Recorder Makers (extant): Search Results.

Recorder Makers (extant): Search Results

Your search returned 278 matches.
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Maker: Luke Goembel

Country: United States of America (USA)

Address_1: 1020 Regester Avenue, Baltimore, MD 21239

Web_Page: http://www.goembel.biz/
Instruments: Luke writes: "After not doing a lot in the way of recorder making for about seven years, I am now working to produce renaissance-style recorders with medieval-like tools, including a pole (foot powered) lathe and spoon bits. I'll rough turn the blanks green, then do the fine turning after the blanks dry" (2004).

Notes: An Applied Physics Laboratory scientist and accomplished amateur recorder-maker. See Field, M. (1996): Craftsmanship sets Luke Goembel apart, The Gazette: Newsletter of the John Hopkins University 25(19).

Maker: Tom A. Sears

Country: United States of America (USA)

Address_1: 161 West 21st Ave, Eugene, Orlando OR 97405-2807

Telephone: +1 541 686 5972

Fax: +1 541 686 5972

Email: searsflutes@continet.com
Instruments: Baroque recorders after Stanesby Jr.

Notes: Sears made a dozen or so Stanesby Jr recorders in early 1970s while working for Vernon Powell flutes in Boston. He was encouraged in this by Friedrich von Huene, who had also worked at Powell's previously. He is not actively producing recorders now, but is currently subcontracting flutes for Vernon Powell and has his own business making heads for flutes. Rumour has it that he is contemplating making recorders again.

Maker: Monika Musch

Country: Germany

Address_1: Karl-Ruby-Straße 32, 78315 Radolfzell

Telephone: +49 (0) 77 32 93 89 77

Fax: +49 (0) 77 32 93 89 66

Email: mail@monikamusch.de
Web_Page: http://www.monikamusch.de/
Instruments: Medieval recorders; renaissance recorders after Ganassi.

Notes: Alto and tenor recorders by Musch can be heard on a CD by Les Flamboyants, details of which are available here.

Maker: Nikolaj Ronimus

Country: Denmark

Address_1: Livjægergade 16, 2tv. DK – 2100 Copenhagen

Telephone: +45 33 33 84 74; Mobile 4087 8474

Fax: +45 33 33 84 74

Web_Page: http://www.ronimus.dk/
Instruments: Finishes instruments from the Fred Morgan workshop, Daylesford, Australia.

Undertakes revoicing of all kind of recorders.

Notes: Also a performer on the recorder.

Maker: Amara

Country: Unknown

Address_1: Uknown

Notes: I would appreciate additional and missing data on this maker.

Maker: Bryan Tolley

Country: France

Address_1: 8, route des Vignes, 64600 Anglet

Telephone: +44 05 59 31 01 00

Fax: +44 05 59 31 12 13

Email: BTolley568@aol.com
Web_Page: http://members.aol.com/vielleur/index1.html
Instruments: Renaissance style recorders.

Notes: Bryan is a highly skilled luthier. He has made other wind, string and percussion instruments. Bryan is also a maker of marionettes, a puppeteer and a member of The Troubadours of Aquitaine.

Maker: Lewis Jones

Country: United Kingdom (UK)

Address_1: Sir John Cass Department of Art, Media and Design

Address_2: London Metropolitan University

Telephone: +44 020 7320 1841

Fax: +44 020 7320 1830

Email: l.jones@londonmet.ac.uk
Web_Page: http://www.lgu.ac.uk/mit/cnmi/
Instruments: Designer and builder (with David Armitage) of 19-division equal temperament recorders for use in microtonal music. The five keys enable accidentals in the lower part of the instruments' range to be played dependably, and also serve for many higher notes. The 19-division equal temperament has applications both in the faithful reproduction of pre-nineteenth century tunings, and in new microtonal music.

Notes: See Barnes (2002).

See here for image.

Maker: Clive Catterall

Country: United Kingdom (UK)

Address_1: Inland Cottage, The Vauld, Marden, Hereford HR1 3HA

Email: clive@flutes.fsbusiness.co.uk
Web_Page: http://www.flutes.fsbusiness.co.uk/
Instruments: Makes a recorder without a windway, in effect a notch flute.

Notes: This new instrument is played by putting the head against the lower lip and chin so that the edge is level with the gap between the lips. Formation of the lip shape, angle of blowing and air pressure must be learnt, as with the transverse flute, but the fingering is the same as for a reorder.

The thumb-hole can be used in the same way as it is on the recorder, or the shift between registers can be done with the embouchure alone, it is up to the player.

