Recorder Home Page

Hans-Joachim Burger (Germany)

• Synpor – oder die Kunst des Erfindens, interview with Nik Tarasov; from Windkanal 2: 14-18 (2001)

Lucia Becker Carpena (Brasil)

• Caracterização e uso da flauto doce nas óperas de Reinhard Keiser (1674-1739), PhD thesis, University of Campinas (2007)

Jean Sebastien Catalan (Germany)

• Brasilianischer Karneval in einer Barockstadt, reflections on a trip to Brazil by Jean Sebastien Catalan, incuding a conversation with recorder player Daniele Barros, from Windkanal 1/98 (in German)

Dan Chernikoff (USA)

• Bass Recorder Comparison – Yamaha Maple YRB-61M vs Zenon Cherrywood 5500B

Racheal Cogan (Australia)

• Asialink, India 2003, an account of Racheal's musical experiences in Chennai/Madras, India
• It's not all Greek to me!, an account of Racheal's musical travels in Macedonia, Greece and Crete; from American Recorder, November 2002.

Benjamin Gunnar Cohrs (Germany)

• Margret Löbner, Bremen; from Windkanal 1: (2001)

Gary Cook (UK)

• Hand Tools for Recorder Making, article by Gary Cook on the tools needed to make recorders

Bob Corbett (USA)

• The Recorder, a delightful account of playing his recorder to the inhabitants of a remote village in Haiti.

Tim Cranmore (UK)

• Recorder Maintenance … and Simple Tuning and Repairs
• Two Stanesby Junior Tenor Fourth Flutes – a Comparison, discusses instruments from the Bate Collection (UK) and the Frans Brüggen Collection.

• Die erste Flötenschule des Barock?, from Tibia 1/5 (1976).

Ray & Lee Dessy (USA)

• The Joys of Busking
• The Recorder Blues, how to get started with Blues recorder
• Wood, Oil & Water, everything you wanted to know about the physics & chemistry of the piece of wood that is your recorder, including advice on what oils to use, when to oil, how to make your own recorder oil & windway decongestant solution, notes on alternative materials from which to make recorders. Oils just ain't oils!
• The Clay Pot that Sings: The Ocarina of Time, a fascinating guide to the recorder's near relative by Ray and Lee Dessy (USA)
• Sound-Off: Recorder Mikes: What Sounds Good, Is Good!, Have an itch to try a microphone with your recorder? Are you afraid of the electrons and the vocabulary? Worried about what your colleagues will think of you? Want some hints on how to begin? Start with this highly informative article by Ray Dessy (USA)

Dolmetsch Musical Instruments (UK)

• Dolmetsch Musical Instruments, a fascinating account of the history of this remarkable British workshop

Yvonne Drynda (Germany)

• Wenn die Blockflöte allen Vorurteilen trotzt und verzaubert: Ein Porträt der dänischen Nachtigall Michala Petri, die einem verkannten Instrument neuen Glanz verleiht, by Yvonne Drynda, from NMZ Musikzeitung 1997 46. Jahrgang, Ausgabe 7/8, July/August, (in German)

Ralf Ehlert & Sabine Haase-Moeck

• The Charles Darwin of Early Music, Friedrich von Huene in conversation with Ralf Ehlert & Sabine Haase-Moeck, from Tibia (in German)

Jan Enberg (Sweden)

• Blockflöjten under 1900 – talet. Reflektioner kring olika utveklingstendense sett i ett musikhistoriskt sammanhang (1992), in Swedish

Romà Escalas (Spain)

• La difusión de la flauta de pico en Catalunya, from Audenis On-line (2004)

John Everingham (UK)

• On Choosing a Recorder
• Wooden recorder care

Paolo Faeti (Italy)

• Microbiological issues in Recorder playing and mantainance, from ERTA Newsletter, January 2006
• Microbiologische aspecten bij het bespelen en onderhouden van de blokfluit (in Dutch), from ERTA Nieuwsbrief, November 2005

Johannes Fischer (Germany)

