia Music Centre
    3. [iv, 6] p. ; 30 cm
    4. 5 readers and piano, 2 percussion, bassoon and recorder.
    5.  
    6. The instrumental parts are loosely scored, and ... largely improvisatory.

    Lavin, Sister Duchesne

    1. Pacific Rhythm and Song: A selection from the local music of Papua New Guinea and neighbouring Pacific Islands./ collected, transcribed & arranged by Sr. M. Duchesne Lavin. - ca 1977.
    2. St Leonards, NSW: Castle Music, ca 1977: AMC Ref: 785.56 LAV 1.
    3. 1 vol. of music (27 p.); 29 cm.
    4. Recorders + tuned & untuned percussion.
    5.  
    6.  

    Law, Elisabeth (1974)

    1. Crustaceans. / Elisabeth Law.
    2. Armidale: Orpheus Music YCS 004
    3. 1 score (3 p.)
    4. A recorder.
    5.  
    Reviewed by Andrew Chalinger, Recorder Magazine 19(2): 53 (1999).

    Harold Gratton(1982–)

    1. L’armoire Normande. / Harold Gratton. - 2006.
    2.  
    3.  
    4. recorder, guitar
    5.  
    6.  

    Lea, Beverley

    1. Through the trees. / Beverly Lea. - ? date.
    2. Armidale: Orpheus Music OMP 068 (ca 2001)
    3. [2] p.; 30 cm
    4. B recorder.
    5.  
    6.  

    1. Pages from a Book. / Beverly Lea. - ? date.
    2. Ben Lomond: Grevillea Editions (ca 1997); Armidale: Orpheus Music OMP 090 (ca 2002)
    3. part
    4. T recorder.
    5.  
    Reviewed by Louise Phillips, Recorder Magazine 23(3): 88 (2003). Reviewed by Pete Rose, American Recorder 45(2): 40-41 (2004).

    1. Desert Night. / Beverley Lea. - ? date.
    2. Armidale: Orpheus Music, OMP 091
    3. part
    4. solo recorder.
    5.  
    A suite of five movements: Landscape, Cry, A Lizard Looks, Moon Dance, The Stillness. Uses some contemporary techniques. Review by Patrick Richmond, Recorder Magazine 23(2): 53 (2003).

    Leadabrand, Mike

    1. Silver Wings. / Mike Leadabrand. ?1988
    2. In Leadabrand (?1988), Australian Society for Music Education, Perth.
    3. 1 score.
    4. SATB recorders.
    1. Long White Cloud. / Mike Leadabrand. ?1988
    2. In Leadabrand (?1988), Australian Society for Music Education, Perth.
    3. 1 score.
    4. SAT recorders.
    1. Duet for Two Tenors. / Mike Leadabrand. ?1988
    2. In Leadabrand (?1988), Australian Society for Music Education, Perth.
    3. 1 score.
    4. TT recorders.
    1. The Gift. / Mike Leadabrand. ?1988
    2. In Leadabrand (?1988), Australian Society for Music Education, Perth.
    3. 1 score.
    4. SAT recorders.
    1. Kalimba. / Mike Leadabrand. ?1988
    2. In Leadabrand (?1988), Australian Society for Music Education, Perth.
    3. 1 score.
    4. SAT recorders.
    1. Summer Tapestry. / Mike Leadabrand. ?1988
    2. In Leadabrand (?1988), Australian Society for Music Education, Perth.
    3. 1 score.
    4. SAT recorders.
    1. The Grazier. / Mike Leadabrand. ?1988
    2. In Leadabrand (?1988), Australian Society for Music Education, Perth.
    3. 1 score.
    4. AA recorders.
    1. Halleluluja. / Mike Leadabrand. ?1988
    2. In Leadabrand (?1988), Australian Society for Music Education, Perth.
    3. 1 score.
    4. SAT recorders.
    1. The Secret Life. / Mike Leadabrand. ?1988
    2. In Leadabrand (?1988), Australian Society for Music Education, Perth.
    3. 1 score.
    4. sSATB recorders.
    1. Swiftwind. / Mike Leadabrand. ?1988
    2. In Leadabrand (?1988), Australian Society for Music Education, Perth.
    3. 1 score.
    4. SAT recorders.
    1. Songs from the Deep End: Twenty contemporary arrangments [of original compositions] for recorder ensemble. / Mike Leadabrand. 1995.
    2. Scarborough (WA): Blue Room Productions.
    3. 1 score + parts; 29 cm.; spiral bound (153 p.); reproducible for schools; cassette.
    4. Recorder ensemble
    5. Mrs Punkman Rides Out 1'49''.
    Mrs Punkman Rides Out recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley

    Ledger, James (1966-)

    • WWW Page
      • , from Australian Music Centre
    1. Line Drawing./ James Ledger. - 2005.
    2.  
    3.  
    4. recorder + strings.
    5.  
    6. font size="-1">Composed for Genevieve Lacy, who gave its first performance with the West Australian Symphony Orchestra at the WA Art Galleryon 28 October 2005.

    Leek, Stephen (1959-)

    1. Lament. / Stephen Leek. - 1981.
    2.  
    3.  
    4. SA recorders + cello + harpsichord.
    5.  

    Le Galienne, Dorian (1915-1963)

    • WWW Page, from Australian Music Centre
    1. Hamlet (music to Shakespeare's play). / Dorian Le Galienne. - ? 1947.
    2.  
    3.  
    4. 3 recorders + percussion.
    5.  

    Lewis, Laurie (1930-)

    1. Springwood: Theme from the ABC-TV production The Norman Lindsay Festival. / Laurie Lewis. - ca 1972 .
    2. Darlinghurst: Leeds Music (ca 1972)
    3. 1 score ([5] p.) ; 28 cm
    4. AA/AT recorders + cello + harpsichord.
    5.  
    6. This was recorded for the ABC, Sydney, by members of the Sunningdale Baroque Ensemble with Ralph Edwards & Ted Grunland (recorders). I seem to recall that a single record of it was also made and was quite popular at the time – N.S. Lander.
    1. The Emmigrants: Theme music for ABC/BBC TV serial of the same name. / Laurie Lewis. - ? 1976.
    2. ? unpublished.
    3. Score+ parts.
    4. Alto recorder + guitar + string orchestra + harpsichord.
    5.  
    6. This was recorded for the ABC, Sydney, ca 1976 by Nicholas Lander (recorder), George Golla (guitar), and a session orchestra – N.S. Lander.

    Lewis, Tony

    1. Zaida Gaire. / Tony Lewis. - 2001.
    2. Armidale: Orpheus Music OMP 065.
    3. Score (8 p.) + parts (4 p. each).
    4. 2S 2A 2T 2B recorders.
    5.  
    6. Review in American Recorder 44 (2): 32 (2003).

    Lea, Beverley

    1. Dark Grey, Spun Gold. / Beverley Lea. - ? date.
    2. Armidale: Orpheus Music, OMP 048.
    3. 1 score (5 p.) + 4 parts; 30 cm.
    4. SATB recorders
    5.  
    1. Pages from a Book. / Beverley Lea. - ? date.
    2. Armidale: Orpheus Music, BL 002.
    3. Score.
    4. Solo T recorder
    5.  
    Four Sections using contemporary techniques.
    1. Desert Night. / Beverley Lea. - ? date.
    2. Armidale: Orpheus Music, BL 001.
    3. Score.
    4. Solo T recorder
    5.  
    Uses some contemporary techniques.
    1. Throught the Trees. / Beverley Lea. - ?2002.
    2. Armidale: Orpheus Music OMP 068.
    3. Part.
    4. Solo B recorder
    5.  
    Review by Janice Ormerod, Recorder Magazine 22(1): 19 (2002).

    Leyden, Peter (? dates)

    1. Australian percussion band and recorder series [kit]: Click go the shears, Waltzing Matilda, Botany Bay, Lachlan Tigers, Moreton Bay, Lime Juice Tub; Advance Australia Fair, Wild Colonial Boy. / Peter Leyden. - ? 1981.
    2. Artarmon, N.S.W.: Peter Leyden Publishing House, ? 1981.
    3. 1 sound cassette (20 min.), 8 charts (double sides, col.; 51 x 76 cm.), 1 teacher's notes (18 p.; 28 cm.)
    4. Percussion band + recorders + voice.
    5.  
    6.  

    Music on cassette by Maurie Mulheron and Tom Bridges.

    Lim, Liza

    1. Lullaby. / Liza Lim. - ca 1987.
    2. Sydney: Australian Music Centre
    3. score (3 p.); 26 X 37 cm
    4. Alto recorder
    5. 4 min.
    6.  

    Lovelock, William (1899-1986)

    • WWW Page, from Australian Music Centre
    1. Country Dance: For school orchestra. / William Lovelock. - ca 1971.
    2. Sydney: Castle Music (ca 1971); AMC Library number: 784.44 LOV 1.
    3. 1 score (8 p.); 24 cm.
    4. SAT recorders + flute + oboe + 2 clarinets + bassoon + percussion (2 players) + piano + strings (3 violins).
    5.  
    6.  

    Lumsdaine, David

    1. Country Dance: For school orchestra. / David Lumsdaine. - ca 1996.
    2. Heslington, UK: University of York Music Press (2003)
    3. 1 score (5 p.); 37 cm
    4. Alto recorder + soprano voice + piano
    5.  
    6. "In memoriam Tracey Chadwell"

    Maddern, Philippa (1950-)

    1. Five Songs. / Philippa Maddern. - ? date.
    2.  
    3.  
    4. s-B recorders (1 player) + alto singer.
    5.  

    width="9" align="RIGHT">

    Maddox, Richard Peter

    1. Post Proelium Deleberemus. / Richard Peter Maddox. - 2001 date.
    2. Orpheus Music, OMP 066 (ca 2001).
    3. 1 score (20 p.) + 10 parts; 30 cm
    4. 2s,2S,2A,2T,B,GB recorders + percussion
    5.  
    6.  

      7. Review in American Recorder 44 (2): 30-31 (2003).

    1. Four Pieces. / Richard Peter Maddox. - ? date.
    2. Perth: The Keys Press KP0191.
    3. score
    4. solo A and B recorders
    5.  
    Review by Jean McCreery, Recorder Magazine 21a(4): 154 (2001); Louise Phillips, Recorder Magazine: 22(4): 154 (2002).
    1. Birthday Piece. / Richard Peter Maddox. - 2002.
    2. Armadale: Orpheus Music, OMP 079.
    3. 1 score ([2] p.); 30 cm.
    4. solo A recorder
    5.  
    6. Dedicated to Karyn Ashley. Review by Louise Phillips, Recorder Magazine 22(3): 108 (2002). Review by Scott Paterson, American Recorder 45(2): 42 (2004).
    1. Trio: March, Slow dance, Stepping quick. / Richard Peter Maddox. - ? 2004.
    2. Armidale: Orpheus Music, OMP 123 (2004).
    3. 1 score (12 p.); 30 cm
    4. AAT recorders
    5.  
    6. Review by Janice Ormerod, Recorder Magazine 24(4): 132 (2004); Carson Cooman, American Recorder 46(5): 40 (2005).
    1. Concerto Grosso Op. 84. / Richard Peter Maddox. - ? date.
    2. Armidale: Orpheus Music, OMP 132 (2004).
    3. 1 facsimile score (24 p.); 30 cm.
    4. 2 solo alto recorders + ATTBC recorders
    5.  

    Madge, Peter (1938-)

    Original Compositions
    1. Becky. / Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts
    4. SATBB recorders.
    5. 3'33''
    1. Carousel. / Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts
    4. SAATB recorders.
    5. 3'55''
    1. Casuarina. / Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts
    4. SAATB recorders.
    5. 3'20''
    1. Cumberland Forest. / Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts
    4. SAATB recorders.
    5. 4'58''
    1. Fugue in G minor. / Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts
    4. SATB recorders.
    5. 3'40''
    1. Melanoxylon. / Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts
    4. SATB recorders.
    5. 3'14''
    1. Sand Dunes. / Peter Madge. - 1984.
    2. Victoria: Self Published, 1993.
    3. Score + parts; 4 pp.
    4. SAATBB recorders.
    5. 2'09''
    "The idea for this piece came to me one summer's day at the beach. A light breeze was moving the fine grains of sand from the tops of the dunes to the valleys below, creating an illusion of fluid motion. I found this pleasant and relaxing."

    Recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley

    1. Two Steps. / Peter Madge. - ? date.
    2.  
    3.  
    4. SATB recorders.
    5.  
    1. Trio Sonata in G Minor. / Peter Madge. - ? date.
    2. AA recorders + harpsichord.
    1. Those Times of Solitude. / Peter Madge. - ? date.
    2. Mundingburra: Coottamundra Music CM22.
    3. Score and parts .
    4. SAATBB recorders. + guitar (optional).
    5.  
    1. Narrow Gauge. / Peter Madge. - ? date.
    2. Mundingburra: Coottamundra Music CM 24, 1984; Recorder Sheet Music.
    3. Score and parts, 9 pp.
    4. SAAT/BB recorders; SATTB recorders
    5. 3'34''
    "In the mountain district of Melbourne is a famous steam train known as "Puffing Billy", which commenced servicing the Dandenongs in the early 1900's. It was a recent journey on this train which inspired the piece complete with train whistles and clackity clack through the points. The train still runs daily for tourists".

    Recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley

    1. The Swaggie Remembers. / Peter Madge. - ? date.
    2. Mundingburra: Coottamundra Music CM 25; Recorder Sheet Music.
    3. Score and parts.
    4. SATB recorders.
    5. 3'08''
    1. Hay-Jas. / Peter Madge. - ? date.
    2. Mundingburra: Coottamundra Music CM 26.
    3. Score and parts.
    4. SATB recorders.
    5.  
    1. Moods. / Peter Madge. - ? date.
    2. Mundingburra: Coottamundra Music CM27.
    3. Score and parts.
    4. SATB recorders.
    5.  
    1. Daybreak Fantasy. / Peter Madge. - ? date.
    2. Mundingburra: Coottamundra Music CM28; Recorder Sheet Music
    3. Score and parts.
    4. SAATB recorders.
    5. 4.37
    1. Trio in F. / Peter Madge. - ? date.
    2. Mundingburra: Coottamundra Music CM40.
    3. Score and parts.
    4. AA recorders with (classical) guitar or keyboard.
    5.  
    Arrangements
    1. Angelus ad Pastores. / Hans Leo Hassler, arr. Peter Madge. - ? date.
    2. Mundingburra: Coottamundra Music CM31.
    3. Score and parts $6.00. Extra set of parts $3.00
    4. SATB recorders.
    5.  
    1. As Vesta Was. / Thomas Weelkes arr. Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts.
    4. SSATTB recorders.
    5. 3'52''
    1. Canon and Gigue. / Pachelbel arr. Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts.
    4. AAATTTB recorders.
    5. 4'45''
    1. Christmas Pastoral. / Arcangelo Corelli arr. Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts.
    4. SATTB recorders.
    5. 4'42''
    1. Elizabethan Serenade. / Ronald Binge, arr. Peter Madge. - ? date.
    2. Mundingburra: Coottamundra Music CM37.
    3. Score and parts.
    4. SAATB recorders.
    5.  
    1. English Country Garden. / Percy Grainger arr. Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts.
    4. SSATB recorders.
    5. 3'22''
    1. Jesu Joy of Man's Desiring. / J.S. Bach arr. Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts.
    4. SATB & ATTG recorders.
    5. 7'25''
    1. Race Medley. / Various composers arr. Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts.
    4. SATB recorders.
    5. 4'30''
    1. What is our life. / Orlando Gibbons arr. Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts.
    4. SATTB recorders.
    5. 4'00''
    1. What Shall I do? / Thomas Wilbye arr. Peter Madge. - ? date.
    2. Recorder Sheet Music
    3. Score and parts.
    4. SST/B recorders.
    5. 3'40''
    1. Carols for Recorder Quartet Book 1: Joy to the World, Angels from the Realms of Glory, As With Gladness Men of Old, Hark the Herald Angels, O Come All Ye Faithful, and While Shepherds Watched. / arr. Peter Madge. - ? date.
    2. Mundingburra: Coottamundra Music CM33.
    3. Score and parts.
    4. SATB recorders.
    5.  
    1. Carol of the Drum. / arr. Peter Madge. - ? date.
    2. Mundingburra: Coottamundra Music CM35.
    3. Score and parts.
    4. SAATBB recorders.
    5.  
    1. Carols for Recorder Quartet Book 2.: Once in Royal David¹s City, The First Nowell, It Came Upon the Midnight Clear, O Little Town of Bethlehem, Coventry Carol and Silent Night. /arr. Peter Madge. - ? date
    2. Mundingburra: Coottamundra Music CM34.
    3. Score and parts.
    4. SATB recorders.
    5.  

    Mageau, Mary Jane (1934-)

    1. Dialogues. / Mary Mageau. - 1977.
    2. Sydney: AMC Library number: 785.83614 MAG 1; Sydney: Currency Press (Thorn 1995).
    3. 1 facsimile score (15 p.); 30 cm.
    4. SATB recorders.
    5.  
    1. Doubles: Aeolian Pair / Mary Mageau. - 1977.
    2. Sydney: AMC Library number: 785.83614 MAG 2; Sydney: Currency Press (Thorn 1995)
    3. Facsimile score (10 p.); 30 cm.
    4. SATB recorders + percussion (optional).
    5. 3 min.
    1. Doubles: Dorian Pair / Mary Mageau. - 1977.
    2. Sydney: AMC Library number: 785.83614 MAG 3; American Music Centre M457.2 M191 D72; Sydney: Currency Press (Thorn 1991).
    3. 1 facsimile score (4 p.) ; 30 cm.
    4. SATB recorders + percussion (optional).
    5. 3 min.
    1. Doubles: Aeolian Pair, Dorian Pair / Mary Mageau. - 1977.
    2. Sydney: AMC Library number: 785.83614 MAG 4
    3. 1 facsimile score (10 p.) ; 30 cm.
    4. SATB recorders + percussion (optional).
    5. 6 min.
    1. Discorsi musicale. / Mary Mageau. - 1986.
    2. Loux Music, 1996; AMC Library number: 785.2414 MAG 1.
    3. 1 facsimile score (17 p.); 37 cm.
    4. Alto recorder + descant viol + viol + harpsichord.
    5.  
    1. Greensleeves. / Mary Mageau. - 1986.
    2. Hannacroix, N.Y.: Loux Music, 1990; AMC Library number: 785.2413 MAG 2.
    3. 1 score (14 p.); 28 cm. + 2 parts (4, 4 p.); 28 cm.
    4. S/T recorder or flute + cello or bassoon + harpsichord or piano.
    5. 1' 30"/

      Review by Malcolm Tattersall in The Recorder (Australia) 13: 21-22 (1991).

    1. Suite With a Beat. / Mary Mageau. - 1986.
    2. Hannacroix, N.Y.: Loux Music Publishing Co., ca 1989; AMC Library number: 785.2615 MAG 1.
    3. 1 score (12 p.); 28 cm.
    4. SSAT recorders + harpsichord or piano + cello or bass viol (optional).
    5. 5:00

    6. Review by Diane Draper in The Recorder (Australia) 11: 21 (1990).

    1. Crazy Clock. / Mary Mageau. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. SS/AA recorders.
    5.  
    1. March on! / Mary Mageau. - 1993.
    2. Hannacroix, N.Y.: Loux Music LMP-99 (performance parts available for hire); AMC Library number: 785.5615 MAG 1.
    3. 1 score (6 p.); 28 cm.
    4. SATB recorders + drum.
    5. 2 mins.

    6. Review by Benjamin Thorn in The Recorder (Australia) 17: 26 (1993).

    1. A Sad Song. / Mary Mageau. - ? date.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. SSSA recorders + percussion.
    5.  
    1. Variations on Scarborough Fair. / Mary Mageau. - ? date.
    2. Loux Music Co. LMP-118.
    3.  
    4. T recorder + cello or viol obligatto + keyboard
    5.  
    Review by Paul Clark in Recorder Magazine 17(1): 18 (1997). Recorded by Brisbane Baroque Trio, CD JADC 1030
    1. Trio for Recorders. / Mary Mageau. - 1999.
    2. Loux Music Co. LMP-152.
    3.  
    4. SAT recorders.
    5.  
    6.  
    1. Seasonal Reflections: I. Ode to Indian summer, II. Spring, oh spring, III. The lonely time, IV. Wanderlust. / Mary Mageau. - ? date.
    2. Loux Music Co. LMP-193 (2004).
    3. 1 score (16 p.); 28 cm
    4. soprano (or tenor) voice, alto recorder (or flute) + piano.
    5. 10:00
    6.  

    Stephanos Malikides

    1. Gliding. / Stephanos Malikides. - 1995.
    2. Sydney: Currency Press (Thorn 1995).
    3. Graphic score, improvised piece.
    4. 5-30 recorders.
    5.  

    Manifold, John Streeter (1915-)

    1. Three Bush Tunes in 2/4 Time: Currency lasses; Out on the Daly River-O; When shearing comes. / arr. John Manifold. - 1967.
    2. Sydney: Albert & Son (1967)
    3. score (4 p.); 28 cm
    4. SAT recorders/flute + percussion (optional).
    5.  
    6.  
    1. Three Bush Tunes in 6/8 Time. / John Manifold. - 1973.
    2. Sydney: Albert & Son.
    3.  
    4. SAT recorders/flute + guitar (optional).
    5.  
    1. Easy Recorder Group-work. / arr. John Manifold. - 1973
    2. Sydney: J. Albert & Son #219, 1973.
    3. 8p.: all music; 22x28cm.
    4. Recorder ensemble.
    5.  
    1. Thomas Morely: Three Pieces from the Plain & Easie Introduction to Musick (1597) Transcribed for Recorders. / arr. John Manifold. - 1973
    2. London: Society of Recorder Players/Schott & Co. RMS 284
    3. Score; 6 pp.
    4. 1. SS or TTrecorders; 2. SST or SSA or ATB or TTB recorders; 3. SSSA or SSAA or SSAT or ATTB recorders
    5.  

    Marks, Herbie

    1. Waltzing Matilda / arr. Herbie Marks. - ca 1976.
    2. Sydney: J. Albert & Son, ca 1976; AMC Library number: 784.44 MAR 1.
    3. 1 score (12 p.); 27 cm.
    4. SAT recorders + guitar + guitaret + bass + 4 bass melodicas + percussion + piano.
    5. This melody, Australia's unofficial National Anthem, is ( of course) timeless :-)

    Marks, Phil. (? date)

    1. Trio. / Phil Marks. ? date
    2. Details available via Nick Horn
    3.  
    4. BBB recorders
    5.  

    (Cecil) Glyn Marillier (1950-)

    1. Intrada Prima [ = Intrada á 8]. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 1
    3. Score + 2 choir parts.
    4. Recorder orchestra: SSSAATT.
    5.  
    1. Canzona Prima [= Canzona á 8]. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 2.
    3. Score + 2 choir parts + 8 parts.
    4. SSAT + SSAT (polychoral) recorder orchestra.
    5.  
    1. St Patrick's Echo [= Canzona á 12]. / Glyn Marillier. - ? date.
    2.  
    3. Westron Wynde Music WWM 3.
    4. Score + 12 parts.
    5. 3 soloists (S-T, A, A) with sSSAATTBB recorder orchestra.
    6.  
    1. Sarabande. / Glyn Marillier. ? date.
    2. Westron Wynde Music WWM 4.
    3. Score + 5 parts.
    4. SATB recorders and piano.
    5.  
    1. Scherzo and Cantabile. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 5.
    3. Score + 4 parts.
    4. SATB OR SSAT recorder ensemble.
    5.  
    1. Newport Light Airs. / Glyn Marillier. ? date.
    2. Westron Wynde Music WWW 6.
    3. Score + 4 parts.
    4. SATB recorder ensemble.
    5.  
    1. Three Short Movements. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 7.
    3. 2 scores.
    4. SA and AT recorders.
    5.  
    1. Andante espressivo. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 9.
    3. Score + part.
    4. A recorder and guitar or recorder and piano.
    5.  
    1. Trio in D minor. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 9.
    3. Score + 3 parts.
    4. ATB recorders.
    5.  
    1. Ave verum corpus. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 10b.
    3. Score + 4 parts.
    4. SATB recorders.
    5.  
    1. Chaconne [= Chaconne in D Minor]. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 11
    3. Score + 14 parts.
    4. solo SATB recorders, and SSATB recorder orchestra with 'cello ad lib. (4 solo + 2S, 3A, 3T and 3B).
    5.  
    1. Barcarolle. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 12
    3. Score + 4 parts.
    4. SATB recorders.
    5.  
    1. Psalm 121. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWWM 13b.
    3. Recorder score + 4 parts + vocal score.
    4. SATB recorder ensemble.
    5.  
    1. Everyone Sang. / Glyn Marillier. - 1992.
    2. Westron Wynde Music WWM 14b.
    3. Score + 10 parts.
    4. SSAATTBB recorder orchestra (2S, 3A, 3T, 2B provided).
    5.  
    1. Lorne Concerto (orchestral version). / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 15a.
    3. Score + 15 parts.
    4. s recorder solo, SSAATTBB recorder orchestra and continuo (solo sopranino, principal A, 2S, 3A, 3T, 2B ripieni, keyboard continuo, 'cello continuo and bass recorder continuo).
    5.  
    1. Lorne Concerto (trio version). / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 15b
    3. Score + 2 parts.
    4. A recorder, harpsichord (or piano) and 'cello.
    5.  
    1. The King's Galliardo. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 16.
    3. 3 scores.
    4. SAT recorders.
    5.  
    1. Air and Pastorale in C. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 17.
    3. Score + 2 parts.
    4. B recorder and continuo.
    5.  
    1. Hymn of Thanksgiving & Rejoicing Dance. / Glyn Marillier. --? date.
    2. Western Australia: Gaia Productions, 1993; Westron Wynde Music WWM 18.
    3. Score + 4 parts, 4pp.
    4. SATB recorders.
    5. 1'36'', 1'40''
    Hymn of Thanksgiving: "Composed in hounour of Vivenne Whitfield of Konnongorring, Western Australia, for her 90th birthday, June 25th 1993."

    Recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley

    1. Caedmon Suite. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 19
    3. Score + 4 parts.
    4. SATB or SSAT recorder ensemble.
    5.  
    1. Prelude and Ricercar in C minor. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 20.
    3. Score.
    4. Alto recorder solo.
    5.  
    1. Polychoral Tennis. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 21.
    3. instructions + 3 overhead transparencies.
    4. SS/A, SAT and SAT recorders
    5.  
    1. Fanfare and Dream. / Glyn Marillier. - ? date.
    2. Westron Wynde Music WWM 22.
    3. Score + 14 parts.
    4. SATB soloists and SSAATTBB recorder orchestra.
    5.  
    1. The WARG's Bolero Sarabande. / Glyn Marillier. - ? date.
    2. Westron Wynde Music
    3.  
    4. SATB recorders + piano.
    5.  
    1. A Short Suite for Sydney. / Glyn Marillier. - 2003.
    2. Perth: Keys Press KP 0198 (2003)
    3. 1 score (15 p.) + 5 parts; 30 cm. + 1 sheet
    4. solo B recorder + AATB recorders
    5.  
    6. "Commissioned by the Sydney Society of Recorder players." Review by Janice Ormerod, Recorder Magazine 23(3): 88-89 (2003).

    Martin, Ruth Lee

    1. The memory of trees. / Ruth Lee Martin. - 2004.
    2. Sydney: Australian Music Centre 785.83614/MAR 1
    3. 1 facsimile score (20 p.); 30 cm
    4. STTB recorders
    5.  
    6.  