Maker: Fred Morgan Workshop

Country: Australia

Address_1: PO Box 34 Daylesford VIC 3460

Fax: +61 03 5348 7679

Email: morganrecorders@gmail.com
Web_Page: http://www.recorderhomepage.net/morgan/
Instruments: Transitional recorders after Ganassi, van Eyck,
Baroque recorders after Bizey, Bressan, Debey, Jacob Denner, Stanesby, Stanesby & Bressan, Stanesby & Hallet.

Notes: The workshop is capable of producing recorder "bodies" up to approximately a third of the finished state. These are turned, stained, the holes drilled, and most importantly, the bores reamed. This can all be done to Fred's specific designs, with tools he designed and used daily. Colleagues state that the reaming done in this way is of enormous value.

The clear aim in all this is to provide partly completed instruments using only Fred's design figures. So to this point the work is "purely Morgan", as it were.

The recorder is then finished, i.e. voiced and tuned, by the builder of your choice. Makers who are willing to undertake this work include, Amman, Crijnen, Ehlert, Hirao, Meyer, Netsch, Ronimus, Togawa.

Maker: Andreas Glatt

Country: Belgium

Address_1: Eikstraat 31 B-1673 Beert

Telephone: +32 2 356 18 78

Email: info@andreasglatt.be
Web_Page: http://www.andreasglatt.be/
Instruments: Baroque recorders after Stanesby Jr. (alto), J.C. Denner (alto), Bressan (voice flute & fourth flute), Borkens (alto).

Transverse flutes after Hotteterre, Naust, Bressan, Stanesby Jr., G.A. Rottenburgh, Palanca.

All instruments only with original fingering and at original pitch.

Notes: Andreas Glatt was one of the first modern makers to try to create recorders as close to the originals as possible, including fingering, pitch, tuning, etc. At the first International Recorder Days/Festival of Flanders in 1972, he exhibited his Stanesby Jr recorder made at the original pitch (A410), at that time in the private collection of Mme Chambure and now in the permanent collection of the Cité de la Musique, Paris. After a hiatus from 1978-2000, during which he co-founded Accent Records with his wife, Adelheid, he is back making traversos and recorders.

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Maker:	Luke Goembel
Country:	United States of America (USA)
Address_1:	1020 Regester Avenue, Baltimore, MD 21239
Web_Page:	http://www.goembel.biz/
Instruments:	Luke writes: "After not doing a lot in the way of recorder making for about seven years, I am now working to produce renaissance-style recorders with medieval-like tools, including a pole (foot powered) lathe and spoon bits. I'll rough turn the blanks green, then do the fine turning after the blanks dry" (2004).
Notes:	An Applied Physics Laboratory scientist and accomplished amateur recorder-maker. See Field, M. (1996): Craftsmanship sets Luke Goembel apart, The Gazette: Newsletter of the John Hopkins University 25(19).

Maker:	Tom A. Sears
Country:	United States of America (USA)
Address_1:	161 West 21st Ave, Eugene, Orlando OR 97405-2807
Telephone:	+1 541 686 5972
Fax:	+1 541 686 5972
Email:	searsflutes@continet.com
Instruments:	Baroque recorders after Stanesby Jr.
Notes:	Sears made a dozen or so Stanesby Jr recorders in early 1970s while working for Vernon Powell flutes in Boston. He was encouraged in this by Friedrich von Huene, who had also worked at Powell's previously. He is not actively producing recorders now, but is currently subcontracting flutes for Vernon Powell and has his own business making heads for flutes. Rumour has it that he is contemplating making recorders again.

Maker:	Monika Musch
Country:	Germany
Address_1:	Karl-Ruby-Straße 32, 78315 Radolfzell
Telephone:	+49 (0) 77 32 93 89 77
Fax:	+49 (0) 77 32 93 89 66
Email:	mail@monikamusch.de
Web_Page:	http://www.monikamusch.de/
Instruments:	Medieval recorders; renaissance recorders after Ganassi.
Notes:	Alto and tenor recorders by Musch can be heard on a CD by Les Flamboyants, details of which are available here.

Maker:	Nikolaj Ronimus
Country:	Denmark
Address_1:	Livjægergade 16, 2tv. DK – 2100 Copenhagen
Telephone:	+45 33 33 84 74; Mobile 4087 8474
Fax:	+45 33 33 84 74
Web_Page:	http://www.ronimus.dk/
Instruments:	Finishes instruments from the Fred Morgan workshop, Daylesford, Australia. Undertakes revoicing of all kind of recorders.
Notes:	Also a performer on the recorder.