• Portrait: Johannes Fischer (German composer for the recorder), from Windkanal 1/98 (in German)

Michael Form (Switzerland)

• Girolamo Cardano: De Musica, by Michael Form (Switzerland); from Windkanal 2: 10-11 (2002)

Tom Godin (Canada)

• This is a Recorder, describes using a recorder to simulate Pygmy Owl call

Dinnie Goedhart (Netherlands)

• Het spelen van hedendaagse blokfluitmuziek (in Dutch), from Nuovo News

David Green (USA)

• Frequently Asked Questions from Beginners, useful discussion of the merits of plastic vs wooden recorders
• Antique Sound Workshop Guide to Recorders, excellent survey of available instruments and their relative merits

Ilona Hanning (Germany)

• Unbekanntes Gebiet?, Ilona Hanning on uses of third octave notes in the baroque recorder literature, from Windkanal 3/98 (in German)

Walter van Hauwe (Netherlands)

• Recorder versus blockflute, from Windkanal 2/97 (in German)
• Frans Brüggen at 60, from ARTAfacts, June 2004; translated from Tibia, March 1994

Julie Pi Hedeboe

• Über den Daumen gepeilt, a study of Michala Petri's thumb technique by Julie Pi Hedeboe; from Windkanal 2: 20-21 (2001)

Heidecker (Germany)

• Wege aus dem Blockflötendilemma?, Versuch einer Standortbestimmung zum Ende des 20. Jahrhunderts, Martin Heidecker on the recorder 'dilemma', from Windkanal 2/98 (in German)

Nick Horn (Austarlia)

• Recorders in Borderland: The Recorder and World Music in Australia, from Nick Horn (Australia)
• We are what we listen to: An interview with David Bellugi

Dirkjan Horringa (Netherlands)

• De electronische blokfluit: Interview met Michael Barker (in Dutch), from Nuovo News

Susan Taylor Howell

• Kodály and the Recorder

Markus Huber

• Blockflötenbau am Zürichsee - Ein Gespräch mit Gerhard und Markus Huber, discussion with the Swiss recorder makers, from Windkanal 3/98 (in German)

Friedrich von Huene (USA)

• Friedrich von Huene im Gespräch mit Ralf Ehlert und Sabine Haase-Moeck, from Tibia (in German).

Erik Jahn (Germany)

• Fred Morgan – eine Reise in die Zukunft: Anne Morgan begründet Partnerschaft mit Mollenhauer Flötenbau/Fulda, by Erik Jahn (Germany), Jo Kunath (Germany) & Anne Morgan (Australia); from Windkanal 1: 22-27 (2002)

Ted Jerome (USA)

• Orkon, photographs and documents concerning this keyed recorder invented and marketted by Edward V. Powell in the 1950s

Makoto Kajitani (Japan)

• Development of Musician Robots in Japan, describes MUBOT, a robot system that can play a recorder, violin or cello automatically. From Journal of Robotics & Mechatronics 1: 254-255 (1989).

Martin Kirnbauer (Switzerland)

• Die Blockflöten Sammlung im Musikmuseum, Basel, interview; from Windkanal 1: 24-27 (2001)

Jolande van der Klis (Netherlands)

• Ik heb besloten dat ik voorlopig toch maar blokfluitist blijf. Aan het woord: Walter van Hauwe (in Dutch), from Tijdschrift voor oude muziek 4 (1992)

Andreas Küng (Swiss)

• Küng Blockflötenbau: Bereit für den Spagat, from Windkanal 3/99 (in German)

Jo Kunath (Germany)

• Eine ölige Sache …, by Jo Kunath; from Windkanal 4: 24-27 (2000)

Nicholas Lander (Australia)

• An interview with Nicholas Lander, from Andrew Mayes, Recorder Magazine 10(2): 50-53 (2000)
• Ein Interview mit Nicholas Lander von Andrew Mayes, Windkanal 3/00: 14-19 (2000)
• The Recorder: Instrument of Torture or Instrument of Music? history, technique, repertoire, recordings, courses, societies, makers, references
• A Memento: The Medieval Recorder, surviving specimens, iconography, etymology, literary references, modern reconstructions, references
• A Pipe for Fortune's Finger: The Recorder in Literature & Art, illustrated lecture concerning the recorder, its name, associations with the supernatural, disorder, pastoral & amorous activities, the recorder in the twentieth century