    McKimm, Barry (1941-)

    • WWW Page, from Australian Music Centre
    1. Harrietville Suite / [music] by Barry McKimm; [words by Barry McKimm, Henry Lawson and John Shaw Neilson]. - 1991.
    2. Warrandyte, Victoria: Yarra Yarra Music Services; AMC Library number: Q 781.628 MCK 1.
    3. 1 score (193 p.); 42 cm.
    4. SSATB choir + ST recorders + piccolo + 3 flutes + 2 oboes + 3 clarinets + bass clarinet + 2 bassoons + AATBar. saxophones + 4 horns + 4 trumpets + 2 trombones + bass trombone + tuba + timpani, percussion (3 players) + strings.

    Georg Mertens (contemporary)

    1. Multicultural Suite / by Georg Mertens (?2000)
    2. Unpublished
    3. Score available from the composer
    4. sSATB recorders + cello.
    5.  
    6. Recorded on CD: Sounds of Timber, featuring Jodie Goldney (recorder) & Georg Mertens (cello).

    Middleton, Elisabeth

    1. Tout de Sweet. / Elisabeth Middleton. - ? 1997.
    2. Armidale: Orpheus Music OMP013.
    3. Score.
    4. SATB recorders.
    5.  
    Reviewed by Paul Clark, Recorder Magazine 19(2): 51-52 (1999); Letitia Berlin, American Recorder 41(1): 26-27 (2000).
    1. Tout de Sour. / Elisabeth Middleton. - ? 1997.
    2. Armidale: Orpheus Music OMP 035 (1999)
    3. 1 score (8 p.) + 30 cm; 4 parts
    4. SATB recorders.
    5.  
    6.  
    1. Sleepy Maggie's waltz. / Elisabeth Middleton. - ? 1997.
    2. Armidale: Orpheus Music OMP 116 (ca 2004).
    3. Score.
    4. SATB recorders.
    5.  
    6.  
    1. One Deaf Antechinus. / Elisabeth Middleton. - ? 1997.
    2. Armidale: Orpheus Music OMP 145 (2005).
    3. Score + parts.
    4. SATB recorders.
    5.  
    6.  
    Reviewed by Bill Rees, American Recorder 47(5): 40 (2006); Jean McCreery, Recorder Magazine 26(4): 134 (2006).

    Monger, Gary (?date)

    1. Gecko. / Gary Monger. - ? date.
    2. Armidale: Orpheus Music OMP029 (ca 1998).
    3. 1 p.; 30 cm.
    4. S recorder (solo).
    5.  
    Review by Peter Wells, Recorder Magazine 21(3): 109 (2000).

    Morrissey, Wendy (1926-)

    • WWW Page, from Australian Music Centre
    1. The Singing Forest / Wendy Morrissey. - ca 1976.
    2. Sydney: J. Albert & Son 419 (1976); AMC Library number: 782.7542 MOR 1.
    3. 1 vol. of music (13 p.); 27 cm.
    4. spoken voice + children's voices + percussion + piano + recorder.
    5.  

    Newling, Brad

    1. And then the Mist. / Brad Newling. - 1999.
    2. University of Sydney Library
    3. 1 score (i, 6 leaves).
    4. recorder quartet + percussion
    5. Under the pseudonym I.N. Nachholl

    Ng, Nicholas

    1. Poppies and Spice. / Nicholas Ng (2001).
    2. Armidale: Orpheus Music OMP YCS 011 (2002).
    3. score (7 pp.) + part (4 pp.)
    4. tenor recorder + guitar.
    5.  
    6. Review in American Recorder 44 (2): 30 (2003).
    ol>
  • Bathing the Budda. / Nicholas Ng (2005).
  • Armidale: Orpheus Music OMP 150 (2005).
  • score (11 pp.)+ parts (2 pp.)
  • SATB(C) recorders
  •  
  •  

    • Norman, Anne

    1. Spaces. / Anne Norman - 1993.
    2. Solo recorder.
    3.  

    4. Written for Jeanette Hajncl. Uses shakuhachi techniques.
    1. Untitled. / Anne Norman - 1995.
    2. Solo recorder.
    3.  

    4. Written for Jeanette Hajncl. Uses shakuhachi techniques.
    1. Recollections. / Anne Norman & Jannette Hajncl. - 1994.
    2. Unpublished.
    3. A4 single-sided music sheet, A4 single-sided instruction sheet.
    4. Recorder (s/S/T) + shakuhachi.
    5. 4 min.

    6. Joint composition by Anne Norman and Jeanette Hajncl, involving some opportunity for improvisation.

    Olive, Vivienne

    1. The Blacksmith: a suite of variations for recorder. / Vivienne Olive. - 1993.
    2. Kassel, Germany: Furore Verlag 164 (1993).
    3. 1 score (7 p.); 30 cm.
    4. A + T recorder (one player).
    5. 15 min.
    6. Dedication "For Nik". Prelude, Alman, Courante, Sarabande, Jig, Postlude, Folksong.
    1. Light-winged Dryad of the Trees. / Vivienne Olive. - 1990.
    2. Kassel, Germany: Furore Verlag 534 (2001).
    3. 1 booklet ([4] p.) ; 30 cm. + 1 set of 3 parts ([12] p.); 30 cm.
    4. S recorder, violin, female voice.
    5.  
    6. Originally written as recorder solo, therefore the recorder part may also be performed independently.
    1. Pantjelang lullaby. / Vivienne Olive. - 1995.
    2. Kassel, Germany: Furore Verlag 186 (1998).
    3. 1 score (12 p.); 30 cm
    4. recorder + cello
    5. 10:00
    6.  

    d'Ombrain, Geoffrey R.

    1. Light-strung sigils. / by Geoffrey d'Ombrain. - ? 2002.
    2. Dereel: D'Ombrain (2002)
    3. 1 score (15p., 5p. 11p.); 30 cm
    4. recorder + piano
    5. 13:15
    6. No. 5 from Configuration space / Platonia. Dedication: "For Colin Matthews & Music of Changes who commissioned this work".

    Oosterbaan, André (1947-)

    • WWW Page, from Australian Music Centre
    1. In the Leaf / Andre Oosterbaan. - ? date.
    2. Sydney: AMC Library number: Q 784.44 OOS 1
    3. 1 facsimile score ([3] p.); 28 x 43 cm.
    4. 6-10 S recorders + 4-5 violins + 2-3 cellos + piano + 4 percussion +12 chime bars.
    5.  

    Palmer-Holton, Suzanne (1950-)

    1. Two Suites: Includes Round Dance. / Suzanne Palmer-Holton. ? date.
    2. Mundingburra: Coottamundra Music PH01; Sydney: Currency Press (Thorn 1991).
    3. Score.
    4. SA recorders (1 player) or flute.
    5.  
    1. Six Pieces for Simone. / Suzanne Palmer-Holton. ? date.
    2. Mundingburra: Coottamundra Music PH02; Armidale: Orpheus Music OMP34 (ca 1999)
    3. 1 score (4 p.) + 30 cm; 1 part (2 p.)
    4. S recorder (or oboe) + piano.
    5.  
    Review by Ben Norbury, Recorder Magazine 21(3): 107-8 (2000).
    1. Let¹s Play a Round on the Flute: Thirty rounds in progressive order. / Suzanne Palmer-Holton. ? date.
    2. Mundingburra: Coottamundra Music PH03.
    3. Score.
    4. 2 - 6 alto recorders (many also suit T).
    5.  

    Parker, Keiran (1983)

    1. … and Friends. / Keiran Parker. 1997.
    2. Armidale: Orpheus Music YCS 001
    3.  
    4. Alto recorder.
    5.  

    6. Recieved third prize in Gould League of NSW and Sydney Morning Herald Environment 1997 competition.

    Parker, Tracy (1979)

    1. Changing Light. / Tracey Parker. ? date.
    2. Armidale: Orpheus Music YCS 007
    3.  
    4. ATB recorders.
    5.  

    Paviour, Paul (1931-)

    • WWW Page, from Australian Music Centre
    1. Karingal Suite: March, Scherzo-burlesque, Finale on a ground. / Paul Paviour. - 1970.
    2. Sydney: J. Albert, ca 1975; AMC Library number: 785.3419 PAV 1.
    3. 1 score (41 p.) + 9 parts; 22 x 28 cm.
    4. Piano, S recorders(or flute, oboe, etc.) + violins (beginners) + percussion.
    5. 14 min.
    6.  
    1. This Endris Nyghte: A Christmas cantata. / music by Paul Paviour; words: traditional. - 1964.
    2. Sydney: James Music, ca 1982; AMC Library number: 782.5524 PAV 1.
    3. Score (39 p.); 27 cm. Score (50p.); 45 cm.
    4. SATB choir + children's choir + orchestra + piano or organ + recorders.
    5.  
    1. The Twelve Days of Christmas. / by Paul Paviour.
    2. Sydney: AMC Library number: Q 782.28 PAV 5.
    3. 1 facsimile score (18 p.); 32 cm.
    4. Children's choir + piano + recorder + percussion group (optional) + violins (beginners).
    5.  
    1. What the Dickens! Five character sketches for junior instrumental ensemble. / Paul Paviour. - 1975.
    2. Sydney: AMC Library number: Q 785.3419 PAV 1.
    3. 1 facsimile score (42 p.); 31 cm.
    4. Clarinet (or any Bb instrument) + guitar + S recorders + violin + SA Orff xylophones, SA Orff glockenspiels + piano duet team + percussion group.
    5. 15 min.

    Penicka, Miloslav (1935-)

    • WWW Page, from Australian Music Centre
    1. Dance. / Miloslav Penicka. - 1973.
    2. Sydney: AMC Library number: 784.44 PEN 2 (performance parts available for hire).
    3. 1 facsimile score (11 p.); 30 cm.
    4. SA recorders + flutes + piano + glockenspiel + timpani + violins + violas +cellos.
    5. 3 min.

    Penn, Lesley (1924-)

    Lesley Penn is from Melbourne and came to composition through her activity as a recorder player. Mostly she writes for her own use and that of her friends who play together regularly on various combinations of instruments.
    1. Three Etudes: Lament, Flutter, Étude. / Lesley Penn. - 1974-1983.
    2.  
    3.  
    4. Alto recorder.
    5. 45".

    6. See Hauwe (1998).

    1. Canon and Fugue at the Fifth in G. / Lesley Penn. - 1978.
    2.  
    3.  
    4. SAT recorders or other instruments.
    5. 3 min.

    6. See Hauwe (1998).

    1. Sonata / Lesley Penn. - 1978.
    2.  
    3.  
    4. AA recorders.
    5. 9 min.
    1. Fugue in a minor. / Lesley Penn. - 1978.
    2.  
    3.  
    4. SATB recorders.
    5. 3'30".

    6. See Hauwe (1998).

    1. Quartet in E Minor. / Lesley Penn. - 1979.
    2.  
    3.  
    4. SATB recorders.
    5. 9 min.

    6. See Hauwe (1998).

    1. Three Twentieth-Century Dance Moods. / Lesley Penn. - 1979/rev. 1987.
    2.  
    3.  
    4. SATB recorders + percussion (optional).
    5. 5'30"

    6. See Hauwe (1998).

    1. Fantasy. / Lesley Penn. - 1980.
    2.  
    3.  
    4. ATBB or ATTB recorders.
    5. 4'30".

    6. See Hauwe (1998).

    1. Prelude and Fugue in Bb. / Lesley Penn. - 1980.
    2.  
    3. SATB recorders.
    4. 5'30".

    5. See Hauwe (1998).

    1. Yellow Daisy Suite. / Lesley Penn. - 1982.
    2.  
    3.  
    4. ATTB recorders + singer (optional).
    5. 9'30".
    1. Fantasy. / Lesley Penn. - 1982.
    2.  
    3.  
    4. ATTB or ATBB recorders.
    5.  
    1. Coffee and Crumpets. / Lesley Penn. - 1983.
    2.  
    3.  
    4. SAB recorders + percussion (optional).
    5. 3 min.
    1. Reflections. / Lesley Penn. - 1983.
    2.  
    3.  
    4. SATBB recorders + cello (or guitar or organ) + voice (optional).
    5. 3 min.

    6. See Hauwe (1998).

    1. Essays in 'd' and 'a'. / Lesley Penn. - 1984.
    2.  
    3.  
    4. SAT recorders or other instruments.
    5. 4'30".

    6. See Hauwe (1998).

    1. Two pieces for five recorders: Simmerette (1995), Episode (1985). / Lesley Penn. - 1985 & 1995.
    2. Perth: The Keys Press 0046
    3. 1 score (12 p.) + 5 parts; 21-30 cm
    4. SATTB and SATBB recorders.
    5. 5:00
    1. Six Short Pieces. / Lesley Penn. - 1985.
    2.  
    3.  
    4. ST recorders.
    5.  
    1. Four Short Pieces. / Lesley Penn. - 1985.
    2.  
    3.  
    4. ST recorders.
    5. 5'30".

    6. See Hauwe (1998).

    1. Episode. / Lesley Penn. - 1985.
    2.  
    3.  
    4. SATBB recorders.
    5. 3'30".

    6. See Hauwe (1998).

    1. Suite. / Lesley Penn. - 1986.
    2.  
    3.  
    4. ATBB recorders or other instruments.
    5. 8 min.
    1. Monday's March. / Lesley Penn. - 1988.
    2.  
    3.  
    4. sATTB recorders.
    5. 5'30".

    6. See Hauwe (1998).

    1. October's Joy. / Lesley Penn. - 1992.
    2. Perth: The Keys Press.
    3.  
    4. AT recorders.
    5. 2'45".

    6. See Hauwe (1998).

    1. Psalm 150. / Lesley Penn. - 1989.
    2.  
    3.  
    4. Recorders quartet.
    5. 1'45";

    6. See Hauwe (1998).

    1. Andante Grave. / Lesley Penn. - 1992/3.
    2.  
    3.  
    4. 3 recorders.
    5. 9'30"

    6. See Hauwe (1998).

    1. Siciliana Celebrare. / Lesley Penn. - 1993.
    2. Perth: The Keys Press.
    3. 3 pages + parts.
    4. BB recorders.
    5. 3 min.

    6. See Hauwe (1998).

    1. Beryliana. / Lesley Penn. - 1993.
    2. Perth: The Keys Press.
    3. 3 pages + parts.
    4. SAB recorders.
    5. 3'30".