Maker:	Amara
Country:	Unknown
Address_1:	Uknown
Notes:	I would appreciate additional and missing data on this maker.

Maker:	Bryan Tolley
Country:	France
Address_1:	8, route des Vignes, 64600 Anglet
Telephone:	+44 05 59 31 01 00
Fax:	+44 05 59 31 12 13
Email:	BTolley568@aol.com
Web_Page:	http://members.aol.com/vielleur/index1.html
Instruments:	Renaissance style recorders.
Notes:	Bryan is a highly skilled luthier. He has made other wind, string and percussion instruments. Bryan is also a maker of marionettes, a puppeteer and a member of The Troubadours of Aquitaine.

Maker:	Lewis Jones
Country:	United Kingdom (UK)
Address_1:	Sir John Cass Department of Art, Media and Design
Address_2:	London Metropolitan University
Telephone:	+44 020 7320 1841
Fax:	+44 020 7320 1830
Email:	l.jones@londonmet.ac.uk
Web_Page:	http://www.lgu.ac.uk/mit/cnmi/
Instruments:	Designer and builder (with David Armitage) of 19-division equal temperament recorders for use in microtonal music. The five keys enable accidentals in the lower part of the instruments' range to be played dependably, and also serve for many higher notes. The 19-division equal temperament has applications both in the faithful reproduction of pre-nineteenth century tunings, and in new microtonal music.
Notes:	See Barnes (2002). See here for image.

Maker:	Clive Catterall
Country:	United Kingdom (UK)
Address_1:	Inland Cottage, The Vauld, Marden, Hereford HR1 3HA
Email:	clive@flutes.fsbusiness.co.uk
Web_Page:	http://www.flutes.fsbusiness.co.uk/
Instruments:	Makes a recorder without a windway, in effect a notch flute.
Notes:	This new instrument is played by putting the head against the lower lip and chin so that the edge is level with the gap between the lips. Formation of the lip shape, angle of blowing and air pressure must be learnt, as with the transverse flute, but the fingering is the same as for a reorder. The thumb-hole can be used in the same way as it is on the recorder, or the shift between registers can be done with the embouchure alone, it is up to the player.

Maker:	Fred Morgan Workshop
Country:	Australia
Address_1:	PO Box 34 Daylesford VIC 3460
Fax:	+61 03 5348 7679
Email:	morganrecorders@gmail.com
Web_Page:	http://www.recorderhomepage.net/morgan/
Instruments:	Transitional recorders after Ganassi, van Eyck, Baroque recorders after Bizey, Bressan, Debey, Jacob Denner, Stanesby, Stanesby & Bressan, Stanesby & Hallet.
Notes:	The workshop is capable of producing recorder "bodies" up to approximately a third of the finished state. These are turned, stained, the holes drilled, and most importantly, the bores reamed. This can all be done to Fred's specific designs, with tools he designed and used daily. Colleagues state that the reaming done in this way is of enormous value. The clear aim in all this is to provide partly completed instruments using only Fred's design figures. So to this point the work is "purely Morgan", as it were. The recorder is then finished, i.e. voiced and tuned, by the builder of your choice. Makers who are willing to undertake this work include, Amman, Crijnen, Ehlert, Hirao, Meyer, Netsch, Ronimus, Togawa.

Maker:	Andreas Glatt
Country:	Belgium
Address_1:	Eikstraat 31 B-1673 Beert
Telephone:	+32 2 356 18 78
Email:	info@andreasglatt.be
Web_Page:	http://www.andreasglatt.be/
Instruments:	Baroque recorders after Stanesby Jr. (alto), J.C. Denner (alto), Bressan (voice flute & fourth flute), Borkens (alto). Transverse flutes after Hotteterre, Naust, Bressan, Stanesby Jr., G.A. Rottenburgh, Palanca. All instruments only with original fingering and at original pitch.
Notes:	Andreas Glatt was one of the first modern makers to try to create recorders as close to the originals as possible, including fingering, pitch, tuning, etc. At the first International Recorder Days/Festival of Flanders in 1972, he exhibited his Stanesby Jr recorder made at the original pitch (A410), at that time in the private collection of Mme Chambure and now in the permanent collection of the Cité de la Musique, Paris. After a hiatus from 1978-2000, during which he co-founded Accent Records with his wife, Adelheid, he is back making traversos and recorders.