David Lasocki (USA)

• New Landscapes for Recorder: An Internet Conversation with David Bellugi
• David Lasocki – Forscher in Sachen Holzblasinstrumente [David Lasocki – Woodwind Instrument Researcher], a discussion with Sabine Haase-Moeck und Ulrich Thieme, from Tibia (in German)
• Spuren aus der Renaissance. Dr David Lasocki gibt einen Einblick in die Blockflötenwelt der Renaissance, from Windkanal 4: 6-12 (2003)
• A Listing of Inventories and Purchases of Flutes, Recorders, Flageolets, and Tabor Pipes, 1388-1630
• Johann Christian Schickhardt, Tibia 3/337 (1977)
• The Recorder and Other Members of the Flute Family in Writings from 1100 to 1500 (2012).

Paul Leenhouts (Netherlands)

• A Noble Noyse of Musicke: Die Anmut und Würde englischer Instrumentalmusik von 1540-1620
  • Teil 1, from Windkanal 2 (1999)
  • Teil 2, from Windkanal 3 (1999)
• Portrait: Paul Leenhouts, from Windkanal 4 (2003).

Clara Legêne (Netherlands)

• Paul Leenhouts: Een interview van Clara Legêne (in Dutch), from Nuovo News

Volker Leiss (Germany)

• Portrait: Volker Leiss im Gespräch mit Gisela Rothe (German recorder player), from Windkanal 3 (1999)

Francesco Li Virghi (Italy)

• Un Flauto Dolce con Testa in Ceramica, (in Italian)
• Ceramic Head Recorder, (in English)
• I Flauti dell'Accademia Filarmonica di Bologna [Rafi and Grece recorders in Bologna] (in Italian)

Hans-Martin Linde (Switzerland)

• Hans-Martin Linde: Maler und Komponist, from Windkanal 2003/1: 20-21 (2003)

Bob Marvin (Canada)

• Judging Recorders on an Historical Basis
• A Short, Personal, and Musical History of Recorders

Matthias Maute (Canada)

• Die Spitze des Eisbergs oder: Die Blockflöte zwischen U- und E-Musik, by Matthias Maute (Canada); from Windkanal 2: 15-19 (2002)
• Sei Soli per Flauto senza Basso: Ein Zeitgenosse im Barock, by Matthias Maute, from Windkanal 1: 12-17 (2001)

Michel Meynaud & Johannes Fischer (Germany)

• Cross-Interview: Michel Meynaud im Gespräch mit Johannes Fischer, a discussion between these two composers
  • Teil 1, from Windkanal 3 (1997)
  • Teil 2, from Windkanal 1 (1998)

Hermann Moeck (Germany)

• Zur "Nachgeschichte" und Renaissance der Blockflöte, from Tibia 1/13 (1978)

Helcio Müller (Brasil)

• A flauta doce no laboratório de música eletroacústica, experiments with the electro-acoustic recorder (in Portuguese)

Ölquellen (Germany)

• Historische Anmerkungen über Blockflötenpflege, from Windkanal 3 (2003)

Susan O'Neill (UK)

• Recorders Rubbished! The Young People and Music Participation Project (Keele University 2001), find that the recorder was the least favourite of musical instruments in a survey of 1,209 pupils, even though it was the one played by the largest number

Kees Otten (Netherlands)

• Die Stille zwischen den Noten, by Kees Otten; from Windkanal 2: 22-23 (2001)
• Portrait: Kees Otten – Blockflötepionier, interview with Nik Tarasov (Switzerland); from Windkanal 4: 6-9 (2001)

Stefaan Ottenbourgs (Germany)

• Die Familie Rottenburgh, from Tibia 3/447 (1989)