    6. See Hauwe (1998).

    1. Seven Year Itch. / Lesley Penn. - 1994.
    2. Perth: The Keys Press.
    3. 5 pages + parts.
    4. Duet for SATB recorders.
    5. 2 min.

    6. See Hauwe (1998).

    1. Four by Two. / Lesley Penn. - 1989.
    2. Perth: The Keys Press.
    3.  
    4. S swap A + T swap B recorders.
    5. 3'45".

    6. See Hauwe (1998).

    1. October's Joy. / Lesley Penn. - ? 1998.
    2. Perth: The Keys Press
    3. score
    4. AT recorders.
    5. 2.75 minutes.
    1. If you are as kind. / Lesley Penn. - ? 1998.
    2. Perth: The Keys Press.
    3. 2 pages.
    4. soprano voice + AT recorders.
    5. 1 min.

      Setting of a poem by C.B. Christesen.

    1. Fugue in A Minor. / Lesley Penn. - ? date.
    2.  
    3.  
    4. SATB recorders.
    5.  
    1. Prelude and Fugue in Bb. / Lesley Penn. - ? date.
    2. SATB recorders.
    1. CT / Lesley Penn. - ? date.
    2.  
    3.  
    4. Various recorders + tape.
    5. 10 min.

    6. See Hauwe (1998).

    1. Four by Four. / Lesley Penn. - ? date.
    2.  
    3.  
    4. SATB
    5.  
    1. Sonata. / Lesley Penn. - 1978.
    2. Perth: The Keys Press.
    3. score+ parts, 12 pp
    4. SATB
    5.  

    Phelan, Madeline

    1. Günther's Dance. / Madeline Phelan. - ? date.
    2. Armidale: Orpheus Music YCS 012.
    3. 1 score (7 p.) + 4 parts ; 30 cm.
    4. SAT/SB recorders
    5.  
    Reviewed by Alison Baldwin, Recorder Magazine 22(4): 154 (2002).

    Pigott, Diarmuid (1959-)

    1. Aegean Songs: Prelude, Troezan, Fracture and Cleave, Cos, Delos, Autumn. / Diarmuid Pigott - 1992.
    2. Published here.
    3. MIDI and PostScript files. Scores available on request.
    4. Voice & Chamber Ensemble (Alto Flute, Alto Recorder, Syrinx, Eb Clarinet, Cello, Crotales, Santur)
    5.  
    1. Concerto Pastorale: Summer, Autumn, Winter, Spring. / Diarmuid Pigott. - 1994 .
    2. Published here.
    3. MIDI and PostScript files. Scores available on request.
    4. Harmonic Tenor Recorder (or Flute) + Chamber ensemble (Cor Anglais, Clarinet, French Horn, Violin, Viola, Cello, Contrabass)
    5. ca 15 min.

    There is a real audio performance of this music here.

    This piece came about as a result of discussing the role of the nightingale in mythology with the classicist Peter Bryant, specifically the story of the "Musical Battle" between a Lutenist and a Nightingale, in which the two compete, and the poor bird, though the victor, dies from the exertions. From shame at this outcome of his display of vanity, the minstrel then smashes his instrument. So, I wrote a small "echo song" for the two, with the appropriate bird trills before, and a tour de force at the end. It served its turn, but ultimately was rather too mannered for my taste. At the time, I purchased a Compaq Concerto (pen driven computer) for the purposes of writing music, and decided that I should write a concerto (of course!). So I thought I would change the short illustration into a concerto. The Echo Song is now the second movement, the bird trills are incorporated in the first movement, and the tour de force at the end. The complexion of the entire piece is now changed (I think for the better), but I felt that the strangeness of the music should have an explanation. This piece is dedicated to Peter, in acknowledgement of many wonderful hours of companionable discussion of such topics.

    Having made the conversion, I thought I would continue the strain of "pastoral interpretation" and depict the seasons. This is (truth to tell) an inspiration from four exquisite (jewel-like) silhouettes of the seasons that came with Microsoft Publisher. I will find out if they are web-displayable and display them if so. I've not begun with spring, as that is not the way of it in Australia. I've started with the intolerable might of summer heat, and moved through the cycle from there. The scenes are retrieved from childhood memories of the Hawkesbury-Nepean, and anyone who wants to know what that means can do no better than look at the paintings of Arthur Streeton.

    The movements are: 1.Summer - a sort of da capo aria affair, with alternations between the torpor of the heat felt in the shade, and the bustling of the natural world going about the business of staying alive. 2.Autumn - inspired by the sounds of boat horns echoing across Matilda Bay one autumn, in the rain and fog. 3.Winter - This is a scherzo - two wildish bits of flurrying, surrounding a piece in the form of a tango nuevo. Winter in Perth often has spells of the warm and langorous, surrounded by manic storms, with roof torn off and trees uprooted - arriving suddenly and as quickly gone. 4.Spring - Spring in Australia is not an awakening from the slumber or death that is the common representation in myth. The plants are always green, and something is always bursting into flower. But there is a sense of getting ready before summer that can at times have a faintly desperate quality.

    The piece is for the tenor recorder (though in some sections swapping to another instrument may be necessary) - it is ideally suited for the wonderful new keyed recorders that various workshops are producing. The ripieno is violin, viola, cello, bass, clarinet, cor anglais and horn.

    1. In Nomine Fantasia. / Diarmuid Pigott. - 1995.
    2. Published here.
    3. MIDI and PostScript files. Scores available on request.
    4. Harmonic Tenor Recorder (or flute) + Chamber ensemble.
    5. ca 8 mins.

    There is a real audio performance of this music here.

    I wrote the In nomine after a prolonged period of absorption in the In nomine fantasias of the c16 and c17 in England. Primarily works for viol consort, or for broken consort (a consort of mixed instruments), they were derived from the practise of using a Vespers antiphon from the Salisbury rite - the Gloria tibi Trinitas - as the ground bass for fantasias. The fact that these pieces are called In nomines is because of a setting of the Mass to this ground by John Taverner, from which a section of the Benedictus - beginning with the words "In nomine Dominie" was widely printed in anthologies, and imitated by all the leading composers of the day. There are literally hundreds of these fantasias: by Bull, Byrd, Ferrabosco, Gibbons, Holborne, Lawes, Locke, Purcell, Tye, Tallis to mention only a few. The tune itself is depicted below. For more information, I cannot do better than recommend the section on the In nomine in Neighbour's excellent book on Byrd's music (Faber 1978, vol 3 pp 26-50).

    This piece is a compliment to the Concerto Pastorale, where the solo part is dramatically separated. I wanted to write something that showed the instrument blending in (which means restraint on the part of the other performers so the balance is maintained). This lent itself naturally to the fantasia form, and so to the In nomine. The fantasia is in three parts - the first is a straightforward ground bass fantasia, with a melodic motif arising in tribute to the original Taverner piece. This new melody is then used as the ground bass for the middle section, which provides dramatic contrast. In the third section the original bass is used, but the harmonic inflexion is coloured by the second melody. The original melody is played in the closing bars of the piece.

    Once again, the forces are tenor recorder, violin, viola, cello, bass, clarinet, cor anglais and horn.

    1. Sonata for solo recorder: Fanfare, Air, Rejoissance, Molto perpetuo. / Diarmuid Pigott. - 1996.
    2. Published here.
    3. MIDI and PostScript files. Scores available on request.
    4. S recorder.
    5. ca 9 mins.

    There is a real audio performance of this music here.

    • Fanfare. This piece of music was inspired by the flourish with which the dedicatee ended a private performance of my Concerto Pastorale. I was amazed and delighted by the strength and depth of expression which the piper could conjure through his instrument, and wanted to write a musical flourish in tribute.
    • Air. This piece is a lament, an extract from an imaginary opera. It is written to take advantage of the break in timbre between certain ranges of the instrument, in imitation of an operatic Gigli sob.
    • Rejouissance. This movement was written in relief at a respite from an illness, and descibes a kittenish feeling.
    • Moto perpetua This is a sort of raggy minuet, with a dance theme decaying both chromatically and rhythmically. It was inspired by the difficulty one often faces in running out of notes in the lower range of the recorder.
    1. Advent Suite: Fantasia, Air - Rorate Coeli, Air - Salus Aeterna / Diarmuid Pigott. - 1996, revised 1997.
    2. Published here.
    3. MIDI and PostScript files. Scores available on request.
    4. SSAT/B recorders.
    5.  

    There is a real audio performance of this music here.

    I wrote this suite under the influence of the English c16/17 composers. The tradition of suites comprised of a fantasia and two ayres is prevalent, particularly in the writings of my favourite, William Lawes. The fantasia was a complex contrapuntal composition, often with a theme (a ground bass, or a popular tune being threaded in, or even Cries of London being worked in - Gibbons did a spectacular version of that). The ayres were settings that did no damage to the integrity of the orginal tune, but managed to work some semblance of original thought into the setting through shadings of harmony.

    The Fantasia is an exercise in form, as well as an attempt to write in contrapuntal idiom. It is in the form of a magnetic bottle, half-remembered from a science text book of youth, wherein the thing was shown containing plasma in a brief moment of time. The ends of the bottle were described as being singular, containing no size. This was reinforced by watching experiments in turbulence at the CWR at UWA where I worked as a technical clerk, and seeing the perturbation of a singular strand into a massive plume. I wanted to write a fantasia on one note (as Purcell did), but starting on the singularity of a held D, falling apart under the weight of its own forces, and then re-ravelling (if such a concept is possible) back to the original note. The first air is the Rorate Coeli from the Liber Usualis. This was first played to me over the telephone by my friend Ross Callaway, who was overjoyed at finding it in a recent acquisition from Pellegrini's Catholic Bookshop. The haunting nature of the tune kept it in my head for days - unusual phrase lengths, and the Da capo aria nature of it delighted everyone who heard it. So this was a natural choice - its Seasonal nature gives the name to the Suite.

    The second air is the Sallust aeternae, also from the Liber Usualis. This I found by going through the book until I found a tune to match the Rorate coeli in oddity and beauty.

    Pye, David

    Composers Home Page

    1. Penguinade. / David Pye. - 1995.
    2. Perth: Self Published
    4. s S+A AB recorders.
    5. 4 mins
    1. Monet's Bridge. / David Pye. - 2005.
    2. Armidale: Orpheus Music OMP157
    4. AATT recorders.
    5.  
    Winner of 2005 National Recorder Composition Competition.

    Hope-Quayle, Margaret M

    • Phone the composer: +61 08 9293 1032
    1. Warragoon. / Margaret M. Hope-Quayle. - 1986.
    2. Perth: Margaret Hope-Quayle, 1988.
    3. 1 facsimile score (4 p.); A4
    4. SATB recorders + percussion.
    5.  

    Graham Ranft

    1. Schnick Schnack. / Graham Ranft. - 1995.
    2. Sydney: Currency Press (Thorn 1995).
    3.  
    4. AA or SS recorders.
    5.  
    1. Hopping Blues. / Graham Ranft. - 1995.
    2. Sydney: Currency Press (Thorn 1995).
    3.  
    4. SAT recorders.
    5.  

    Reeder, Haydn (1944-)

    • WWW Page, from Australian Music Centre
    1. Concerto in one movement. / Haydn Reeder. - 1970.
    2. Sydney: AMC Library number: Q 784.24186 REE 1
    3. 1 facsimile score (33 p.); 38 cm.
    4. Harpsichord + piano + piccolo (doubling S recorder) + flute + clarinet + cor anglais + bassoon + 3 trombones + bass trombone + tuba + harp (doubling triangle) + guitar + vibraphone (doubling glockenspiel) + 3 percussion + 4 violins + 4 cellos +2 double basses.
    5.  

    1. Sirens' hotel: chamber opera in one act. / Haydn Reeder. - 1970.
    2. Sydney: AMC Library number: Q 784.24186 REE 1
    3. 1 facsimile score (151 p.) ; 42 cm
    4. Solo soprano, mezzo-soprano, tenor, 5 baritones, bass, SSAA chorus, male narrator, 2 flutes (1st doubling piccolo, 2nd doubling tenor recorder), 2 oboes, cor anglais, clarinet in B flat (doubling soprano saxophone), bass clarinet, bassoon, 3 trumpets in B flat, horn, 2 trombones, harp, harpsichord, piano/celeste, upright piano, out of tune), percussion (2 players), strings (6.6.4.4.2).
    5. 45:00
    6.  

    Reiner, Thomas (1959-)

    1. Frederick (based upon a picture-book by Leo Leonni). / Thomas Reiner. - 1986.
    2. Sydney: AMC Library number: 785.5416 REI 1.
    3. 1 score (25 p.); 22 x 30 cm.
    4. SATB recorders + guitar + percussion.
    5.  

    Rogers, John (? dates)

    1. Tulp, the body public. /John Rogers. – 2004
    2.  
    3.  
    4. recorder.
    5.  
    Music theatre-piece with multimedia, premiered by Elision at Domain Theatre, Art Gallery of NSW 15-18 January 2004, with recorder player Genevieve Lacey. See here.
    1. The Grey Thrush. /John Rogers. – 2006
    2.  
    3.  
    4. cello, theorbo, soprano, recorders, trombone, guitar, saxophones, electronics
    5.  
    Based on birdcalls. Composed for Genevieve Lacey and performed in concerts with The Song Company in November and December 2006. See here.
    1. Little Jackie Winter and Friends. /John Rodgers. – 200?
    2.  
    3.  
    4. s recorder
    5.  
    Based on birdcalls. Composed for Genevieve Lacey and performed in concerts with The Song Company in November and December 2006. See here.
    1. The Magpie. /John Rodgers. – 200?
    2.  
    3.  
    4. s recorder
    5.  
    Based on birdcalls. Composed for Genevieve Lacey and performed in concerts with The Song Company in November and December 2006. See here.

    Rowe, Garth. (? dates)

    1. Control of Four Recorders: Tone and Rhythm. / Garth Rowe. - 1981.
    2.  
    3.  
    4. AATB recorders.
    5.  

    Christopher Sainsbury (1963–)

    1. My Eye Has Seen My Desire. / Christopher Sainbury. - 2003.
    2.  
    3.  
    4. B recorder, guitar
    5.  
    6.  