Joachim Paetzold (Germany)

• Dazumal und heute noch … gratuliert Joachim Paetzold zum 40-jährigen Werkstattjubiläum, interview with Nik Tarasov (Switzerland); from Windkanal 4: 10-11 (2001)

Ingrid Pearson (Australia/UK)

• Delicacy, Sentimentality and Intimacy: The Chalumeau as 'Signifier', by Ingrid Pearson (Australia/UK), asserts (rather than demonstrates) that "it is certain that experimentation in the workshops of Denner, Oberländer and Kelmer during the late 17th and early 18th centuries was motivated by a recognition of the recorder's inability to cope dynamically within the developing orchestral medium" and "we can only but blame early 18th century composers' fascination with the sonic novelty of the chalumeau for the demise of the recorder"

Dorothee Oberlinger (Germany)

• Gerhard Braun im Gespräch mit Dorothee Oberlinger [Dorothee Oberlinger in conversation with Gerhard Braun], from Tibia (in German).

Michala Petri (Denmark)

• Zu Besuch bei Michala Petri, interview with Michala Petri, from Windkanal 1: 6-9 (2001)

Philipp Pickett (UK)

• J.S.Bach: The Brandenburg Concertos, A new Interpretation

Barnaby Ralph (Australia)

• Piers Adams and his recorders: a personal perspective, by Barnaby Ralph. Article published in the Queensland Early Music Journal, Autumn 2002

Patricia Ranum (USA)

• To imitate French tonguings for wind instruments, is it realistic to think that "veddy" (or, rather, "teddy") is a near-equivalent for the syllables tu and ru?, an important article on the pronunciation of French articulation syllables
• Some further thoughts about (and images of) the vowels in French tonguing syllables
• A Glossary of French "Terms of Movement"

Geoff Raskin (USA)

• Zwischen Computerrevolution und Alter Musik: Interview with Jef Raskin, "Father of the Macintosh", with Nik Tarasov; from Windkanal 4 (2004).

Kay Reinhardt (Germany)

• Phil Bleazey: Ein Flötenbauer aus Kent auf dem 10. Tanz- und Folkfest Rudolstadt, by Kay Reinhardt; from Windkanal 4: 29-21 (2000)

Eduard Valdivia Rivera (Germany)

• Eduard Valdivia Rivera, Stradivari, Kynseker & Co., interview with Nik Tarasov; from Windkanal 4: 10-12 (2000)

Andrew Robinson (UK)

• Families of Recorders in the Late 17th and 18th Centuries: The Denner Orders and Other Evidence

Ronald Roseman (USA)

• Baroque Ornamentation, by Ronald Roseman (USA), from Journal of The International Double Reed Society 3 (1975)

Gisela Rothe (Germany)

• Intonation im Blockflöten-Ensemble, by Gisela Rothe (Germany)
  • Teil 1, from Windkanal 2: 24-29 (2001)
  • Teil 2., from Windkanal 3: 22-28 (2001)
• Helder Blockflöten: Konstruktion & Bauweise, from Windkanal 2: 25-27 (2002)

Anthony Rowland-Jones (UK)

• Antes de tocar sonatas barrocas. Aspectos generales, from Playing Recorder Sonatas: Interpretation and Technique (Clarendon Press, Oxford, 1992). Spanish translation by Agostino Cirillo, published in Revista de Flauta de Pico 7 (1997).
• Iconography in the history of the recorder up to 1430 – Part 1, published in Early Music 33(4): 557-574 (2005).
• Iconography in the history of the recorder up to 1430 – Part 2, published in Early Music 34(1): 3-28 (2006).

J.F.M. Russell (USA)

• Russell, J.F.M. (2010). The Little Shepherd Leaves Town The Recorder and its Family in the 19th Century.

Heike Schmidt (Germany)

• New Generation. Gerhard Braun über die Moderne Altblockflöte, from Windkanal 1/98 (in German)

Bábara Sela Andrés (Spain)

• Afinación de intervalos puros, un artículos sobre los sonidos resultantes de utilidad para los flautistas de pico, on difference tones produced by recorders (in Spanish)

Nadja Schubert (Germany)

• Harmonische Blockflöten als neue Generations in der Blockflötenfamilie, by Nadja Schubert (Germany), with Maarten Helder; from Windkanal 2: 22-24 (2002)

Ian Shanahan (Australia)

• Compositional Stragegies and Applications for Recorder Multiphonics: Some Miscellaneous Possibilities, by Ian Shanahan (Australia), extract from Recorder Unlimited: A Preliminary Study of the Alto Recorder's Multiphonic Resources, Ph.D.(Prelim.) Thesis, University of Sydney, April 1993

Terry Simmons (Australia)

• The good oil … what really happens when you oil your recorder? from The Recorder (Australia) 17: 15-22.

Peter Sinnaeve (Belgium)

• Das neue Instrumentenmuseum im Brüssel, by Peter Sinnaeve; from Windkanal 4: 18-19 (2000)

Helge Stiegler (Austria)

• Roggenbrot, Schafskäse & Blockflöten, Jean Sebastien Catalan in discussion with recorder maker Helge Stiegler, from Windkanal> 2 (1998)

Nikolaj Tarasov (Germany)

• Mozart und Blockflöte: Gibt es mehr Blockflötenmusik als man denkt?!, music by members of the Mozart family arranged for duct-flutes, from Windkanal 1 (1998)
• De gläserne Blockflötenspieler, from Windkanal1: 6-9 (1999)
• Portrait: Joachim Paetzold – Lorbeeren zum 77. des Meister Paetzold, portrait of this innovative recorder maker, from Windkanal 3 (1998)
• Von Pflock bis Blöte … 1001 × Blockflöte: Erata, Synonyma, Wortspiele … , from Windkanal 3 (1999), an etymological tour de force
• Vivaldis 4. Flautinokonzert, from Windkanal 4 (1999)
• Neus von Beethoven: Csakan-Recherchen beim großen großen Wiener Klassiker
  • Teil 1, from Windkanal 3 (2000)
  • Teil 2, from Windkanal 4 (2000)
• Gyula Foky-Gruber: Nik Tarasov traf den ungarischen Komponisten, Flötenbauer und -spieler, from Windkanal 4: 14-17 (2000)
• Blockflötenunterricht in der ersten Hälfte des 20.Jhr., from Windkanal 4: 23-26 (2001). Review and commentary on a book by Gabrielle Puffer
• Die Blockflö.ten der Accademia filarmonica di Bologna. Windkanal 3: 6-11 (2004).
• Flauti dolci bolognesi II., from Windkanal 4: 12-17 (2004).
• Peter Harlan im Spiegel Geschichte
  • Teil 1: Die Wiederentdeckung der Blockflöte, from Windkanal 3 (2006)
• James Dean & Blockflöte: Jimmy is anders, from Windkanal 4 (2005)
• Was ist ein Csakan? – Von der Waffe zum Musikinstrument, from Windkanal 1: 14-19 (2009).
• Bach and the Recorder. Part 1: Bach in Mühlhausen, Weimar, Köthen Windkanal 2: 2005; Recorder Magazine
• Bach and the Recorder. Part 2: Bach in Leipzig. Windkanal 2: 2005; Recorder Magazine

Philipp Tenta (Austria)

• Plädoyer für das musikalische Dilettantentum, from Windkanal 1: 18-21 (2001)

Sally Terris (USA)

• Why Suzuki Recorder, from American Recorder 47(5): 28-29 (2006)

Ulrich Thieme (Germany)

• Die Blockflöte in Kantate, Oratorium und Oper, from Tibia 2/81 (1986)
• Die Affektenlehre im philosophischen und musikalischen Denken des Barock, from Tibia 3/161 (1982)

David Tredenick (Australia)

• Recorder Making: Report to the Winston Churchill Memorial Trust of Australia by David Tredenick, 2001 Churchill Fellow. Considers technical aspects of recorder making such as wind-way design, bore design and tuning techniques

John Turner (UK)

• Rawsthorne's Recorder Suite: A Mystery Solved

Useless Information Website

• The Matchstick Man, describes and illustrates the work of Jack Hall (?-1993), a British sailor aboard the tramp steamer Eastwick, who made a number of playable musical instruments from matchsticks, including a recorder from 2,000 matchsticks!