    Schmidt, Colin (1981)

    1. … with cast iron diamonds. / Colin Schmidt. ? date.
    2. Armidale: Orpheus Music YCS005 (ca 1998)
    3. 1 score ([2] p.); 30 cm
    4. T recorder
    5.  

    Schulz, Robert (1950 - )

    1. Walking The Streets. Robert Schulz.
    2. Perth: Self published, 1992
    3. Score and parts, 5pp.
    4. SATB recorders.
    5. 3'00''
    "Just a small tune that is shared by the friends as they stroll down the street. Keep it steady!" The first of a set of three pieces written for the Samson and District Recorder Ensemble.
    1. Waltz. Robert Schulz.
    2. Perth: Self published, 1992.
    3. Score and parts, 5pp.
    4. SATB recorders.
    5. 2'52''
    "I wanted a piece that was classical in its harmony, tuneful, and that used all the different voices in the melodic line. Some slightly more obscure harmony creeps in just occasionally!" The second of a set of three pieces written for the Samson and District Recorder Ensemble.
    Recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley
    1. Bass'ic. Robert Schulz.
    2. Perth: Self published, 1992
    3. Score and parts, 5pp.
    4. SATB recorders.
    5. 2'57''
    "Let's hear it for the Bass! Here is a tune for the bass recorder. Light hearted and rhythmic it gives the bass a chance to show off. Not to be taken too seriously, give the bass room!" The third of a set of three pieces written for the Samson and District Recorder Ensemble.

    Recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley

    1. Three Pieces for Recorder Ensemble. Robert Schulz.
    2. Perth: Self published, RE001 (? date)
    3. Score and parts
    4. SATB recorders.
    5. 7'
    Written for the Samson and District Recorder Ensemble.

    Sculthorpe, Peter (1929-)

    1. Sea chant . / music by Peter Sculthorpe; words by Roger Covell. - 1968.
    2. London: Faber Music; AMC Library number: 782.5542 SCU 1.
    3. 1 score (4 p.); 26 cm.
    4. Unison voices; piano; flutes, recorders or chime bars (opt.); percussion(opt.)
    5.  
    1. Sun Song. / Peter Sculthorpe. - 1976.
    2. Wellington: Price Milburn Music Ltd, 1976.
    3. In Rosenberg, S. (ed.), The Recorder Book, pp38-39.
    4. SATB recorders
    1. Dua Chant. / Peter Sculthorpe. - 1978.
    2.  
    3.  
    4. SAT recorders.
    5.  
    1. Memorable Little Idyll. / Peter Sculthorpe. - 1978.
    2.  
    3.  
    4. recorder + violin +cello.
    5.  
    1. Koori Dreaming. / Peter Sculthorpe. - 2004.
    2. Faber
    3.  
    4. S recorder + guitar.
    5. 2.25 mins
    6. First performance: Downing College, Cambridge; John Turner (recorder), Craig Ogdon (guitar)

    Up

    Scutt, Alexander J.B. (? dates)

    1. This Joyful Eastertide. / arr. Alexander Scutt. - 1987,
    2.  
    3. MS score in possession of N.S. Lander.
    4. SATB recorders.
    5.  
    1. Manifold Delights, Four Australian Folk Songs: The girl with the black velvet band Under the coolibah tree, The shearer's dream, The banks of the Condamine. / arr. Alexander Scutt. - 1987.
    2. Perth: The Keys Press 2011 (2002), ISMN M 720006 09 3.
    3. Score+ parts.
    4. SATB recorders.
    5.  
    6.  
    Reviewed by Mary to Mitchell-Gogay, Recorder Magazine 22(4): 157 (2002).

    Shanahan, Ian (1962-)

    • WWW Page, from Australian Music Centre
    1. Legends. / Ian Shanahan. - 1977.
    2.  
    3.  
    4. Recorder.
    5.  
    1. Cathy's Song: Encore piece. / Ian Shanahan. - 1988.
    2. Sydney: AMC Library number: Q 788.363 SHA 1; Sydney: Currency Press (Thorn 1995).
    3. 1 facsimile score (2 p.); 37 cm.
    4. s/A recorder.
    5. ca.1 min.

    6. Released on CD Phoenix Songs (Move MD 3165)

    1. Helical Ribbon. / Ian Shanahan. - 1990.
    2. Sydney: Currency Press (Thorn 1995).
    3.  
    4. Alto recorder.
    5.  
    6. Two versions of the score exist, the one in Thorn (1995) is much easier to read and learn.
    1. Lingua silens florum. / Ian Shanahan. - 1991.
    2. Melbourne: Red House Editions, ca 1995; AMC Ref: 788.365 SHA 1.
    3. 1 score ([2] p.); 30 cm.
    4. Alto recorder (prepared).
    5.  

    6. Released on CD Phoenix Songs (Move MD 3165)

    1. Three Etudes. / Ian Shanahan. - ? date.
    2.  
    3.  
    4. s recorder.
    5.  
    1. Two Idioms. / Ian Shanahan. - ? date.
    2.  
    3.  
    4.  
    5.  
    1. Gravity's Rainbow. / Ian Shanahan. - ? date.
    2.  
    3.  
    4.  

    Shirley, Margaret (fl. 1998)

    A Sydney music teacher and accompanist whose music is written for her own students.
    1. Sydney Sunrise. / Margaret Shirley. - ? 1998.
    2. Perth: The Keys Press.
    3. 4pp. + parts
    4. sSATB recorders.
    5.  
    1. Our Land. / Margaret Shirley. - ? date.
    2. Perth: The Keys Press (1998)
    3. 6 pages + parts.
    4. Recorder quintet + dijeridu + percussion.
    5.  
    1. Madelaine. / Margaret Shirley. - ? date.
    2. Perth: The Keys Press.
    3. 1 score (6 p.) + 5 parts; 30 cm
    4. Recorder quintet + glockenspiel.
    5.  

    Sinclair, Peter

    1. Canon, scherzo & fugue. / Peter Sincliar. - 1977.
    2. Sydney: J. Albert & Son 488 (1977).
    3. 1 score (13 p.); 27 cm
    4. AAA recorders.
    5.  

    Sitsky, Larry (1934-)

    • WWW Page, from Australian Music Centre
    1. Asymmetry. / Larry Sitsky. - 1991.
    2. Thorn (1991.)
    3.  
    4. S recorder.
    5.  
    1. Fantasia. / Larry Sitsky. - 1991.
    2. Sydney: Currency Press (Thorn 1995).
    3.  
    4. S or T recorder.
    5.  

    Sluik, Peter (1933-)

    1. Suite. / Peter Sluik. - 1974.
    2.  
    3.  
    4. SAT recorders (1 player)/flute + piano
    5.  

    Smallwood, Robert (1958-)

    • WWW Page, from Australian Music Centre
    1. Elements. / music by Robert Smallwood; words by David Scolyer. - 1985
    2. Sydney: AMC Library number: Q 782.554 SMA 2.
    3. 1 facsimile score (4 v.); 37 cm.
    4. Solo speaker + SATB choir + SSAA children's choir + sSATB recorder consort + massed SAT recorders + children's percussion ensemble (metallophones, chime bars, triangles, suspended cymbals, glockenspiels, temple blocks, wood blocks, clapping sticks, claves, xylophones) + bush band (solo singer, guitars, bass, flute, accordian) + concert band, percussion +strings.
    5. 24 min.

    Skarecky, Jana (1957-)

    1. The sign of the four[music] /Jana Skarecky. -- 1986.
    2. MS (photocopy) in Canadian Music Center; CMC #: MI 5116 S626si
    3. 6 p. of music; 39 cm.
    4. Recorder.
    5. 10 min.

    Premiered Oct. 30, 1986, Sydney, Australia, Old Darlington School, University of Sydney; Ian Shanahan, recorder.

    Smetanin, Michael (1958-)

    • WWW Page, from Australian Music Centre
    1. Spin [Greek phi symbol]. / Michael Smetanin. - 198?.
    2. Sydney: AMC Library number: Q 788.367 SME 1.
    3. 1 facsimile score (19 p.); 30 × 42 cm
    4. B recorder (amplified) + harpsichord (amplified).
    5. 5:15
    6.  
    1. New Work. / Michael Smetanin. - 2007.
    2.  
    3.  
    4. recorder + guitar
    5.  
    6. Commissioned by the Darwin International Guitar Festival.

    Southall, Edward (? dates)

    1. False Lights. / Edward Southall. - ? date.
    2. Orpheus Music, OMP 190
    3. 1 score + 2 parts
    4. S recorder + piano
    5.  
    6.  

    Stanley, Jane (? dates)

    1. Spindrift/interiors. / Michael Smetanin. - 198?.
    2. Sydney: AMC Library, 785.2413/STA 3
    3. 1 facsimile score ([i], 18 p.); 30 cm
    4. SATB recorders (one player), mandolin and mandola (one player), piano
    5. 5:00
    6. Dedication: "For Plastic Atlas".

    Stevenson, Rohan (1970-)

    1. Clay. / Rohan Stevenson. - 198?.
    2. Australian Music Centre (1999).
    3. 1 score (6 p.); 30 x 42 cm.
    4. recorder or flute, violin, violoncello and guitar.

    Sutherland, Margaret (1897-)

    References: Symons (1997).
    • WWW Page, from Australian Music Centre
    1. Australian Melodies . / Margaret Sutherland. - ? date.
    2. Paris: Louise B.M.Dyer (1935); AMC Library number: 788.3088054 SUT 1.
    3. 1 score (3 p.); 28 cm.
    4. Pipe, flute or flute or recorder.
    5.  
    1. Song of Contentment. / Margaret Sutherland. - ? date.
    2. Paris: Oiseaux-Lyre (1935).
    3.  
    4. Pipes + percussion
    5.  
    1. Song of Contentment. / Margaret Sutherland. - ? date.
    2. Mundingburra: Cootamundra Music OL53.
    3. Score + insert.
    4. SSAT/SSAB recorders + optional percussion.
    5.  

    Tahourdin, Peter (1928-)

    • WWW Page, from Australian Music Centre
    1. The Rogery Birds. / music by Peter Tahourdin; words by Mary Gilmore. - 1969.
    2. Sydney: Chappell & Co, ca 1969; AMC Library number: 782.7542 TAH 1.
    3. 1 score (8 p.); 24 cm.
    4. Voices in three parts + piano + S recorders + percussion (tambourine, maracas, rhythm-sticks, side drum, cymbal, bass drum).
    5.  

    Tattersall, Malcolm (1952-)

    1. Ikaho. / Malcolm Tattersall. - 1978.
    2. Mundingburra: Cootamundra Music CM05; Armidale: Orpheus Music OMP 021
    3. Score.
    4. B/A/T recorder solo.
    5. 4 min.
    Reviews by John Martin in Australia's Journal of Recorder & Early Music 18: 24-25 (1994); Paul Clark, Recorder Magazine 19(2): 51 (1999).

    A quasi-vocal setting of a poem by the 7th-century Japanese poet Manyoshu:
    The wind that sweeps down Ikaho,
    Some days it blows, they say:
    Another it does not blow.
    Only my love knows no time.
    1. Hobart Town. / Malcolm Tattersall. - 1978.
    2. Mundingburra: Cootamundra Music.
    3. Score.
    4. A + T (optional) recorders + guitar (optional).
    5.  
    1. Lucky Dip. / Malcolm Tattersall. - 1978.
    2. Mundingburra: Cootamundra Music.
    3. Score.
    4. 3-6 recorders + percussion (optional).
    5.  
    1. Variations on the Haymaker's Jig. / Malcolm Tattersall. - 1978.
    2. Mundingburra: Cootamundra Music.
    3. Score.
    4. S recorder + guitar (optional).
    5.  
    1. Alien Landscape I. / Malcolm Tattersall. - 1979.
    2.  
    3.  
    4. Recorders + synthesizer.
    5.  

    6. See Hauwe (1998).

    1. Franklin River. / Malcolm Tattersall. - 1980.
    2. Mundingburra: Cootamundra Music CM02; orpheus Music OMP 102.
    3. Score (5 p.)
    4. A recorder solo.
    5. 6-7:30
    Inspired by the Tasmanian wilderness; generally lyrical, but using some extended techniques. Reviews by Jean McCreery, Recorder Magazine 23(4): 128 (2003); Constance M. Primus, American Recorder 45(4): 32-33 (2004).
    1. Clowns. / Malcolm Tattersall. - 1980.
    2. Mundingburra: Cootamundra Music
    3. Score.
    4. S recorder.
    5. 2:30.
    1. Autumn Music. / Malcolm Tattersall. - 1980.
    2. Mundingburra: Cootamundra Music
    3.  
    4. S recorder.
    5.  
    1. Alien Landscape II. / Malcolm Tattersall. - 1982.
    2. Mundingburra: Cootamundra Music
    3.  
    4. AATTB recorders.
    5. 4'30".
    1. Dreamflight. / Malcolm Tattersall. - 1990.
    2. Mundingburra: Cootamundra Music
    3.  
    4. AA recorders.
    5. 3 min.
    1. Folk and Beyond. / Malcolm Tattersall & Andrew Uren. - 1987.
    2. Mundingburra: Cootamundra Music. ST 01.
    3. Score.
    4. One recorder (S/A/T), flute, tin-whistle, violin or mandolin, solo or with guitar.
    1. El Yumbo. / Peruvian, arr. Malcolm Tattersall. - 1980.
    2. Mundingburra: Cootamundra Music. ST 01.
    3. Score.
    4. SSAATTB + percussion.
    5.  
    1. Native Companions Dancing. / Malcolm Tattersall. - 1987.
    2. Mundingburra: Cootamundra Music CM03.
    3. Score and parts, 3pp.
    4. SATB recorders.
    5. 3'06''
    John Shaw Nelson (1872-1942) was one of Australia's finest lyric poets, and his poem 'Native Companions Dancing' attracted me enough that I wanted to set it to music. He describes the courtship dance of the Native Companion or Brolga: On the blue plains in wintry days, these stately birds move in the dance ... The wind, their unseen Piper, plays, they strut, salute, retreat, advance ..."

    Recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley

    1. Sweet Nightingales. / Malcolm Tattersall. - ? date.
    2. Mundingburra: Cootamundra Music CM04.
    3. Score.
    4. Alto recorder solo.
    5.  
    1. Recorder Notebook: A Kodaly-based elementary recorder tutor written to complement the Queensland primary music curriculum and is intended primarily for use in the classroom for Years 4 - 5 or in small group instruction from ages 7 - 11. / Malcolm Tattersall. - ? date.
    2. Mundingburra: Cootamundra Music CM 06.
    3. Score.
    4. S solo/canons.
    5.  
    1. Le Piccadilly. / Eric Satie, arr. Malcolm Tattersal. 1988.
    2. Mundingburra: Cootamundra Music CM12.
    3. Score and parts
    4. SATB recorders.
    5.  
    1. Divertimento (KV 213). / Mozart, arr. Malcolm Tattersall. - ? date.
    2. Mundingburra: Cootamundra Music CM14.
    3. Score and parts.
    4. SAATB or SATTB recorders.
    5.  
    1. Arabesques (KV 213). / Malcolm Tattersall. - ? date.
    2. Armidale: Orpheus Music OMP033.
    3. Score.
    4. AT recorders.
    5.  
    Review by Paul Clark, Recorder Magazine 21(3): 105 (2000).

    Tavener, Sir John

    1. Let's Begin Again. / John Tavener. - 1991-1994.
    2. London: Chester Music CH61155.
    3. facisimile score+ parts.
    4. soprano + chamber ensemble (including 4 recorder players) + choir + mime actors.
    5. 65 min.

    John Tavener is, of course, a British composer. However, this work was jointly commissioned by the Festival of Perth, for performance in a Celebration of the composer's music presented in 1997. This warrants its inclusion here. Its Australian premiere was at the University of Western Australia's Winthrop Hall on 23 February 1997. The conductor was Lionel Friend. The recorder players were Tamara Herman, Nicholas Lander, Glyn Marillier & Jay Harrison. This performance was broadcast by the ABC on 25 May 1997. Co-commisioners of this work were the Norfolk and Norwich Festival, Greenwich Festival, and Festival d'Art Sacré (Paris).

    Teese, Robin (1951-)

    1. Twelve Statements. / Robin Teese. - 1974.
    2.  
    3.  
    4. S recorder.
    5.  
    1. Organism. / Robin Teese. - 1978.
    2.  
    3.  
    4. B recorder.
    5.  
    1. Almost to Extinction. / Robin Teese. - 1979.
    2.  
    3.  
    4. Recorder + violin + guitar.
    5.  
    1. Gloaming. / Robin Teese. - ? date.
    2.  
    3.  
    4. SAT recorders.
    5.  
    1. Catchin' fish a merry song. / Gaetano Tesoriero. - ? date.
    2. Sydney: J. Albert & Son 98 (ca 1969).
    3. 1 score (5 p.)
    4. voices, chime bars, recorder + piano.
    5.  

    Thorn, Benjamin (1961-)

    1. Minikin. / Benjamin Thorn. - 1980.
    2. Armidale: Orpheus Music OMP 19; AMC Library number: Q 785.4412 THO 1
    3. 1 facsimile score ([3] p.) ; 37 cm.
    4. S recorder + guitar.
    5. 4 mins
    6. Reviewed by Paul Clark, Recorder Magazine 19(2): 51-52 (1999).
      7. >

    1. Much Cuckoo. / Benjamin Thorn. - 1980.
    2. Sydney: AMC Library number: Q 785.2619 THO 1
    3. 1 facsimile score ([5] p.) ; 37 cm.
    4. 8 recorders in 2 choirs (each with 2 soprano and 2 alto recorders), organ.
    5. 5.5 mins
    6. Opening section uses aleatoric techniques with players wandering about. Also some exciting organ clusters.

    1. Bagliori. / Benjamin Thorn. - 1981.
    2. Armidale: Orpheus Music OMP 082 (2002).
    3. Score (5 p.) + parts (2 p. each).
    4. SS recorders + harpsichord.
    5. 2 mins
    6. Review in American Recorder 44 (2): 32-33 (2003).

    1. Newrotica / Benjamin Thorn. - 1981.
    2. Sydney: Australian Music Centre 788.36/THO 3
    3. 1 facsimile score ([2] p.); 30 cm
    4. A/B recorder & tape delay and digital delay.
    5. 3:00
    6. Uses live electronics to expand timbral range.

    1. Canard - canard. / Benjamin Thorn. - 1984.
    2. Sydney: AMC Library number: Q 785.83612 THO 1
    3. 1 facsimile score (11 p.); 38 cm.
    4. 2 recorder players (both playing S and A recorders).
    5. 10 mins
    6. Three lively movements that use a variety of timbres, including multiphonics, burbles, and percussion effects.

      Review by Peter Wells, Recorder Magazine 21(3): 109 (2000).

    1. Chasing … / Benjamin Thorn. - 1985.
    2. Sydney: AMC Library number: Q 785.83613 THO 2
    3. 1 facsimile score (5 p.); 37 cm.
    4. ATB recorders.
    5. 5 min.

    1. Five Exotic Dances. / Benjamin Thorn. - 1985
    2. Sydney: AMC Library number: Q 785.83612 THO 3; Sydney: Currency Press (Thorn 1991).
    3. 1 facsimile score (11 p.); 37 cm.
    4. SA recorders + percussion (optional).
    5. ca 7 min., 30 sec.
    6. Pipistsrelli gialli (yellow bats). / Benjamin Thorn. - 1985.
    7. Sydney: AMC Library number: Q 788.367 THO 1
    8. 1 facsimile score (8 p.) ; 37 cm.
    9. B recorder + live electronics ( tape and digital delay).
    10. 9 min.
    11. Three movements that explore timbral effects with live electronics. Recorded by Genevieve Lacey on Phoenix Songs (MOVE MD3165)\

    1. 5s and 6s and 7s: for two recorders / Benjamin Thorn. - 1987
    2. Sydney: Currency Press (Thorn 1995); AMC Library number: Q 785.83612 THO 2
    3. 1 facsimile score (7 p.); 37 cm.
    4. SA/TB recorders.
    5. 5 min.

    1. Nebulous Visions (variations). / Benjamin Thorn. - 1987.
    2. Sydney: AMC Library number: Q 785.83614 THO 1
    3. 1 facsimile score ([3] p.) ; 37 cm.
    4. SATB recorders (4-20 players).
    5.  
    6. Written as a workshop piece that explores two different approaches to aleatory.

    1. The Voice of the Crocodile. / Benjamin Thorn. - 1988.
    2. Germany : Moeck Verlag, c1991; AMC Library number: 788.367 THO 1
    3. 1 score (11 p.) ; 31 cm.
    4. Bass recorder + singer.
    5.  
    6. Review by Glyn Marillier in The Recorder (Australia) 15: 29-30 (1992).

    1. Pype and Droom and . . . / Benjamin Thorn - 1989.
    2. Sydney: AMC Library number: Q 785.5612 THO 1
    3. 1 facsimile score (9 p.) ; 37 cm.
    4. S/T recorder + percussion.
    5. 7 mins.
    6. Three movements.

    1. Dawn Chorus. / Benjamin Thorn. - 1989.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. SSAA recorders.
    5.  

    1. Two Diagonals and a Squiggle. / Benjamin Thorn. - 1991.
    2. Armidale: Orpheus Music OMP 083.
    3. Score + parts.
    4. 3 recorders, 5 temple blocks, 4 tin cans, 4 tom toms . . .
    5. 11 mins.
    6. Reviews by Alison Baldwin, Recorder Magazine 22(4): 154 (2002); American Recorder 44 (2): 30-31 (2003).

    1. Twinkling Variations. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. Alto recorder.
    5.  

    1. Phyrgian Organum. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. AA/SS recorders.
    5.  

    1. Dissonance! / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. AAA/SSS recorders.
    5.  
    6. "This piece creates some wonderful sounds by building up dissonant chords out of notes one step apart."

      Recorded by Dymaxion, Strine Pearls (CD & Cassette), email Justine Thornley

    1. Locrian Canon. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. AAA/SSS recorders.
    5.  

    1. Mixolydian Canon. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. AAA/SSS recorders.
    5.  

    1. Clouds. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. SAT recorders.
    5.  

    1. Upside or Down – Downside or Up. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991); AMC Library number: Q 785.83613 THO 1.
    3. 1 facsimile score ([1]. p.) ; 37 cm.
    4. SSA recorders.
    5.  

    1. In Twos or Threes. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. AA/SS recorders.
    5.  

    1. Duet for One. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. SS recorders (1 player)
    5.  

    1. Minimal Growth. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. AA/SS recorders.
    5.  

    1. Echoes. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. A/S recorder.
    5.  

    1. Grunt Piece. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. Alto recorder + voice.
    5.  

    1. Dividing the Beat. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. AA/SS recorders.
    5.  

    1. Twelve Tones. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. A/S recorder.
    5.  

    1. Birdcall on One Fingering: (0 -23 4-6--). / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. Alto recorder.
    5.  

    1. Crunchy Music! / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. AA recorders.
    5.  

    1. Lydian Hockett. / Benjamin Thorn. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. Recorders.
    5.  

    1. Nocturne and Fugue. / Benjamin Thorn. - 1992.
    2. Sydney: AMC Library number: 788.36519 THO 1
    3. 1 facsimile score (5 p.) ; 30 cm. + 1 part (2 p.)
    4. Alto recorder + piano.
    5.  
    6. A piece of juvenilia! [Author]

    1. Mefisto Miniatures. / Benjamin Thorn. - 1994
    2. Armidale: Orpheus Music OMP 071 (2001).
    3. 1 score (9 p.), percussion part (7 p.)
    4. SAB recorders (one player) + percussion.
    5.  
    6. Review in American Recorder 44 (2): 30-31 (2003).

    1. Blue Wombat / Benjamin Thorn. - 1994.
    2. [Benjamin Thorn], n.d.; Armidale: Orpheus Music OMP 008 (1998); AMC Library number: 788.36 THO 1
    3. 1 score (7 p.) 30 cm. + 1 part (2 p.).
    4. Alto recorder + piano.
    5.  
    6. Reviewed by Paul Clark, Recorder Magazine 19(2): 51-52 (1999).

    1. Songs for my Father's Wedding. / Benjamin Thorn. - 1995.
    2. Carus Verlag. 11.603; AMC Library number: 788.367 THO 2
    3. 1 facsimile score (10 p.) ; 30 cm.
    4. B recorder.
    5.  
    6. Four movements that use texts from the Song of Songs.

    1. . . . what about tabouleh? / Benjamin Thorn. - 1996.
    2. Forthcoming with Loux Music as part of The Great Emu War 1999, AMC Library number: 785.83613 THO 1
    3. 1 score (18 p.) ; 30 cm.
    4. 3 recorders (players play several different recorders, including descant, treble, tenor and bass; players vocalise during some parts of the work)..

    1. The Great Emu War. / Benjamin Thorn. - 1997.
    2. Loux Music, LMP-168 (1999); AMC Library number: 785.83614 THO 1
    3. 1 score (11 p.) ; 30 cm.
    4. SATB recorders.
    5. 4 min.
    6. Includes Chasing and . . . what about tabouleh? as a single piece). Recorded by Batalla Famossa on The Great Emu War (Orpheus Music OM101, 1998); recorded by Fortune on CDROM Creating Ensemble (University of Western Sydney). Reviewed by Pete Rose, American Recorder 41(2): 24 (2000).

    1. Is There Enough Room? / Benjamin Thorn. - 1997.
    2. Armidale: Orpheus OMP 122 (2004).
    3. 1 score (32 p.) + parts (2 p.)
    4. 10 recorders (all players play SAT recorders, with players 1, 5 and 9 also playing B)...
    5. 4 min.

      Recorded by Batalla Famossa on The Great Emu War (Orpheus Music OM101, 1998). Review by Peter Rose, American Recorder 47(1): 51 (2006).

    1. Croutons IIIa. / Benjamin Thorn. - 1997.
    2. Armidale: Orpheus Music OMP 004 (1998).
    3.  
    4. Alto recorder.
    5. 5.6 mins.

    1. Where's the other one?/ Benjamin Thorn. - ? date.
    2. Armidale: Orpheus Music OMP 003 (1998).
    3.  
    4. Soprano &am; alto recorders (1 player).
    5. 4 mins.

    1. Purple Pavan Perhaps./ Benjamin Thorn. - ? date.
    2. Armidale: Orpheus Music OMP 011 (1998).
    3.  
    4. Bass recorder solo + STTB recorders.
    5.  
    6. Recorded by Batalla Famossa on The Great Emu War (Orpheus Music OM101, 1998). Reviewed by Paul Clark, Recorder Magazine 19(2): 52 (1999); Letitia Berlin, American Recorder 41(1): 26-27 (2000).

    1. Chocolate Bulbul / Benjamin Thorn. - 1997.
    2. Available at AMC; Armidale: Orpheus Music OMP032.
    3.  
    4. Alto recorder
    5. 4 mins
    6. Review by Peter Wells, Recorder Magazine 21(3): 109 (2000).

    1. Fricasseed Frogs for Felicity / Benjamin Thorn. - 1998.
    2. Armidale: Orpheus Music OMP016.
    3.  
    4. Alto recorder solo + recorder quartet (ATTB).
    5. 5 mins.
    6. Reviewed anonymously in Recorder Magazine 19(2): 54 (1999); Letitia Berlin, American Recorder 41(1): 26-27 (2000).

    1. Wefts. / Benjamin Thorn. - 1980.
    2. Armidale: Orpheus Music OMP 126 (2004)
    3. 1 score (7 p.); 30 cm
    4. AATTB recorders.
    5. 3:00
    6. Includes some aleatoric techniques.

      Review by Jean McCreery, Recorder Magazine 25(4): 126 (2005).

    1. Due giochini esatonici / Benjamin Thorn. - 1998.
    2. Armidale: Orpheus Music OMP018.
    3.  
    4. SAB recorders.
    5. 3 mins.
    6. Two short funky trios. Some syncopation and interesting harmony and use of non diatonic modes.