Renee Veenstra (Netherlands)

• Pieter Bakker: "Niet componeren is zoiets als tijdverspilling" (in Dutch), from Nuovo News
• Yvonne Hogt: "Ratatouille", lessen en cursussen (in Dutch), from Nuovo News
• Johan de With: Musicus (in Dutch), from Nuovo News

Joan Vives (Spain)

• La flauta de bec, notes sobre els seu desenvolupament històric, on trobareu un repàs del desenvolupament històric de la construcciò de la flauta de bec des dels seus inicis medievals
• Tècnica d’articulació segons La Fontegara de Silvestro Ganassi, Venècia 1535, traducció dels aspectes més interessant referents a l'articulació corresponents al tractat més antic per a flauta de bec feta per Romà Escalas
• Traducció completa del Traité de la flûte à bec i de fragments del Traité de la flute traversière extret dels Principes de la flute … de Jacques Hotteterre, París 1707, amb informació important sobre la interpretació de la música francesa.
• Traducciò de Un nou sistema de flauta de bec de Thomas Stanesby Junior (Londres c. 1732) on es fa una interessant defensa de l'ús de la flauta de bec tenor com a instrument solista .

Daniel Waitzman (USA)

• Up from Authenticity, a personal memoir which includes an account of Dan's experience with the modified bell-keyed recorder developed by him

Rodney Waterman (Australia)

• Recorders - Relatively Speaking: Sixteen Recorders At Four Relative Pitches
• Fred Morgan (1940-1999), obituary from Windkanal 3/99 (in German)
• Recorders … and all that Jazz, review (revised Jan 2003) from the original first published in The Recorder Journal of the Victorian Guild 4: 26-27 (1986)
• Fred Morgan, Recorder Maker,obituary
• Fred Morgan (1940-1999) — Discography

Rainer Weber (Germany)

• Die Instrumentensammlung der Accademia Filarmonica in Verona und Probleme ihrer Restaurierung, Tibia 2: 313-319 (1991)

Peter Wells (Northern Ireland)

• The Recorder in Contemporary Irish Music: Crow (1999) by Benjamin Dwyer

Thiemo Wind (Netherlands)