    1. Duetto ultimo / Benjamin Thorn. - 1981.
    2. Armidale: Orpheus Music OMP 052.
    3. Score (8 p.) + parts
    4. 2 players each playing soprano and alto recorders and singing.
    5. 4 mins.
    6. First performed at Darmstadt in 1998. Review in American Recorder 44 (2): 33 (2003).

    1. A Fox Dance in the Mulberry. / Zana Clarke & Benjamin Thorn.
    2. Armidale: Orpheus Music OMP 036.
    3. AATB recorders.
    4.  
    5. Three lively melodic pieces that are a lot of fun. The Fox: boisterous and rhythmic; The Mulberry Tree: serene and melodic; Sand Dance: a lively jig.

    1. Wild Strawberry Sweet. / Zana Clarke & Benjamin Thorn.
    2. Armidale: Orpheus Music OMP 037.
    3. SATB recorders.
    4.  
    5. Two attractive melodic pieces. First movement alternates between 6/8 and 3/4 sections while second movement is in style of French overture.

    1. Out of Aegypt. / Benjamin Thorn.
    2. Armidale: Orpheus Music OMP 025 (ca 1999)
    3. 1 score (7 p.) + 1 part (3 p.)
    4. T recorder + guitar.
    5.  
    6. Review by Paul Clark, Recorder Magazine 21(3): 105 (2000).

    1. Worth ninety-eight flying. / Benjamin Thorn.
    2. Armidale: Orpheus Music OMP 030.
    3. AAATTTBBGG recorders.
    4.  
    5. Scintillating piece in three movements with lots of rhythmic and timbral effects.
      Review by Paul Clark, Recorder Magazine 21(3): 106 (2000).

    1. We Hate Brussels Sprouts. / Benjamin Thorn.
    2. Armidale: Orpheus Music OMP 038.
    3. SSAATB recorders.
    4.  
    5. Fun piece designed for groups with a very wide range of abilities. Parts range from very easy (a repeated phrase using 5 notes) to quite tricky
      Review by Paul Clark, Recorder Magazine 21(3): 106 (2000).

    1. Forestry in New England & The Waters of Babylon. / Benjamin Thorn.
    2. Armidale: Orpheus Music OMP 055 (2001).
    3. Bass recorder.
    4. score (4 p.)
    5. Reviewed by Peter Wells, Recorder Magazine 21a(4): 151-152 (2001). Review by Pete Rose, American Recorder 45(2): 43 (2004).

    1. Abbot's Bromley Horn Dance and other English Folksongs. / arr. Benjamin Thorn.
    2. Armidale: Orpheus Music OMP 063 (2001).
    3. SAT recorders.
    4. score (12 p.) + parts (4 p. each)
    5. Reviews by Janice Ormerod, Recorder Magazine 21a(4): 154-155 (2001); Review by Constance M. Primus, American Recorder 45(4): 35-36 (2004).

    1. Deep Sea Perspectives. / Benjamin Thorn.
    2. Armidale: Orpheus Music OMP 067.
    3. 3A,2T,2B,GB recorders.
    4. score + parts
    6. Review in American Recorder 44 (2): 32 (2003).

    1. Misery surrounds me. / Benjamin Thorn.
    2. Armidale: Orpheus Music OMP 072.
    3. Solo B recorder.
    4. score (2 p.)
    6. Review by Pete Rose, American Recorder 45(2): 43 (2004).

    1. Mefisto Miniatures. / Benjamin Thorn.
    2. Armidale: Orpheus Music OMP 071.
    3. recorder (SAB, 1 player) & percussion.
    4. scores
    6. Reviewed by Adam J. Dopadlik, Recorder Magazine 22(1): 20 (2002).

    1. Bouncing. / Benjamin Thorn - 2002.
    2. Armidale: Orpheus Music OMP 079.
    3. SSAATTBB recorders.
    4. score (19 pp)+ 8 parts (3 pp each)
    6. Reviewed by Janice Ormerod, Recorder Magazine 22(3): 108-109 (2002). Reviewed by Pete Rose, American Recorder 45(2): 42 (2004).

    1. Time pieces: 5 o'clock; 2 or 3 minutes to 6; 7 past 7; 8 to 8; 9am 5 past 10; The 11th hour; The clocks were striking 13. / Benjamin Thorn - 2002.
    2. Armidale: Orpheus Music OMP 086 (2002).
    3. SAT recorders.
    4. 1 score ([8] p.); 30 cm
    5.  
    6. "Dedicated to the Aeolian Players"

    1. Three Cantigas. / arr. Benjamin Thorn - 2002.
    2. Armidale: Orpheus Music OMP 087.
    3. SAT recorders.
    4. score (7 pp)+ parts (3 pp each)
    5.  
    6. Reviewed by Louise Phillips, Recorder Magazine 22(4): 154 (2002). Review by Pete Rose, American Recorder 45(2): 42 (2004).

    1. Salad Undressing. / Benjamin Thorn - ? date.
    2. Armidale: Orpheus Music OMP 094 (2002).
    3. 1 score (12 pp) + parts (6 pp each); 30 cm
    4. A recorder + cello
    6. "Written for Jodie Goldney and Georg Mertens-Moussa." Review by Pete Rose, American Recorder 45(1): 38 (2004).

    1. Hot Silk. / Benjamin Thorn - ? date.
    2. Armidale: Orpheus Music OMP 081 (2002).
    3. 1 score (11 p.); 30 cm. + 1 part (4 p.); 30 cm.
    4. Alto recorder + harpsichord.
    5.  
    6. Review by Pete Rose, American Recorder 45(2): 43 (2004).

    1. Bardi's Dream. / Benjamin Thorn - ca 2004.
    2. Armidale: Orpheus Music OMP 120.
    3. AATTB recorders.
    4. 1 score (12 p.) + 5 parts; 30 cm.
    5.  
    6. Review by Jean McCreery, Recorder Magazine 25(4): 126 (2005).
    1. Ragged Robin / Benjamin Thorn - ca 2004.
    2. Armidale: Orpheus Music OMP 133.
    3. S recorders, guitar, double bass
    4. 1 score (13 p.) + 3 parts.
    5.  
    6. Review by Carson Cooman, American Recorder 46(4): 51 (2005).
    1. Harpie's Romp. / Benjamin Thorn - ? date.
    2. Armidale: Orpheus Music OMP 111 (2003).
    3. 1 score (7 p.); 30 cm.
    4. SAT recorders + harp.
    5.  
    6. "Written for the Aeolian Players". Review by Amber Benson & Constance Primus, American Recorder 46(5): 40 (2005).
    1. Oc Piece. / Benjamin Thorn - ? date.
    2. Armidale: Orpheus Music OMP 195.
    3. 1 score + parts
    4. SATTT recorders OR ocarina quartet
    5.  
    6. Review by Janice Ormerod, Recorder Magazine 29(2): 72 (2009).
    1. Glow Worm Dances. / Benjamin Thorn - ? date.
    2. Armidale: Orpheus Music OMP 196.
    3. 1 score + parts
    4. SSAATBGbCb recorders + guitars
    5.  
    6.  
    1. Malvina and other English Songs. / Benjamin Thorn - ? date.
    2. Armidale: Orpheus Music OMP 197.
    3. 1 score + parts
    4. SSATB recorders
    5.  
    6. For massed recorders.

      Review by Janice Ormerod, Recorder Magazine 29(2): 73 (2009).
    1. Weefts. / Benjamin Thorn - ? date.
    2. Armidale: Orpheus Music OMP 126 (2004).
    3. 1 score (7 p.) + parts (1 p. each)
    4. SSATB recorders
    5.  
    6. AATTB recorders.

      Review by Pete Rose, American Recorder 47(1): 51 (2006).

    Erinn Thornton (? dates)

    1. Milkblue & Snow Coat. / Erinn Thornton (? dates)
    2. Armidale: Orpheus Music YCS 013.
    3. AA recorders + percussion (frame drum, saw).
    4. score (7pp)
    6. Reviewed by Jean McCreery, Recorder Magazine 23(4): 129 (2003). Review by Pete Rose, American Recorder 45(2): 42-43 (2004).

    Traynor, Lee (? dates)

    1. Quartet. / Lee Traynor. - 1981.
    2.  
    3.  
    4. SSA recorders + guitar.
    5.  

    Turner, Paul (1948-)

    • WWW Page, from Australian Music Centre
    1. Instrumental Rationality I. / Paul Turner. - 1979.
    2. Sydney: Australian Music Centre 785.4416/TUR 1.
    3. 1 facsimile score (10 p.); 21 x 30 cm.
    4. S recorder, 2 guitars, 2 violins, viola.
    5.  
    1. Prelude. / Paul Turner. - 1981.
    2.  
    3.  
    4. s-B recorders.
    5.  

    Uren, Andrew (1955-1989)

    1. Suite. / Andrew Uren. - 1982.
    2.  
    3.  
    4. SS/TT recorders + guitar.
    5.  
    1. Sonatina. / Andrew Uren. - 1985.
    2. Armidale: Orpheus Music OMP 124 (2004)
    3. 1 score (10 p.) + 2 parts; 30 cm
    4. S recorder & guitar/piano.
    5. Review by Carson Cooman,American Recorder 46(4): 51 (2005).
    1. Folk and Beyond. / Malcolm Tattersall & Andrew Uren. - ? date.
    2. Mundingburra: Cootamundra Music. ST 01.
    3. Score.
    4. One recorder (S/A/T), flute, tin-whistle, violin or mandolin, solo or with guitar.
    5.  

    Wade, Simon (1958-)

    1. The Dancers: A musical dance play. / synopsis by Elizabeth Perkins; music by Simon Wade. - 1985.
    2. Sydney: AMC Library number: 782.1088054 WAD 2
    3. 1 facsimile score (18 p.); 30 cm.
    4. 2 narrators, 3 actors, flute (or recorder or violin), suspended cymbal, chime bars, triangle, drums, tambourines, bells, rattles, shakers.
    5.  
    1. Turtle Beach. / Simon Wade. - 1989.
    2. Sydney: AMC Library number: 788.365 WAD 1; Sydney: Currency Press (Thorn 1995).
    3. 1 facsimile score ([2] p.); 30 cm.
    4. Alto recorder.
    5.  
    6.  

    Fiona Warnock

    1. Rainforest Nocturne. / Fiona Warnock. 1994.
    2. Armidale: Orpheus Music YCS 001
    3.  
    4. Alto recorder + piano.
    5.  
    Reviewed by Andrew Chalinger, Recorder Magazine 19(2): 53 (1999).

    Waterman, Rodney (1956-)

    1. Fantasia for Sue. / Rodney Waterman. - 1978.
    2. Unpublished.
    3. Photocopy of score (John Martin, pers. com.)
    4. Alto recorder solo.
    5.  

    6. First performed by Sue Blake, 1978.

    1. Pebbles. / Rodney Waterman. - 1984.
    2. Unpublished.
    3.  
    4. Three alto recorders.
    5.  

    6. First performed at the 'Block' by students of Walter Van Hauwe (Sweelinck Conservatorium, Amsterdam), 1984.

    1. Prelude. / Rodney Waterman. - 1987.
    2. Unpublished.
    3.  
    4. Recorder ensemble.
    5.  

    6. First performed at Recorder '87, Melbourne.

    1. Leviathan. / Rodney Waterman. - 1987.
    2. Unpublished.
    3.  
    4. B recorder solo.
    5.  

    6. First performed at the Western Australian Conservatorium of Music, Mt Lawley, Western Australia, 1987.

    1. Waratah Flat -- Shades of an East Gippsland Forest. / Rodney Waterman. - 1987.
    2.  
    3.  
    4. 5 recorders (various combinations) and multi-media (pre-recorded natural sounds and large format back-projected slides).
    5.  

    6. Includes multi-media (pre-recorded natural sounds by sound recordist Duncan King-Smith, and large format back-projected slides by Melbourne photographer David Tatnall). First performed at Recorder '87, Melbourne.

    1. Sanctuary Threatened. / Rodney Waterman. - 1988.
    2. Unpublished.
    3.  
    4. Various combinations of recorders.
    5.  

    6. Suite of pieces pre-recorded for audio-visual presentation by David Tatnall and Duncan King-Smith as part of campaign to protect East Gippsland (Victoria, Australia) native forests. Later used (extracts) for Duncan King-Smith's The Mapping of Memories -- The Telling of Place, a four-part documentary broadcast on ABC Radio National (1990).

    1. Ade. / Rodney Waterman. - 1995.
    2.  
    3.  
    4. S recorder + cavaquinho.
    5. 1 mins 32 secs.

    6. Our first duo concert (1995) included a bracket from Ade Monsbourgh's famous Recorder in Ragtime album (recorded in the 1950s) as well as Brazilian music by Gismonti and Pascoal. Ade is a light and playful response to these influences. Strangely, I first composed the tune and 'bass-line' accompaniment for Ade on a ten-course renaissance lute! Here the little Brazilian 4-string cavaquinho accompanies the soprano recorder. Recorded on CD Agua e Vinho Orpheus Music OM201 (1998).

    1. Changes (For Glyn and Liz's wedding). / Rodney Waterman. - 1996.
    2. Unpublished.
    3.  
    4. SATB recorders + portative organ.
    5.  
    1. Aspiring. / Rodney Waterman. - 1996.
    2. Unpublished.
    3.  
    4. Large group of diverse recorders.
    5.  

    6. Improvisatory piece for large group of diverse recorders. It was composed upon the occasion of the refurbishment of the landmark Melbourne Arts Centre Spire, and first performed outdoors at the VicHealth Music for the Family series in the forecourt adjacent to the Spire. It has since been played by diverse groups far and wide from Wellington (NZ) to Otway Ranges (Victoria, Australia) at the Geelong Folk Club's annual Turramurra folk music camp.

    1. Song of Reconciliation. / Rodney Waterman. - 1997.
    2. unpublished
    3.  
    4. Voice flute (tenor recorder in d') + guitar.
    5. 4 mins 14 secs.

    6. Contemplates and celebrates the cathartic and joyful act of reconciliation. It was composed around the time of the Australian Government's refusal (1997) to formally apologise to Australia's aboriginal 'stolen generation'. Originally written for guitar solo, the 'low' voice flute (tenor recorder in d') lyrically enhances the tune in this version. Recorded on CD Agua e Vinho Orpheus Music OM201 (1998).

    1. Zana. / Rodney Waterman. - 1998.
    2. Armidale: Orpheus Music, OMP 092 (2003).
    3. Score (2 pp)
    4. Alto recorder in g' (or f') + egg-shaker.
    5. 3 mins 20 secs.

      6. Australian recorder player Zana Clarke has helped to transform the 'Ganassi' treble recorder in g' from the beautiful, but rather restricted realm of period renaissance ricercars and divisions to become a vital living and breathing contemporary musical instrument. In Zana, the 'Ganassi' recorder touches a little Brazilian sunlight – with the help of an egg-shaker! Review by Pete Rose, American Recorder 45(2): 40-41 (2004). Recorded on CD Agua e Vinho Orpheus Music OM201 (1998). Review by Louise Phillips, Recorder Magazine 23(2): 53 (2003).

    1. Xanthorhoea. / Rodney Waterman. - 1999.
    2.  
    3.  
    4. Alto recorder in g' + percussion.
    5.  

    6. First performed in Denmark WA (July 24) with percussionists Simon Neville and Andy Ducker from Denmark at the Denmark Uniting Church. Inspired by a patch of remnant bushland with large marri and jarrah trees, and ancient Grass Trees (Xanthorhoea).

    Waters, Peter M.

    1. Corpus Christi folk mass. / Peter M. Waters. - ? date.
    2. Sydney: J. Albert & Son 261 (ca 1973).
    3. 1 score (15 p.); 27 cm.
    4. Unison voices, guitar, piano or organ, double bass and flute or T recorder
    5.  
    6.  

    Watterson, Leonard (1953-)

    1. Fantasy Dance. / Leonard Watterson. 1973.
    2.  
    3.  
    4. Recorder ensemble or strings.
    5.  

    Webb, Peter (1948-)

    • WWW Page, from Australian Music Centre
    1. Three carols / Peter Webb.
    2. Sydney: AMC Library number: Q 782.6527 WEB 1
    3. 1 facsimile score (21 p.); 31 cm.
    4. Solo voice + SA chorus + flute (or oboe or recorder).
    5.  

    Wells, Tracy (1974-)

    1. Folly. / Tracy Wells. - 1993.
    2. Armidale: Orpheus Music YCS006
    3.  
    4. SAT recorders.
    5.  
    1. Twighlight. / Tracy Wells. -1994.
    2. Armidale: Orpheus Music YCS003
    3.  
    4. T recorder + piano.
    5.  
    6.  
    Reviewed by Andrew Chalinger, Recorder Magazine 19(2): 53 (1999).

    Wernert, Gregory T.

    1. The rose / Qasida of the rose. / Gregory T. Wernert. - 2005.
    2. Melbourne: Monash University Library, MA-MU-SCO SF780 W494.1 28/R
    3. 1 score (14 p.); 30 cm
    4. mixed choir + T recorder
    5.  
    6. Setting of poetry by Federico Garcia Lorca 1898-1936).

    Wesley-Smith, Martin (1945-)

    1. For Recorder & Tape./ Martin Wesley-Smith. - 1982-1988.
    2. Sydney: AMC Library number: Q 786.7 WES 1
    3. 1 facsimile score (13 p.) ; 26 x 37 cm.
    4. Recorder (originally marimba) + tape.
    5.  

    Weyland, Antonia

    [Antonia was a highly talented recorder student of mine in Sydney in the early to mid-1970's. Later she went on to study music at the University of Sydney where she wrote some splendid pieces for recorders and other instruments. I have long lost track of her, but I often wonder where those pieces are? – N.S. Lander.]

    Whitehead, Gillian (1941-)

    • WWW Page, from Australian Music Centre
    1. At Night the Garden was Full of Voices. / Gillian Whitehead. - 1978.
    2. Price Milburn Recorder Book 2 (ed. Steve Rosenberg).
    3.  
    4. SSAA/TTBB recorders.
    5.  
    The composition above is also given in the SouNZ database. Though born in New Zealand, Whitehead has been living in Australia since 1981, lecturing in composition at the Sydney Conservatorium of Music.

    Williams, Kenneth (1920-)

    1. Gee Mye. / Kenneth Williams. - ? date.
    2.  
    3.  
    4. SATB recorders.
    5.  

    Kevin Wooding

    Kevin Wooding, who is now resident in Oxford, is Australian by birth.
    1. Mbuti. / Kevin Wooding. - 1996.
    2.  
    3.  
    4. Recorder.
    5.  

    6. Written for Jeanette Hajncl.
    1. Elegie. / Kevin Wooding. - 1997.
    2.  
    3.  
    4. Recorder.
    5.  

    6. Written for Jeanette Hajncl.

    Worrall, David (1954-)

    1. Silhouettes. / David Worrall. - 1984.
    2. Sydney: AMC Library, 785.83619 WOR 1
    3. 1 facsimile score (23 p.); 30 cm.
    4.  
    5. 2S8A8T8B recorders + tape.
    6. Commissioned for Recorder Guild of Victoria and premiered at Recorder 84.

    Yates, Stephen (1957-)

    • WWW Page, from Australian Music Centre
    1. Sonatine. / Stehen Yates. - 1987.
    2.  
    3.  
    4. A recorder + harpsichord.
    5. 9 min.

    6. See Hauwe (1998).

    1. Tunes. / Stehen Yates. - 1987.
    2.  
    3.  
    4. A recorder.
    5. 8 min.

    6. See Hauwe (1998).

    1. Concerto. / Stehen Yates. - 1988.
    2.  
    3.  
    4. A recorder + 2 violins + 2 violas + 2 cellos + double bass.
    5. 15 min.

    6. See Hauwe (1998).

    1. Sonata. / Stehen Yates. - 1988.
    2.  
    3.  
    4. A recorder + cellos (or viol) + harpsichord.
    5. 7 min.

    6. See Hauwe (1998).

    1. Fandangle Indeed. / Stehen Yates. - 1989.
    2. Orpheus
    3.  
    4. AA recorders + piano.
    5. 5 min.

    6. See Hauwe (1998).

    1. Drei Swulerstücke . / Stehen Yates. - 1990.
    2.  
    3.  
    4. B recorder + piano.
    5. 5 min.

    6. See Hauwe (1998).

    1. Duet: There is a forest in my garden. / Stephen Yates. - 1990.
    2.  
    3.  
    4. AA or AT recorders.
    5. 5 min.

    6. See Hauwe (1998).

    1. Duet. / Stephen Yates. - 1991.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. AA recorders.
    5.  

    6. One of several duets by Yates (Thorn, pers. com.)

    1. Shoes and Socks. / Stephen Yates. - ? date.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. AA recorders.
    5.  

    6. Two duets that can be played together as a quartet.

    1. Divertimento. / Stephen Yates. - ? date.
    2. Sydney: Currency Press (Thorn 1991).
    3.  
    4. AAA/AAT recorders.
    5. 12 min.
    1. Helical Ribon / Stephen Yates. - ? date.
    2.  
    3.  
    4. A recorder.
    5. 4 min.

    Yee, Adam

    1. lev nishbar v'nidkeh. / Adam Yee. - 1997.
    2. Sydney: Australian Music Centre Q 788.366/YEE 1
    3. 1 facsimile score (23 p.); 37 cm.
    4. T recorder
    5. 13:30
    6. Title and interpolated texts from Psalm 51. Dedication: "For my friend, Ian Shanahan".

    Young, David (? date)

    1. Il Modello dei Modelli / David Young. - ? date.
    2. Sydney: Australian Music Centre
    3.  
    4. soprano voice, recorder, guitar
    5.  
    6. "The model of models" is a reference to a short story by Italo Calvino. this work explores, in two movements, the "lacerations and contortions and compressions" that the body and mind is forced to undergo. the performers are asked to extend and contort themselves within very specific boundaries, for example in pitch where mean temperament is required, adding microtonal tension throughout. the "transitory, irrelevant accidents" which occur as a result of this tension are very much the substance of this work. (Notes by the composer). See David Young (from Australia Music Centre).
    1. In an initial C. / David Young. - 2000.
    2. Sydney: Australian Music Centre 783.254/YOU 3
    3. 1 facsimile score ([i, 6] p.); 30 cm
    4. voice, recorder, guitar
    5.  
    6. Text employs fragments of Latin, Italian and the titles of paintings by Fred Williams
    1. Thousands of bundled straw II. / David Young. - 2000.
    2. Sydney: Australian Music Centre
    3. 1 score (29 p.); 30 cm
    4. B recorder, oboe, trumpet in C, violin + percussion
    5.  
    6.  

    Zadik, Tom (? date)

    1. Best Toot Forward / Tom Zadik. - ? date.
    2. Orpheus Music, OMP 189
    3.  
    4. SAT recorders
    5.  
    6.  

    References

    • Australian Music Centre
    • Baxt, E.E. (1990). Recorder Renaissance: The Rebirth of the recorder in the Twentieth Century. Thesis. New South Wales Conservatorium of Music, Sydney.
    • Broadstock, B. (1985). Writing for the recorder: Aureole 3 - - a musical drama. The Recorder (Australia): 6-18.
    • Clingan (1990). The Seven Deadly Sins. The Recorder (Australia) 12: 26-27.
    • Cootamundra Music (1997). Catalogue. [8 pages.]
    • Dixon, K. (1990). Judith Clingan, composer. The Recorder (Australia) 12: 23-25.
    • Evans, P. (1962). The Recorder in Australia and New Zealand: Australia. Recorder News, New Series 36: 13-14. [Mentions results of the Recorder Society of New South Wales' first Composer's Composition, with details of items by Trevor Jones and Jennifer Fowler and noting that 10 entries in all were received. What were they? Where are the scores now?]
    • Farmer, B. (1992). Glyn Marillier -- the music and the spirit. The Recorder (Australia) 16: 11-16.
    • Goldney, J. (2001). The Australian Recorder Exposed. Master's Thesis. Conservatorium of Music, Sydney.
    • Hall, R. (1978). J.S. Manifold: An Introduction to the Man and his Work. University of Queensland Press, St Lucia.
    • Hauwe, W. van (1998). Catalogue of Contemporary Blokflute Music. On-line catalogue available at the Stichtung Blokfluit site.
    • Higbee, D. (2005). Glanville-Hicks Sonatina, a neglected gem in the recorder repertoire. Recorder Magazine 25(4): 119-120.
    • Leadabrand, M. (?1988). Recorder Music for the Real World: 20 Arrangements for Recorder Ensemble. Australian Society for Music Education, Perth
    • Martin, J. (1985). Preparing Aureole 3 for performance. The Recorder (Australia) 3: 31-32.
    • National Library of Australia (2005-). Music Australia. Accessed September 2005. <http://www.musicaustralia.org/>
    • O'Kelly, E.E. (1990). The Recorder Today. Cambridge University Press, Cambridge.
    • Orpheus Music Publications (1998-). Catalogue.
    • Shanahan, I. (1985). The Avant-Garde Recorder: A Preliminary Study of some Recent Developments in Alto Recorder Playing Techniques and their Notation. Thesis. University of Sydney.
    • Strong, D. (1980). A Review of Recorder Music by Australian Composers. Thesis. Queensland University, Brisbane.
    • Symons, D. (1997). The Music of Margaret Sutherland. Currency Press, Sydney.
    • Tattersall, M. (1984. Australian music for recorder. The Recorder (Australia) 1: 19-22.
    • Tattersall, M. (1987). Wider horizons: More Australian recorder music. The Recorder (Australia) 6: 5-8.
    • Tattersall, M. (1988), Profile, Lance Eccles, The Recorder (Australia) 8: 26-28.
    • Thomason, G. (1994). An innovative concerto. Recorder & Music Magazine 14(1): xx-xx.
    • Thorn, B. (1991). Recorders at Large. Volume 1. [music]. Currency Press, Sydney.
      Anthology of contemporary Australian music for recorders.
    • Thorn, B. (1995). Recorders at Large. Volume 2. [music]. Currency Press, Sydney.
      Includes music for performance, from the middle ages to contemporary Australian works.
    • Thorn, B. (2000). Selling recorder music to the world. Sounds Australian: The Journal of the Australian Music Centre 57: 35, 44.
    • Tokimitsu, Y. (1996). Recorder Music by Australian Composers. Research Bulletin of the Elisabeth University of Music, Hiroshima: 102-114.
    • Turner, J. (1997). The recorder music of Anthony Gilbert: A catalogue and description.Recorder & Music Magazine 17(3): 93-98.
    • Westron Wynde Music (1997). Catalogue.
    • Worrall, D. (1985). Writing for the recorder: Composing for a large recorder ensemble. The Recorder (Australia): 3: 8-12.

    Acknowledgements

    I am indebted to Malcolm Tattersall who has himself trod this path before. Malcolm has spoon-fed me with references and information relevant to this project.

    I am grateful to John Martin for some pointed and useful critical comments on a number of issues relating to bibliographic work of this kind, not the least of which has been his thought-provoking questions concerning criteria for inclusion.

    I thank Diarmuid Pigott for his helpful suggestions on my Introduction and on layout.

    Composers Geoffrey Allen, Robin Bradley, Zana Clarke, Jeanette Hajncl, Robert Schulz, Malcolm Tattersall, Ben Thorn, and Rodney Waterman have accepted my invitation to update the entries under their names, for which I am very grateful. And they have added details of works by their peers, also.

    Last, but by no means least, I am indepted to Michel Quagliozzi, a veritable child of the avant-garde, whose insistent demand for information about music for recorders by Australian composers stimulated me to compile this catalogue. Michel is not an Australian: he hails from France. But then the French, like the intrepid early Portuguese, Dutch and English vistors to these shores were always anxious to discover Australia for themselves. Indeed, it is somewhat ironic that at a time when the debate about an Australian Republic is raging that the discovery of two 18th-century six-franc coins in a bottle at Shark Bay, Western Australia, left there by St Allouran in 1772 as noted in his journal, would seem to confirm that the Western part of our continent was first formally claimed by the French.

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