• Jacob van Eyck, biographical notes
• Der Fluyten Lust-hof, introduction and background
• Chain Variations in van Eyck's Der Fluyten Lust-hof, from American Recorder, 28(4): 141-144 (1987).
• Jacob van Eyck's Der Fluyten Lust-hof: Composition, Improvisation, or … ? Consequences for Performance Practice, from Lasocki (ed.), The Recorder in the Seventeenth Century - Proceedings of the International Recorder Symposium, Utrecht 1993 (Utrecht, 1995). Pp. 177-195.
• Jacob van Eyck and his Euterpe oft Speel-goddinne, from American Recorder, 27(1): 9-15 (1986).
• 'Je ne puis eviter': 17de-eeuwse blokfluitvariaties van een Nederlandse 'groupe des trois', from Musica Antiqua 10 (3): 104-111.
• Die Psalm-Variationen Jacob van Eycks: Geschichte, Analyse, Interpretation, from Tibia, 1/90 (1990), 22-32.
• 'Some Mistakes or Errors', from Recorder Magazine 11 ( 3): 82-86 (1991).
• 'Stemme nova' – eine neuentdeckte Komposition Jacob van Eycks, from Tibia, 2/1993: 466-469.
• Why the duets from Der Fluyten Lust-hof are not by Jacob van Eyck, from Recorder Magazine, 16(2): 44-48 (1996).
• Jacob van Eyck gets a medal, from Jacob van Eyck Quarterly 2007, 4.
• A Van Eyck discovery in Antwerp, Belgium, from Jacob van Eyck Quarterly 2007, 3.
• Jacob van Eyck in literature: The Island of the Day Before by Umberto Eco, from Jacob van Eyck Quarterly 2007, 2.
• Jacob van Eyck gets a memorial stone, from Jacob van Eyck Quarterly 2007, 1.
• The titles of Jacob van Eyck's collections, from Jacob van Eyck Quarterly 2006, 4.
• Jan Baptist Verrijt: A carillon (and recorder) pupil of Jacob van Eyck, from Jacob van Eyck Quarterly 2006, 3.
• The 'Fantasia & Echo' and recorder dynamics, from Jacob van Eyck Quarterly 2006, 2.
• A genuine signature of Jacob van Eyck. from Jacob van Eyck Quarterly 2006, 1.
• 'Rosemont' : Pulling down, building up, from Jacob van Eyck Quarterly 2005, 4.
• Composition or improvisation: what 'Van Goosen' reveals, from Jacob van Eyck Quarterly 2005, 3.
• Plea for a monophonic Van Eyck, from Jacob van Eyck Quarterly 2005, 2.
• Van Eyck's outdoor performance as a reference: mind the pitfalls, from Jacob van Eyck Quarterly 2005, 1.
• Coridon and Amarillis: recorder echoes in a Dutch play of 1634, from Jacob van Eyck Quarterly 2004, 4.
• 'Amarilli mia bella' : Jacob van Eyck's melodic model, from Jacob van Eyck Quarterly 2004, 3.
• Jacob van Eyck's variations on 'Comagain': AABB or ABB? from Jacob van Eyck Quarterly 2004, 2.
• Music for the Janskerkhof (2): 'Wat zalmen op den Avond doen', from Jacob van Eyck Quarterly 2004, 1.
• Music for the Janskerkhof (1): 'De lustelycke Mey', from Jacob van Eyck Quarterly 2003, 4
• Jacob van Eyck's publisher: Paulus Matthijsz, from Jacob van Eyck Quarterly 2003, 3
• 'Courante, of Ach treurt myn bedroefde': Jacob van Eyck leaving the beaten track, from Jacob van Eyck Quarterly 2003, 2
• Lodewijk Meyer, a contemporary fan of Jacob van Eyck, from Jacob van Eyck Quarterly 2003, 1
• An 18th-century source of the Batali, from Jacob van Eyck Quarterly 2002, 4
• Pavaen Lachrymae / Pavane Lacryme; or How an Editor tried to help Van Eyck (and finally did), from Jacob van Eyck Quarterly 2002, 3
• Courante Mars: variations (re?)united, from Jacob van Eyck Quarterly 2002, 2
• Jacob van Eyck and poverty: a revaluation of the evidence, from Jacob van Eyck Quarterly 2002, 1
• Stil, stil een reys: A New Reconstruction, from Jacob van Eyck Quarterly 2001, 4
• The house where Jacob van Eyck lived . . ., from Jacob van Eyck Quarterly 2001, 3
• On the origin of Beginnende door reden ons gegeven (NVE 142), from Jacob van Eyck Quarterly 2001, 2
• Jacob van Eyck in Nimegue, 1651, from Jacob van Eyck Quarterly 2001, 1

Windkanal (Germany)

• Portrait: Nadja Schubert (German recorder player), from Windkanal 4 (1999)
• Gerhard Braun zum 65. Geburtstag, tribute to the recorder player and composer, from Windkanal 3 (1997)

Ross Winters (UK)

• The Dolmetsch Legacy: The Recorder Music Composed for Carl Dolmetsch, 1939-1989, based on a talk given by Ross Winters at the ERTA-UK Conference in May 1997.

Joseph S. Wisniewski (USA)

• Oiling Your Recorder?

David Young (USA)

• A Q&A with David Young, recorder player extraordinaire who has sold over 600,000 self-produced CDs!

Hein Zegers (Netherlands)

• Hedendaagse: Japanse Blokfluitmuziek (in Dutch), from Nuovo News

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